47 pages • 1 hour read
Clare PooleyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In Thailand, Hazard gets homesick for England and flies back Christmas Eve. Hazard visits Monica’s Café and is delighted to find Monica and Riley embracing with Julian in their company. When Hazard enters, however, he is surprised that everyone looks appalled.
Monica recognizes Hazard from their run-in on the street. She feels something is wrong; when she had shown Riley Hazard’s postcard, he hadn’t mentioned knowing him. Hazard explains how he came to find the notebook and Riley.
Monica “[turns] the new reality over in her head” and asks herself if Riley and Hazard had “been laughing about her behind her back” or if “Hazard had deliberately targeted her after colliding with her” (159). She kicks everyone out of her café.
Alice’s mother-in-law passive-aggressively takes digs at her throughout their Christmas celebration while Alice accidentally gets drunk. When she tries to take a picture of their décor, Max grabs her phone and yells at her about her obsession with posting. Max and Alice have an argument about how much they’ve both changed. Alice takes a walk by herself to cool down. She left her phone at home but finds the green notebook in her bag. She reads Julian’s entries, then Monica’s.
She realizes that Monica is the same woman dancing in the café. Hazard’s entries make Alice question her own relationship with alcohol. Alice goes to Monica’s Café and finds Monica crying. Alice tells Monica about finding “The Authenticity Project,” but when Monica tells her she wishes she had never seen the notebook, Alice leaves her alone.
Monica feels stupid and deceived. Monica cries for the woman she thought she was turning into: confident, happy, strong. She mourns the loss of the woman she wanted to be.
Late at night, Alice feeds Bunty and tries to distract herself from family conflict by continuing her reading of the notebook. Riley’s entries detail his loneliness, how his “life has become less authentic, not more” (178) since finding the notebook. Because his relationship with Monica is built on a lie, Riley feels out of touch with himself.
Riley also writes about the way the other writers of the notebook truly are. Though Julian writes that he is sad, Julian is the life of the party. Monica writes about being unlovable, but she is the glue that brings and holds them all together. Hazard writes about being a bad person, but he has the capacity for calm kindness. Riley writes that he misses gardening, which gives Alice an idea.
Julian receives a text that the art class is canceled. He returns to his bed and his memories of Mary.
Hazard waits until New Year’s Day to try to find the others. He goes to the Admiral’s grave, hoping to run into someone. Riley meets him there. Riley is worried about Julian, who is not answering his door. They find Monica to help figure out what to do about Julian. Baz and Betty join the search party. They break into Julian’s house through the window. Julian is alive but cold, hungry, and confused.
Alice meets with Julian and Riley at the appointed place and time. She takes pictures of Julian in his impeccable and eclectic outfit and tells them that she’s an Instagram influencer. Alice brings them to a garden for a charity she helps market on her Instagram account. Julian volunteers to donate money.
Hazard is happy to be part of the trip but notices that Monica is still cold to him. He’s accustomed to women paying attention to him, and he feels that Monica should be thankful that he spent so much time thinking about how to find her a love match. Since getting sober, Hazard wishes “someone would tell him he was doing a really good job, and that he wasn’t a terrible person” (212). Alice sets up an Instagram account for Julian, whose pictures have been popular on her page.
As they tour museums, Monica notices that Julian obfuscates from questions by spinning tall tales. Monica feels small around Hazard and Alice, who “reminded her of the cool kids at school, the ones who seemed to fit in effortlessly” (216). Monica feels vulnerable because both Hazard and Alice have read her journal entries, so they know how she feels about herself. She judges Alice for constantly using social media. Their pleasant day is disrupted when Betty gets mugged. Benji runs after the thief and pins him down.
Betty, who had previously had a difficult time accepting Benji as her son’s boyfriend, strikes up a friendship with him after he rescues her belongings. Alice shows everyone the Instagram message Vivienne Westwood sent to Julian. Julian celebrates by buying everyone champagne, and Riley realizes that only he and Alice read Hazard’s journal entries about his struggle with addiction. Riley walks in on Alice as she struggles to clean Bunty during a diaper change, and he goes to find Monica to help Alice.
Monica helps Alice with the baby. Alice tells Monica that “’sometimes a marriage can be the loneliest place in the world’” (225). Alice notes that “mother” can be a verb as well as a noun. Monica mothers because she builds things like her café and their new group of friends. This is a life-altering revelation for Monica, who feels bad for judging Alice so harshly. Riley apologizes to Monica about withholding the information about the journal and she rests her head against his shoulder.
Alice returns home after the day in Paris to Max asking her to prepare food. She checks Julian’s Instagram, which is steadily growing in followers. While volunteering at the charity home for troubled mothers and their children, Alice realizes she’s lost the green notebook.
