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27 pages 54 minutes read

William Faulkner

The Bear

Fiction | Short Story | Adult | Published in 1942

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Symbols & Motifs

Old Ben

Old Ben is the intelligent, powerful bear for which the story is named. Old Ben’s influence extends beyond his physical reach into mythical and psychological realms: “It [the bear] ran in [Isaac’s] knowledge before he ever saw it. It loomed and towered in his dreams before he even saw the unaxed woods where it left its crooked print” (183). One of a kind, the bear is described as “so long unwifed and childless as to have become its own ungendered progenitor” (199). To most of those affected by the bear, Old Ben represents a threat and a thief, a disturber of the peace and civilization as they strive to create it at the edge of the wilderness. Isaac and Sam, however, come to see Old Ben as an “anachronism indomitable and invincible out of an old dead time, a phantom, epitome and apotheosis of the old wild life” (183). Isaac’s respect for the bear deepens as he recognizes it to be “jealous and proud enough of liberty and freedom to see it threatened not with fear nor even alarm but almost with joy” (281). Old Ben therefore represents not only nature, but freedom and vitality. Although his death does not result in any immediate change to the forest, so powerful is his symbolic significance to Sam that Sam estimates the era of woodsmen like himself to be over—with good reason, as Isaac soon discovers.

The Curse of the South

Isaac repeatedly asserts that the South is cursed. Though the exact details of the curse remain unclear, the curse as Isaac understands it has to do with land and race. As he explains to Sophonsiba’s husband:

Dont you see? This whole land, the whole South, is cursed, and all of us who derive from it, whom it ever suckled, white and black both, lie under the curse? Granted that my people brought the curse onto the land: maybe for that reason their descendants alone can—not resist it, not combat it—maybe just endure and outlast it until the curse is lifted. Then your people’s turn will come because we have forfeited ours (264).

Isaac revisits his claims in his discussion with McCaslin, who receives them with similar skepticism to Sophonsiba’s husband, though for different reasons. Whereas Sophonsiba’s husband believes the curse has been lifted, McCaslin appears doubtful that there ever was or could be a curse. Fundamentally, however, when Isaac talks about a curse, he’s talking about the South’s history and future. He, McCaslin, and Sophonsiba’s husband represent three different approaches to that topic.

Familial Relationships

Issues of ancestry, familial relationships, and generation gaps surface in several contexts. Following the deaths of his parents, Isaac finds a father figure in Sam, even as he considers the woods to be a mother of sorts. Sam teaches Isaac to use “Grandfather” as a term of respect for majestic creatures, even as Isaac grows to despise his own grandfather. Faulkner questions the significance of ancestry, both in the contrast between Sam’s noble strain of Chickasaw blood and Boon’s relatively “plebeian” variety and in the contrast between Isaac’s inheritance through the male McCaslin line, while McCaslin belongs to the female line. Some characters are described as not having any ancestors at all. When, as recorded in the ledgers, Lucas Beauchamp refuses his assigned name of Lucius, he severs himself from his ancestors, becoming “selfprogenitive” or “by himself ancestored” (268). Likewise, Old Ben is described as “so long unwifed and childless as to become its own ungendered progenitor” (199). Taken together, these various threads suggest that ancestry and familial connections can be a source of pride or shame, of connection or repulsion, of great import or little concern, even inherited or chosen. From the broader perspective adopted by Isaac in his concluding visit to the Big Bottom, such details fade into insignificance with the recognition that all of life and nature forms a single whole.

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