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Saul BellowA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Augie March is the eponymous narrator and protagonist of the novel. Speaking frankly to the audience, he shares the story of his life from childhood to middle age. This story—at least in Augie’s younger days—bears a resemblance to Saul Bellow’s life, indicating that many aspects of the story are autobiographical.
Augie is a underprivileged Jewish immigrant from Canada who moves to Chicago at a young age. He grows up without a father figure after his father abandons him, his mother, and his two brothers. This absence creates a vacuum of influence in Augie’s life, which affects his search to understand his own identity. Augie’s adventures are portrayed as a series of influences, all of which shape him in some way. Simon, Grandma Lausch, Einhorn, and Thea all play an important role in developing his story and his sense of self. Likewise, Augie uses several instruments in his quest for self-discovery. Each of the jobs he takes, the academic courses he enjoys, the books he reads, or the romantic relationships that he squanders are not told to the audience for fun but to fuel his unrelenting journey of understanding. Augie is a narrator in a self-serving sense, retelling the details of his life so that he can better understand himself, just as much as he wants to entertain his audience.
One of the most influential ways people like Einhorn and Grandma Lausch affect Augie’s character is in their teachings about morality. Augie grows up in a low-income home, and during these years, Grandma Lausch teaches him that lying and misrepresenting the truth are understandable in certain contexts. If he were to lie to a bureaucrat so that his mother would be given a pair of spectacles, for example, then Augie would not have done anything wrong. Similarly, Einhorn teaches Augie that the world can be seen as a system of bureaucracies and institutions that are waiting to be manipulated for his benefit. So long as he is not directly hurting anyone, he does not need to worry about any moral quandaries. Augie takes these lessons to heart. He regularly breaks the law, from stealing small items in his neighborhood to playing the role of lookout in more serious crimes and agreeing to help smuggle someone over the Canadian border. Augie treats these crimes like he treats everything else in the novel: as part of his journey of self-discovery. In his view, he is not a criminal, he just happens to occasionally commit crimes. In the same way, he is not a wealthy man, he simply happens to move in wealthy circles at certain times in his life. Augie’s view of morality is part of a broader desire to understand himself. He is willing to try anything, from a new job to breaking the law, in the hope that it will help him learn more about himself.
This constant momentum and unending desire to understand himself creates a sense of impermanence about Augie’s character. He never stays anywhere long nor with anyone long. To the outside world, he seems aimless. Several times in the novel, Augie describes how people tell him to settle down in a job or a relationship. They want him to add ambition or purpose to his life, but they only understand this purpose in a financial sense. Augie does not care about wealth, which is why he rejects Lucy and the Renlings. He cares only about his search for identity. Ultimately, he surrenders himself to the search and understands that the journey—more than the destination—gives his life purpose.
Thea Fenchel may be the most important romantic partner in Augie’s life, even more so than the woman Augie eventually marries. Thea is important to Augie because she arrives in his life as something of a clean slate. When they first meet, Augie is far more interested in her sister. He hardly notices Thea, even though she tells him that she loves him. After he is rejected by her sister, Augie turns his attention to Thea. She becomes the blank canvas for exploring his ideas of romance.
Since he knows so little about her, Augie is able to create a version of Thea in his mind that explicitly appeals to his romantic side. This is especially true when she invites him to Mexico. With this promise of adventure and excitement, he begins to fill in the blanks with inventions that satisfy what he wants in a woman. To Augie, Thea represents a kind of raw romantic potential. She allows him to imagine a whirlwind romance while ignoring everything practical, ushering him away to Mexico to hunt lizards with an eagle. Augie gets swept up in this adventure because he wants to be. The idea appeals to him romantically, allowing him to become one of the protagonists from his beloved books. Thea is important to Augie because she allows him—for the first time in his life—to play the role of a protagonist while inventing a love interest for himself.
In Mexico, however, their plan quickly falls apart. Thea cannot train the eagle, Caligula, as she hoped, and she becomes frustrated. This frustration does not suit Augie’s romantic version of how this adventure should transpire, so he chooses to ignore it. He spends all his time playing cards with his friends, refusing to learn about Thea’s actual personality out of fear that she might not be everything he ever wanted. As a result, their relationship begins to unravel. When Augie spends the night with Stella, Thea already knows that he has been disloyal to her. She is correct, but Augie resents her for this as it suggests that she knows him better than he knows himself. The woman who allowed him to explore his own romantic identity becomes a reminder of his own struggles for self-discovery. Ultimately, he comes to resent her knowledge of his character more than he loves what she means to him.
