52 pages • 1 hour read
Stephen KingA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
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Gordie feels gloomy. He wonders if the incident with Chopper and Milo is a sign that they should go home. Teddy starts sobbing. Chris, who is always the best at comforting people, reminds Teddy that Milo wasn’t at Normandy like Teddy’s father. Teddy calms down. Vern says he’s scared and has been having nightmares about dead people. He’s worried that if they see the dead kid, he’ll come into Vern’s dreams. They reach the Castle River.
Vern is nervous about walking across the train tracks on the bridge over the river. If a train comes, they’ll have nowhere to go, but using the tracks will save them a lot of time. They go in single file. Teddy and Chris are far ahead. Gordie goes last, following Vern. He has what he calls a “psychic flash,” kneels, and grips a rail. It’s vibrating. He’s more scared than he’s ever been. Gordie screams that a train is coming. They run. Gordie and Vern barely make it.
They stop to drink the Cokes. Gordie is glad to be alive. In a flash-forward, the adult Chris muses that he understands why people become daredevils.
Chris asks him to tell a story. Gordie recalls how a boy named Richie found stories that Gordie was working on and told Gordie that he was good and should show the stories to Chris. Richie shared his stories with the others, and they liked them.
He tells them a story about a pie-eating contest in the fictional town of Gretna, Maine. An obese kid named Davie Hogan is always getting bullied. He decides to get revenge during the contest.
Chapter 16 is the text of The Revenge of Lard Ass Hogan, originally published in Cavalier magazine in 1975. Lots of people bet on the pie-eating contest, including some of the contestants. Hogan eats the first pie at a record pace. During his fifth pie, Hogan—who drank an entire bottle of castor oil at home before the contest—begins purposely thinking of disgusting images and then vomits on Bill Travis. The entire crowd begins throwing up on each other.
Hogan declares that the contest is a draw and then walks home. Teddy wants to know what else happened, but Gordie says he doesn’t know because that’s the end of the story. Teddy and Vern try to come up with alternate endings.
They start to walk again. Chris says that he’s impressed with how easily Gordie invents stories. He asks Gordie if he’s ready for school and says that they will all be “quits” by the following June. He says that Gordie will be in the college courses, and they’ll be in shop. Gordie replies that he’d rather be with them. Chris says that Gordie can’t let his friends drag him down and that he knows Gordie’s parents don’t care about him but that he’ll look out for Gordie if his parents won’t. He adds that Gordie won’t write his stories down if he takes shop class.
Chris talks about being accused of taking milk money. When he was the milk money monitor, a few dollars disappeared. He knows that people look down on him and his family. Everyone assumed that he’d taken the money. Chris tells Gordie that he stole the money, but when his conscience bothered him, he returned it to the teacher, Mrs. Simons, who took the money, bought herself a skirt, and still allowed Chris to get suspended for three days.
They walk another mile and then camp in the Harlow woods. They cook the hamburgers and smoke cigarettes. They talk for an hour by the fire. Gordie thinks about Ray Brower. It makes him sad, so he tells a Le Dio story. The Le Dio stories are always about soldiers facing improbable odds, and Teddy loves them.
Gordie hears Vern groaning in the night. Vern is promising someone that he’ll be a good boy. They hear a scream. Teddy thinks it is Ray’s ghost. They hold him down, and they hear another scream. They sleep in shifts. Gordie dreams that Chris drowns and wakes up to Teddy shaking him.
Gordie wakes at dawn. He goes and sits on the railroad tracks. He sees a deer. She runs when a train approaches. Gordie never tells them about the deer, and he never writes it down until now. For him, it’s the best part of the trip.
They walk through the heat. Gordie feels that they must see the body. They find a beaver dam and swim in the pool, but soon they’re covered in leeches. Gordie picks them off Chris. He sees a huge leech on his testicles. Gordie pulls it off and starts crying but isn’t sure why. Fourteen years later he sells his first novel. When his editor, Keith, takes him on the Staten Island Ferry, Gordie sees condoms floating in the water. They remind him of the leeches. He thinks, “The only reason anyone writes stories is so they can understand the past and get ready for some future mortality” (131).
After the boys walk for a while, Gordie faints. When he wakes up, he says that he was thinking about the leeches.
