41 pages • 1 hour read
Nora RobertsA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In the Valley of the Fey, contenders from every part of Talamh gather by the lake for the ritual that will decide the new Taoiseach (pronounced TEE-sha), their chieftain. The chosen one will see a legendary sword (named Cosantoir) in the water. Keegen O’Broin doesn’t want to be chieftain, but in the lake, he sees the face of a woman with red hair and gray eyes, and he sees the sword. He emerges from the lake and kneels before Mairghread, a former Taoiseach and mother of the chieftain Keegan is replacing. He vows to live for Talamh and stand for the light.
In present-day Philadelphia, riding the bus home from her job teaching middle schoolers, Breen O’Kelly sees a man with silver hair and feels the strange call to come home. She stops to check on the house of her mother, Jennifer Wilcox, a media director for a major advertising firm. Her mother is successful and well-manicured while 26-year-old Breen feels frazzled, anxious, and unhappy. Her best memories are of when she was young, before her father left.
In her mother’s office, a sudden breeze swirls papers from a desk drawer. Breen discovers an investment account in her name that holds nearly $4 million—money sent to her by her father, which her mother never told her about and has kept from Breen all this time.
Breen goes to Sally’s, a drag club, and tells her best friend Marco about her inheritance. They return to their shared apartment. Breen decides to quit her job and use the money to pay off her student loans, then fly to Ireland to look for her father. Marco agrees to go with her. He encourages Breen to overhaul her drab appearance and wardrobe.
Breen confronts her mother, who has always made her feel inadequate. On the way home, she glimpses the silver-haired man again. She tells Marco her mother’s reaction was “upset and worried I’d just sealed my doom or something” (49). She shows him her new tattoo on the inside of her wrist: The Irish word misneach (pronounced “misnaw”), which means courage. Sally of the club Sally’s calls and asks them both to work at the club the night before their departure.
Breen naps and dreams of walking through a green forest with a waterfall and a tiny dragon. She sees a black tower and hears sounds of war. She imagines she is underwater and hears a voice saying: “You are the key. Turn it. Awaken” (60). Marco wakes her and they go to the club to find that Sally, who is nurturing and kind to Breen, has thrown them a going-away party.
The next day, Marco and Breen take a limo to the airport to fly first class. Breen reflects on the cottage she found to rent for the summer and how, when Marco returns, she will be on her own for the first time. Marco suggests that Breen start a blog about her travels. The silver-haired man watches them go.
On the flight, Breen dreams of the green land and a man on a black horse who tells her to “Awake, and be” (73). Breen starts a blog called “Finding Me.” She and Marco drive their rental car to the castle where they are staying a few days. Breen writes down a dream she has of the green land and a woman visiting a graveyard who tells Breen, again, to awaken. Breen talks a morning walk through the gardens, touches her hand to a clump of flowers, and feels a hum. As she walks away, new flowers grow where she had touched.
Breen and Marco spend the day sightseeing and are delighted by the beautiful views. They eat in a pub in Doolin and Breen remembers her father traveled and played music. The pub owner recalls Eian Kelly, Breen’s father, and his band, Sorcery. He tells Breen her father met her mother at the pub. He’s sad to hear they divorced when Breen was 10, and they wonder where Eian is now. The pub owner gives Breen a picture of her father with his band, and that night she dreams of Eian, who loved her deeply.
In the morning, Breen writes for her blog, which is becoming popular. On her walk, she meets a woman named Morena who lets Breen fly her hawk. Breen is thrilled. Morena says she’ll see Breen at the homeplace, then disappears. Breen and Marco visit a castle and its folk park; while Breen is enchanted by the pastoral way of life, Marco says he’d rather have the Internet, LGBTQ rights, and penicillin (109). Breen sees the silver-haired man again. When she asks about Morena, no one at the castle knows of her. Breen dreams of herself as a child trapped underwater in a glass cage. When she screams, the glass shatters.
Marco gets a tattoo of an Irish harp before they drive to Fey Cottage, the place Breen rented for the summer. A woman named Finola McGill shows them around, and Breen is enchanted by the small, inviting cottage and its picturesque setting. She thinks “if she could have any house in the world with any view in the world, it would be just this” (131).
Breen writes in her blog of feeling at home in the cottage. She and Marco enjoy quiet days of exploring the area. After she takes Marco to the airport for his flight, Breen works with the gardener, Seamus, to learn about the plants. She doesn’t know she’s being guarded at night because she is Eian Kelly’s daughter.