Thea has a unique place among Augie’s women as one of the few who actually manages to hurt him. The relationship is so instructive because Thea is like Augie. Though she is from a rich family, she has given up her chance to inherit a fortune because she refuses to modify her behavior. In this way, she accepts poverty in exchange for self-understanding, just as Augie does on a number of occasions. Like Augie, however, she struggles to know herself. She invites Augie to Mexico because she is equally as desperate to believe in the feasibility of a romantic adventure. She wants the escapade to work, and she resents the brutal reality of her own failure. The relationship between Thea and Augie is equally formative and doomed. They are too similar to ever succeed, as they are both desperate to understand themselves and unable to empathize with one another. They are the same person in different bodies, embarking on the same adventures for the same purpose with the same fundamental flaws. Thea may know Augie better than he knows himself, but she still struggles to understand her own identity. In effect, she is the protagonist of her own novel, embarking on her own journey of self-discovery that happens to briefly coincide with Augie’s journey.
Simon March is Augie’s brother. They grow up in the same circumstances, at the same time, and with many of the same influences. Nevertheless, they turn out to be very different people. In this way, Simon represents a diverging path for Augie’s life, as well as his foil. He is emblematic of a very different future that, had a few decisions been made differently, might also have belonged to Augie.
Simon grows up in a low-income home, and as he struggles to find work, he hyperfocuses on one desire: He wants to be rich. However, he is unable to achieve wealth through hard work and determination. Even though The American Dream allegedly offers upward mobility to every citizen, the Great Depression makes Simon’s future look bleak. After dabbling in petty crime and failing, he comes up with a new plan and decides to marry a rich girl. Just as Augie is obsessed with understanding himself to the detriment of everything else in his life, Simon forsakes emotional or psychological well-being in exchange for material wealth. His disposition toward Charlotte never moves beyond vague respect and affection; what he really loves is her potential to make him very, very wealthy. Augie has a similar opportunity but squanders his chance to marry into wealth when he helps Mimi obtain an abortion. To him, friendship is more important than wealth. Simon makes the decision that Augie does not, meaning that their lives take very different paths.
Simon gets everything he ever wanted. After marrying into Charlotte’s wealthy family, he sets up a business of his own and becomes independently wealthy. Though he remains married to Charlotte, he begins an affair with a woman named Renée. Simon insists to Augie that he truly loves Renée, even though their relationship ends in disaster when he does not choose her over his comfortable life with Charlotte. Simon ends the novel in a fairly cold marriage, as Charlotte becomes aware of Renée’s existence and drives her out of her husband’s life. As a result, Simon gets to enjoy his wealthy lifestyle and the products of his labors, but he never gets to be emotionally happy. He chooses to sacrifice happiness for wealth, meaning that he functions as a cautionary tale in Augie’s narrative. Simon represents everything Augie might become if he chooses cynicism over sentimentality. He also demonstrates to Augie that achieving one’s ambitions is not everything in the world. Simon has everything but is unhappy with nowhere else to go. By contrast, Augie has much less. Even though he has still not achieved the happiness or self-realization he once craved, he has come to value the journey as much as his destination. Simon is already at his destination, so his fate reminds Augie to take pleasure in the ongoing search.
Of all the characters in The Adventures of Augie March, none receive higher praise than William Einhorn. Augie describes Einhorn as “the first superior man” (60) that he ever knew, ranking him alongside historical figures such as Machiavelli and Caesar. For an underprivileged young boy from inner-city Chicago, Einhorn and his wealth are something far beyond the boundaries of Augie’s comprehension. After a childhood spent lying to charities to get glasses for his mother, Augie is introduced to Einhorn’s world, where similar schemes are run on a much grander scale and in a far more self-interested manner—and with fewer repercussions. Einhorn has insurance schemes and bureaucratic ploys that take money from the government and transfer it to himself. Even amid the Great Depression when his family loses everything, Einhorn’s determination to make himself rich again means that he hurtles headfirst into new schemes and quickly builds up another fortune. To Augie, Einhorn is a new kind of greedy, self-interested but determined figure, someone who reconfigures the schemes of society’s most impoverished people and weaponizes them for his personal enrichment. Despite this immorality, Augie cannot help but admire Einhorn’s determination.
Einhorn’s physical disability makes Augie sympathetic toward him, especially because his brother Georgie also has a disability. For most of his life, Einhorn has used a wheelchair, but he has more energy and determination than Augie ever possesses. Augie does not envy Einhorn’s enterprise so much as he is fascinated by it. In Augie’s mind and narration, there is a deliberate juxtaposition between Einhorn’s physical limitations and his ambitions. Only Simon ranks alongside Einhorn in his determination to get to the top of American society. As such, Augie treats Einhorn with begrudging respect. Whenever he returns to Chicago, he visits Einhorn as soon as he is done visiting his own family. Much like Simon and Grandma Lausch, Einhorn is a formative influence. He is a person who earns Augie’s respect by overcoming the obstacles in his life, even if Augie does not want to model his life or his identity around him.
By Saul Bellow
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