The boys realize that they haven’t taken the most efficient route; they won’t reach the Royal River until at least four o’clock. Back at home, their families will know that they’re missing. Nevertheless, they keep going.
They decide to walk down the tracks. Years later, Gordie wonders if his friends would still be alive if they hadn’t made that choice. At the time, they didn’t yet know that a group of hoodlums was also in the woods, looking for the body: Ace Merrill, Eyeball (Chris’s older brother), Vince Desjardins, Norman “Fuzzy” Bracowicz, Jack Mudgett, Charlie Hogan, and Billy Tessio (Vern’s older brother). They thought they could be famous if they found the body.
Chris’s pessimism and fatalism inform much of the narrative in Chapters 13-24. Early in the section, Chris tells Gordie, “People drag you down” (112). He then makes it clear that he’s not only talking about family or about people at large. Rather, he includes friends in his calculus: “Your friends drag you down, Gordie. Don’t you know that?” (112). Chris sees himself as trapped in a cycle that will never end as long as he’s in Castle Rock, but he doesn’t think he can find a way to leave town. The town’s citizens have already made up their minds about him, and he can’t change their minds. His only hope for freedom and peace is “to go someplace where nobody knows me and I don’t have any black marks against me before I start” (112). When Chris tells Gordie the truth about the milk money, his grim outlook about staying in Castle Rock is easy to understand.
The incident when they cross the train tracks over the river exemplifies—in a literal way—how friends can almost drag each other down. Gordie is behind Vern as they cross, and Vern’s slowness nearly leads to both of their deaths. As an adult, Gordie describes understanding that people become daredevils when they seek unhealthy thrills because nothing is as exciting as risk. In hindsight, he sees that the many elements of unknown risk are part of what so magnetically compelled them to go to see the body.
Despite the theme that friends can drag each other down, Gordie’s time with the others during these chapters is warm and relatively lighthearted. At the campfire, Gordie’s telling of the pie-eating story could have been a scene at any camping trip, with any boys. Additionally, the scene demonstrates that Gordie’s motivations for telling stories are less concrete than he says when he writes, “The only reason anyone writes stories is so they can understand the past and get ready for some future mortality” (131). Although the story of Davie Hogan and the blueberry pies is thematically sad (a tale about a boy who’s bulled to the extent that he takes revenge on his town), it’s so hilarious and outrageous that it almost resists a deeper interpretation.
However, the story’s aftermath is a reminder that the boys inhabit different realities. Teddy and Vern cannot tolerate Gordie’s ambivalent ending to the story. Their reaction foreshadows the fact that their walk to Ray’s corpse will also have an ending that might not be simple or desirable.
Despite the enjoyable parts of the trip, Gordie describes his sighting of the deer as his favorite part in that it’s a clean experience. In contrast to the nauseating experience with the leeches and other nasty events in the story, the deer is certainly cleaner. More importantly, it’s one of the few things that Gordie experiences on his own and keeps to himself. Until writing it down for The Body, Gordie says, he’s never shared it with anyone. Unlike their lives, the deer’s reality is simple and pure. It doesn’t have to concern itself with family, friends, missing brothers, or cruelty from its own kind. The deer simply exists.
This section concludes, however, with a disturbing revelation. As they walk across the train tracks over the river, Gordie reveals that he’s the only one of his friends who’s still alive. He doesn’t blame himself for their deaths, whose causes he doesn’t reveal until the story’s last chapter. However, he took part in the decision to keep going to Ray’s body—and can never shake the feeling that a different choice could have saved his friends. Even though the entire story is about four boys on their way to confront literal death, this is the first time that Gordie removes any hope of a happy ending for his group. The knowledge that three of the four major characters won’t survive casts a shadow over everything that follows, raising questions about the trip’s effect on them in the long term.
As Chapter 24 ends, the reminder that Ace and his gang may be nearby is an ominous sign that coincides with the gathering storm clouds. The boys have reached the critical stage of their coming-of-age story.
By Stephen King
Action & Adventure
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American Literature
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Coming-of-Age Journeys
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Fear
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Novellas
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Sexual Harassment & Violence
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Valentine's Day Reads: The Theme of Love
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YA & Middle-Grade Books on Bullying
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