Hazard begins volunteering at Mummy’s Little Helper, the charity Alice promotes. He discusses addiction with some of the mothers in recovery. Hazard enjoys the work but needs to find another paid job soon. Hazard concocts a business idea to train some of the mothers at Mummy’s Little Helper as gardeners. Hazard admires Monica for starting her own business and wonders what she would do in his situation. He receives an invitation to a wedding for Daphne and Rita, two women he had met on the island.
Riley and Monica meet at the Admiral’s grave for the group’s weekly check-in, but Julian isn’t there. They see online that he is partying with fashion icons. Monica is hesitant to restart her relationship with Riley, who encourages her to follow her heart and travel with him if they work out. On their way out of the cemetery, Monica stops by the grave of the political activist Emmeline Pankhurst.
When Monica discovers the truth about Riley and Hazard, she questions her happy new life and the validity of serendipity. The joy of the notebook lies in the random ways these characters find one another, but Riley is led to Monica directly through the notebook. If Riley can no longer symbolize random joy, then the very idea of serendipity is brought into question. For Monica, this is upsetting. She is an impeccably careful person who started opening herself up to the randomness of the world, but the violation of her privacy suggests to her that she was safer when she was impenetrable. Monica learns that she should be uptight and controlling to be safe from hurt. Monica made the effort to be a different person, a woman who could go with the flow, but she ultimately regresses into believing that she should be closed off.
The conflict between Hazard and Monica is notable because of Monica’s own struggles with compassion. Though Monica is generous to others, she is also judgmental of Hazard. She easily dismisses him as a jerk because she suspects he has been mocking her by setting her up with Riley. She is unable to see that Hazard could truly have had her best interests in mind. Monica helps Julian revive his social life when she reads his journal entry, but she can’t believe that Hazard would do the same for her. Hazard represents painful memories of bullies and male rejection, so Monica doesn’t want to see past his good looks and brawny attitude. Ironically, Monica believes that Hazard is judging her when it is Monica who judges Hazard. Though it is true that Hazard judged Monica when he first read her journal entry, it is also true that Hazard has developed in his sobriety.
Monica doesn’t know Hazard’s past with substance use because she hasn’t read his journal entry. Therefore, the dynamics within their relationship are imbalanced. Hazard knows more about Monica than she knows about him, giving Hazard more information to work with when dealing with Monica. The dramatic irony reveals to the reader that Hazard and Monica are quite similar. They both struggle with authenticity, self-esteem issues, and difficulty making meaningful connections with others. They have dreams but are also caught up with the past. If Monica can find a way to show compassion to Hazard, Pooley implies that there is a meaningful relationship to be built between them.
These chapters reveal that people can come together for the greater good. The group of new friends is fractured by the revelation of Hazard choosing Riley to find Monica. Monica cancels the art classes, and it seems as though their fracture is irreparable. But when Julian descends into a depression, the group comes together to support him. Monica sets aside her issues with Riley and Hazard, Betty Wu sets aside her disapproval of her son’s sexual orientation, and Benji and Baz forgive Julian for revealing their secret relationship. Pooley uses Julian’s depression to show how individuals can set aside their conflicts for the good of someone else. This also demonstrates the importance of community. Alone, Julian is susceptible to self-harm, but within a community he has a support system that can save his life.
Another issue explored in these chapters is the division between men and women. Alice represents a stereotypical image of femininity. She is beautiful, fashionable, a mother, and a wife. Her husband expects that she acts as a dutiful housewife. Her Instagram followers expect that she curates her image of aspirational womanhood. And the whole world expects that she is blissful in her new motherhood. Other people box Alice into a prototypical image of womanhood, one that Alice tries to mimic. In comparison, Monica represents an independent woman who nonetheless feels empty for not having a husband or a child. Monica and Alice struggle with their identity in the context of what women should want.
These are not the same conflicts that the men in the book face. Julian, Hazard, and Riley struggle with being emotionally available, but they do not have the challenge of fulfilling or challenging stereotypical images of masculinity. Still, the men are also impacted by gender stereotypes. For example, Riley is easily dismissed as a happy person without problems. Riley struggles with loneliness too, but others don’t expect him to have internal conflict in part because he is a man who exudes kindness. The men and the women in this novel are connected by their human desire to be visible to others, but that visibility is gendered.
Pooley asks her reader to consider different types of visibility. Julian wants to be seen by a wide audience; Monica wants to be seen by someone who truly loves her; Hazard wants to be seen in general as a good person. Unfortunately, people cannot control how others perceive them. Alice can shape her influence on Instagram, but, ultimately, no one can determine how others see them. Visibility is therefore a difficult desire to contend with. True visibility is possible, but it is developed through vulnerability. In wanting others to see them for who they truly are, the characters in this novel must first determine who that is.
By Clare Pooley