48 pages • 1 hour read
Kate QuinnA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Flowers appear throughout the novel. Cameron gives his female agents the French names of flowers: Lili (Lily), Violette (Violet), and Marguerite (Daisy). Lili says of Cameron, “We’re his garden, and he fusses over us like an old maid with a watering can” (80). These flower names convey a sense of beauty and fragility, which belies the lethal nature of the women who bear them.
Despite their apparent innocence, Eve thinks of herself and her colleagues as fleurs du mal, flowers of evil. She tells Cameron, “We are not flowers to be plucked and shielded, Captain. We are flowers who flourish in evil” (228). The reference to flowers of evil is derived from the title of a book of poems by Charles Baudelaire. Baudelaire is René’s favorite poet, and his dark view of the world matches Eve’s view of the dirty work she does as a female spy known by the innocuous name of Daisy.
Charlie’s cousin’s name is Rose. When Eve asks Charlie to help her hunt René, she says, “‘There are two kinds of flowers when it comes to women,’ […] ‘The kind that sit safe in a beautiful vase, or the kind that survive in any conditions . . . even in evil. Lili was the latter. Which are you?’” (336).
Flowers possess a more positive connotation near the end of the book. When Charlie first sees the fields of hyacinth surrounding Grasse, she is overcome by their fragrant splendor and falls in love with the place. She even gathers an armful of flowers and offers them to Eve: “Eve looked at the mass of flowers, her tortured hands moving gently through the soft petals, and I felt my eyes prickle. You testy, stubborn, goddamn old bat, I do love you, I thought” (426).
Charles Baudelaire represents decadence and sadism in The Alice Network. He is René’s favorite poet because his cynical, amoral view of the world matches the restauranteur’s own. Baudelaire is famous for his French translation of the works of Edgar Allan Poe, which amplifies his association with all things macabre. René names two restaurants after a Baudelaire poem and uses two aliases for himself borrowed from the same source.
During René’s affair with Eve, he constantly quotes the poet, much to Eve’s secret disgust. In her final confrontation with René, she references Baudelaire as she insults him one last time: “‘‘René, take the time to admit you are afraid. Because your fleur du mal has come back.’ She took Charlie’s arm in a grip like steel and turned for the door. ‘Sleep on that’” (449).
René keeps a small bust of Baudelaire in his study, which becomes central to some of the most gruesome scenes in the novel. René uses the bust to smash all of Eve’s finger joints while trying to extract information. Near the end of the book, Charlie uses the same statue to club a gun out of René’s hand. She uses it one final time to smash Eve’s hand before the old woman can point a pistol at her own head and kill herself.
The Lagonda becomes the place where the three main characters forge their emotional bonds with one another. Eve insists on bringing the Lagonda across the English Channel, so the trio spends many hours together enclosed within the car. Because they are forced to interact at close quarters, they develop a camaraderie and divulge secrets about themselves.
Charlie and Finn share several conversations in the dark, parked car at night, where they confess their failures and their hopes for the future. They even make love for the first time on its backseat. Eve confesses the secrets of her spy years to the other two while riding in that same back seat. As the car carries the trio forward on their physical journey, it also enables them to complete spiritual journeys that lead to fulfilling destinations for all of them.
Charlie consciously realizes that the car symbolizes the unlikely friendship that has formed among the three: “‘I don’t have a plan, now. But I’m not ready to go home. […] I’m not ready to sit on a couch knitting booties.’ Above all, I wasn’t ready to lose this little trio that had molded itself around Eve and Finn and me in a dark blue car” (355). After their quest has been over for two years, the Lagonda brings them together one final time as it carries Charlie, Finn, and Evie Rose to a happy reunion with Eve.
By Kate Quinn