52 pages • 1 hour read
Kody KeplingerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Continuing her letter, Lee flashes back to the walk-through after the shooting. Detectives Jenner and Weinberg want to go through the events in order, so Lee waits while Eden and Denny explain what happened in the computer lab. The detectives want Ashley to detail events in the hallway next, but she is late. They also wanted Miles to talk about the hallway, but he doesn’t come. Lee tries to hold out for Kellie’s arrival so they can explain the bathroom events together; she intends to tell the truth about Sarah. Lee begins panicking. When they proceed toward the bathroom without Kellie, Lee is overcome with emotions. She runs to the car and leaves just as another car pulls in.
With Denny at her side, Lee tells Detective Jenner the truth: The cross necklace was not Sarah’s, and Sarah never told the shooter anything. To Lee’s shock, Detective Jenner will not revise the investigation and warns her against telling anyone else: “People were passionate about the Sarah McHale story. They aren’t going to take it too well if anyone tries to take that away from them” (79). Denny privately agrees it might be better to let it go. He rationalizes that Sarah’s parents would be upset, and Kellie is no longer in the area anyway. Lee is not convinced.
The chapter concludes with a portrait of another victim, Richard “Richie” McMullen. Lee writes this portrait herself. Richie was Sarah’s secret boyfriend since the eighth grade. He liked camo-style clothing, once dyed his hair bright orange, and brought Lee candy on Valentine’s Day so she would not feel left out.
That night, Lee sees a new article about the McHales’ book deal. Before she can talk herself out of it, she drives to the McHales. They insist Lee join them for dinner. Lee explains her decision to go to Los Angeles to study theater in college. Lee eventually blurts out the truth: Sarah was not wearing a cross necklace, and she did not speak to the shooter at all. The McHales become very emotional and tell Lee to leave.
Lee could not sleep after the shooting, eventually resorting to climbing onto her roof and staying up all night. Lee flashes back to Miles, who lives with his grandmother next door, joining her on her roof. They don’t talk much but develop a closeness based on their mutual inability to sleep. One night when Lee is having dark, intrusive thoughts about dying, Miles reminds her she is still there.
Lee is on the roof with Miles when he asks her to prom. She agrees to think about it, but Lee believes she is asexual, which she keeps to herself. She thinks this may complicate a relationship with Miles. She tells Miles the truth about Sarah’s last moments and her evening with Sarah’s parents. Lee mentions compiling survivors’ honest stories in first-person letters. Miles says he will think about it.
A portrait of victim Keven Brantley concludes this chapter. Miles contributes that he and Kevin did not get along; Kevin brought a photo of Miles’s father’s mug shot to school. Miles fought Kevin, and the two were suspended. Eden’s comments are also included; Kevin was her chemistry partner. After seeing her art, Kevin paid Eden for drawing lessons. Her view is that “he wasn’t so bad” (110).
Lee asks the other survivors to write letters. She tries to find Kellie but has no luck. At Ashley’s house, where Lee is a frequent visitor, Ashley tells Lee it is pointless to ask Kellie because she will lie. Lee does not know what Ashley means until she reads Ashley’s letter.
Ashley’s letter concludes this chapter. Ashley details how, just before the shooting, she overheard Sarah and Lee in the girls’ restroom. Sarah had a hickey from her boyfriend, Richie, and she and Lee were trying to cover it. Ashley called Sarah out for ditching their church youth group to see Richie. Ashley ignored Kellie, who was in the restroom smoking. In the hallway, she witnessed the shooter attack the computer lab. He then shot her in the lower back. She credits Miles, who dropped on top of her and whispered to play dead, with saving her. Then Ashley heard the shooter inside the girls’ restroom, asking whose cross necklace he found. A girl answered, claiming it; when the shooter sarcastically asked if Jesus was there for her now, she said yes.
Ashley writes in her letter that she “just knew” it was Sarah. In the aftermath, Ashley told “everyone who would listen” (125) about Sarah’s brave last actions; Sarah strengthened Ashley’s faith and inspired her path. Ashley learned how to use a wheelchair, graduated, married her high-school boyfriend, and had a daughter. Throughout her recovery, forgiving herself and others was key. The one person she still cannot forgive is Kellie, who claimed in the aftermath that the cross necklace was hers and that she was the one who spoke to the shooter. Ashley dismissed this, certain that Kellie never even attended church. Ashley ends her letter by discussing how grateful she is to study nursing and to have her husband and daughter; she is “on the path God intended” (129).
Lee is glad to know how the story about Sarah started but feels terrible that Kellie was branded a liar because of Ashley’s assumptions. On an April day, as she and Miles leave school, they discover a note from Brother Lloyd, pastor of the church where the McHales and Ashley’s family attend. He wants to meet with Lee. Lee thinks this request is a reaction to the McHales telling him what Lee said about Sarah, but she is not concerned. Miles, however, warns her to be careful.