Breen establishes a daily ritual of writing, walking, and learning to cook. When she visits the village, she buys an Irish harp as a gift for Marco. It reminds her of how her father tried to teach her to play. She plants flowers with Seamus. She dreams of a storm and of being threatened by something dark that “would take all she was, and drink it like wine” (154). On a walk one morning, Breen meets a friendly dog and follows him into the woods to an enormous tree ringed with gray stones. The dog climbs into the tree and when Breen follows him, she feels “the world drop away” (159).
The Prologue introduces Talamh and its archaic features based on tradition and myth, like the custom of diving for a sword to decide the new leader. While Breen is unaware Talamh exists, the reader knows. This is called dramatic irony, where the reader or audience is privy to something a character is not.
Breen dreams of Marg and Keegan, foreshadowing the meetings to come. These dreams are portents, as is Breen’s meeting with Morena, who educates her briefly in the medieval art of falconry. At times, the narration draws away from Breen’s point of view to describe the world around her. It dips into the point of view of the silver-haired man following her through Philadelphia, and describes the flowers growing in a garden after Breen leaves. This shifting away from Breen’s perspective signals that more is happening around Breen than she knows. The growing flowers represent the power she doesn’t yet realize she has and foreshadow the magickal training she will undergo in Talamh in Parts 2 and 3.
The inciting incident of the novel’s plot is Breen’s discovery of the investment account her mother hid from her. This sets other events in motion and hints at the many secrets Breen has yet to discover about her father and past. The opening chapters set up the difference between Breen and her mother Jennifer that will prove an important element of the backstory. Breen and her mother are foils, or characters that highlight one another’s traits through contrasting ones. Breen dulls her natural hair color, dresses in drab attire, shares an apartment, and struggles to pay off her student loans while her mother is successful, well-groomed, and lives in a comfortable house. Jennifer is even an antagonist in the sense that Breen feels she has always tried to limit or curtail her ambitions. Breen’s mother steered her into teaching, a profession Breen doesn’t enjoy and doesn’t feel she’s good at.
The novel suggests that while Philadelphia and the earth world suit Jennifer and allow her to prosper, they aren’t Breen’s true home. Her decision to travel to Ireland to find her father is the first step in discovering her past. The novel emphasizes the importance of choice and agency. She makes a series of escalating choices—changing her wardrobe, paying off her student loans, quitting her job—which free her from the burden of trying to be someone she’s not. Finally, her decision to leave America for Ireland sets off the chain of events that will allow Breen to discover who she really is.
The novel contrasts biological and chosen family. In contrast to her strained relationship with her mother, the opening chapters introduce Breen’s found family in Marco, her best friend and roommate, and Sally, the drag queen and bar owner who acts as Breen’s surrogate parent. These two provide Breen with a safe environment and emotional support. Marco serves as Breen’s guide and mentor in the real world. He encourages her to reveal her true self and go back to her bright red hair color. He tells her to have courage when she confronts her mother, and as a reminder, Breen gets a tattoo with the Irish version of the word. This will guide her as she learns to fight and take up the duty that falls on her as Eian Kelly’s daughter. Through chosen family members, Roberts shows The Importance of Love and Family.
Marco also encourages Breen to pursue her writing, another form of self-expression. The title of her blog, “Finding Me,” reflects Breen’s wish to pursue her interests and discover who she is meant to be. This is a symbolic step in her journey to discovering her birthright.
The changes in setting mark Breen’s emotional development. She moves away from the busy city of Philadelphia to the increasingly remote and pastoral world of Ireland, and then discovers the picturesque world of Talamh. Her stay at the castle and visit to the folk park introduce Breen to the quieter way of life she will find in Talamh. Ireland proves the gateway to her real origins; the Welcoming Tree turns out to be a portal, a natural feature that allows passage between the realms.
Breen’s arrival at Fey Cottage prepares her for the next step in her journey. Her feeling of comfort in the cottage hint that she is coming home, while the name hints at the magickal world she is about to enter. In Fey Cottage, Breen discovers that she loves writing and frees herself to pursue this dream. She also pursues her interests in plants and learns gardening from Seamus. Marco returns to the US; this separates Breen from the last link holding her to Philadelphia and that world. She’s ready to discover Talamh.
By Nora Roberts