In this second section of the novel, the theme of The Impact of Trauma on Individual Identity becomes more evident, especially when Lee’s attempts to tell the truth are not well met. Detective Jenner’s reaction is confusing to Lee, who, now that she finally has the emotional strength to reveal her truthful account, wants action or at least formal acknowledgment. Lee senses that the route to assuaging her guilt and finding some closure may lie in changing others’ views of what happened, but she cannot do so when even the detective on the case tells her to keep those truthful details to herself for the sake of community harmony. This struggle is even more evident when Lee reveals the truth to Sarah’s parents. Lee expected their emotional distress, but their refusal to listen, command that she leave, and petitioning of Brother Lloyd for intervention are shocking developments to Lee. Instead of the alleviation of guilt and responsibility she desperately seeks, Lee’s conflict only grows, as she now must fight the constructed identity of Sarah others built and refuse to let go of. This constructed identity of Sarah also speaks to The Role of Stereotyping in Shaping Narrative. Sarah had the reputation of a good Christian girl in part because she kept secrets, like her boyfriend, Richie, who was also killed. Sarah is stereotyped as a martyr, which further complicates Lee’s grief, as she was in the bathroom with Sarah. Lee alone holds a true understanding of her best friend, who she remembers differently than this distorted, all-consuming public perception of her. The danger of stereotyping also leads to an image of Sarah that the community can rally around to heal, but this image remains untrue and calls into question the values that arise in the face of senseless violence. Sarah, as well as some of the other victims and survivors, has become one-dimensional, which is unsustainable for Lee.
Lee’s character arc begins to shift more noticeably as a consequence of her truth-telling. Though Detective Jenner and even Denny and Miles caution her about continuing to communicate Sarah’s actual role, Lee begins to show independence and strength in her refusal to drop the issue. Her idea of compiling letters that better reflect the truth sparks at this point in the timeline—a manifestation of her step toward correcting past actions. Miles resists, but Lee does not allow his hesitancy to stop her from fulfilling her increasingly pressing need for truth. This demonstrates her growing inner strength, but it also suggests an ironic inability to see how others' views on truth-telling may differ from her own. Specifically, the motivation for truth-telling differs, and while all the survivors eventually share their stories with Lee, their reasons for hesitating to correct public perception vary. Lee cannot move forward with her life while also holding onto a lie, but others did not necessarily feel this motivation without her pushing.
Additional character development details are woven throughout these chapters; for example, Lee conveys through interior monologue her reasons for studying theater. This example continues a pattern established in the first section of the novel: Passages of character description allow a “breather” from the intensity of the scene. Lee’s internal discussion of her acting plan appears just as she struggles to reveal the truth to Sarah’s parents. Comparable to the way that comic relief in a tragedy provides the audience an emotional break, these characterization explorations offer a chance to pull back from the shooting and focus attention on the interiority of the characters. Characterization passages also show that Lee and the others are not wholly identified by the shooting; each has passions, interests, traits, and other qualities that identify them. Interestingly, Lee’s pull toward acting parallels the pretending that she has been forced to enact by upholding the incorrect public perceptions surrounding the shooting.
The crux of the conflict regarding Sarah’s real actions is more fully explored and explained in this section via Ashley’s letter. Lee has not questioned how the story about Sarah grew so impactful—she is too consumed by her guilt from keeping the truth hidden for three years—but Ashley’s letter explains it all. This development is ironic in several ways. First, that Ashley was the one who spread the false story is ironic since she is the leader and “mom” of the group; as such, she had Lee’s complete trust, but now Lee sees how fallible Ashley was. Second, Ashley’s letter details how the actions she assumed to be Sarah’s restored her faith and provided her renewed guidance about her future; ironically, these words came from Kellie, for whom Ashley had an intense dislike. This misassignment of “good” or “honorable” behavior from Kellie to Sarah demonstrates how personal bias influences perception.
It is also ironic that Ashley describes herself as a forgiving Christian person when she refuses to consider Kellie’s version of events and lambasts this fellow survivor for what Ashley assumed were fabrications: “It’s not like anyone would believe her, anyway. Kellie was an angry rude person who’d never stepped into a church in Virgil Country as far as I knew. So for her to try and take that away from Sarah, to take her last moments of bravery from her…” (128). Ashley’s behavior also demonstrates the ways in which grief affects behavior: Ashley appears cruel, but she is also clinging to the image of Sarah. She is so invested in what she believes to be Sarah’s story that she cites it as her motivation for continuing on with her life after sustaining major injuries during the shooting. Ashley’s anger toward Kellie and idolization of Sarah perhaps allows her to carry on without fully examining the pain she still holds from the trauma of the shooting. Finally, irony also exists in the fact that Lee’s guilt is lessened when she realizes Ashley’s actions are just as much to blame for the community’s martyrdom of Sarah as her own inability to reveal the truth. It is an ironic example of the truth setting one free, though Lee had no idea the extent of the truth to come when she requested Ashley’s letter. The unexpected details in Ashley’s letter also contribute to the theme of The Complexities of Truth and Perspective; she bases her changed outlook and future path on memories gleaned amid trauma that eventually will prove untrue.
Books on Justice & Injustice
View Collection
Coming-of-Age Journeys
View Collection
Education
View Collection
Forgiveness
View Collection
Friendship
View Collection
Grief
View Collection
Guilt
View Collection
LGBTQ Literature
View Collection
Mental Illness
View Collection
Mortality & Death
View Collection
Safety & Danger
View Collection
Truth & Lies
View Collection