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110 pages 3 hours read

Jay Heinrichs

Thank You for Arguing: What Aristotle, Lincoln, and Homer Simpson Can Teach Us About the Art of Persuasion

Nonfiction | Book | Adult | Published in 2007

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Part 5, Chapters 25-29Chapter Summaries & Analyses

Part 5: “Advanced Agreement”

Part 5, Chapter 25 Summary: “Give a Persuasive Talk: The Oldest Invention”

Heinrichs writes a hypothetical short speech that takes place in a town hall meeting where his town’s constituents are deliberating how to reduce noise pollution. He is trying to persuade the town to restrict the use of leaf blowers to certain times of the day; his opponent is arguing against noise ordinance. Here, Heinrichs employs Cicero’s five canons of persuasion in a contemporary setting.

Before writing his speech, Heinrichs needs to decide an approach. This process, invention, is Cicero’s first canon. Heinrichs’s goal is to change the town constituents’ minds. He focuses on deliberative rhetoric since he wants his fellow townspeople to make a choice. With this type of argument, he needs to address values and avoid placing blame for the noise. Heinrichs then needs to determine which specific issue he’s arguing for. He decides the issue is simple: “the town either wants a noise ordinance or it doesn’t” (298). For more complex issues, Cicero recommends breaking them down into smaller questions. Heinrichs then needs to determine his audience’s values. It is also helpful to think about his opponent’s points in order to counter them. Since his neighbors value private property, Heinrichs will tailor his speech to talking about rights rather than quiet.

After deciding on a goal, the core issue, and the audience’s values, Heinrichs turns to arrangement. This is Cicero’s second canon: “Ethos first. Then logos. Then pathos” (299). Speeches need to start by winning over the audience. The audience needs to believe that they share similar values with the persuader. Once the audience identifies with the persuader, the persuader can more easily launch into their argument. Here, the persuader should focus on facts, logically make the case for their choice on an issue, and preemptively argue against their opponent’s choice. The persuader should end their speech by arousing emotion in the audience, emotion that leads to action.

Once Heinrichs determines how to arrange his speech, he needs to decide on style, or the way in which he wants to speak. He notes five virtues of style under Cicero’s third canon—the first being using words that suit one’s audience (proper language). In Heinrichs’s case, he needs to avoid coming across as elitist, so he removes flowery language and keeps his sentences simple. The second virtue is clarity, or clear communication. The third virtue is vividness: Heinrichs needs to use language that helps the audience visualize why his choice is the more persuasive one. He does this by giving a specific example of how noise from leaf blowers is impacting one of his neighbors. The fourth virtue is decorum. Heinrichs cautions against trying too hard to fit in with an audience as this “won’t make you persuasive” (304). Rather than trying to hide his mid-Atlantic accent, Heinrichs focuses on what the townspeople wish to discuss. The fifth and final virtue is ornament—making one’s speech sound good.

Heinrichs moves on to memory—the fourth and arguably the most difficult canon to incorporate in modern speeches. Rather than memorizing outlines or phrases, ancient orators used to attach items to specific locations in their mind. They simply needed to imagine themselves walking around this location to recall words or ideas, a technique known as memory palace. Slide decks are the modern equivalent of “this architectural memory” (306). Heinrichs’s speech is only 15 minutes. He intends to speak plainly without the use of a slide deck or notes.

Delivery is the fifth and final canon. Body language, voice (volume, stability, and flexibility), breathing, and rhythm are all items a persuader needs to consider when delivering speeches. Heinrichs assures readers that being nervous is normal. Even the greatest orator in history, Julius Caesar, had stage fright.

Part 5, Chapter 26 Summary: “Capture Your Audience: The Trump Period”

Heinrichs uses Presidents Barack Obama and Donald Trump to illustrate how to use rhetorical tools and skills in modern day. Obama was best known for demonstrative rhetoric during times of crisis. During his first inaugural speech, he stated:

We will not apologize for our way of life, nor will we waver in its defense, and for those who seek to advance their aims by inducing terror and slaughtering innocents, we say to you now that our spirit is stronger and cannot be broken; you cannot outlast us, and we will defeat you (316).

This excerpt illustrates all the key pieces of demonstrative rhetoric. Obama speaks in the present tense and distinguishes between good and evil, right and wrong. He talks about American values by contrasting them with the country’s enemies, which is one of the best ways to communicate values. He also pretends to speak to said enemies (i.e., “you cannot outlast us”). By utilizing these rhetorical tools, Obama unites the American people (or tribe).

Obama also follows Heinrichs’s advice to not rely on apologizing but instead expressing his feelings about not living up to his own standards. During Obama’s speech to the Democratic National Convention in 2008, he noted: “America, we are better than these last eight years. We are a better country than this” (317). In this excerpt, Obama addresses a collective mistake. He does not apologize for this mistake, but instead frames it as a country failing to live up to its high standards. Obama both flatters his audience and reminds them of their shared values. Heinrichs argues “this is the best kind of demonstrative rhetoric to segue into deliberative choice” (317). The choice here is whether people want to live up to their standards or not.

Trump showcases the power of the period, which delivers the emotional climax of a speech in the length of a human breath or 12 seconds. This tool allows an audience to cheer every 12 seconds, making them feel connected to something greater than them. To Heinrichs, this tool propelled Trump to the White House.

Part 5, Chapter 27 Summary: “Write a Persuasive Essay: The French Experiment”

This chapter details how readers can apply rhetorical techniques to essays to make them persuasive. Michel de Montaigne, a French diplomat and businessman, invented the essay, “a genre of literature that has tortured students for many generations” (327). Heinrichs recommends using ethos, pathos, and logos when crafting an essay.

A personal essay establishes a relationship between writer and audience, making it “the most persuasive kind of essay” (328). It follows the central tenet of rhetoric: The essay is not about the author, it is about the audience. The tactical flaw is one of the best tools to use in a personal essay. By showing their own imperfections, the writer gains sympathy from the audience. Self-deprecating humor can endear an audience and make them think the writer is one of them. Heinrichs includes several pointers: note an essay’s purpose at the start to avoid frustrating one’s audience; give the essay’s central point a twist to ensure reader engagement; and ultimately, lead the reader on a journey.

Essays can also use a hero’s arc to tell a story—in which “the character meets a series of obstacles, commits to his goal, and in the climax wins the day” (332). Storytelling is a pathos tool that can help elicit sympathy.

Personal essays also employ logos tools to influence their audience. Similar to speech, writers need to work off their audience’s expectations and values to change minds. The hook is one of the best ways to do so.

Heinrichs strongly believes that “the persuasive personal essay turns ethos, pathos, and logos into a song for our common humanity, by sparking recognition in the read for another’s foibles, trials, and shared beliefs” (336). He provides examples—including his own essays and his son George’s college admission essay—to illustrate this point. 

Part 5, Chapter 28 Summary: “Use the Right Tools: The Brad Pitt Factor”

Heinrichs summarizes the “whole arsenal of rhetorical weapons” (354):

For offense, think of your goal, set the tense, and know your audience’s values and commonplaces. Then use ethos, logos, and pathos, usually in that order.
For defense, when you don’t know what to say, try conceding, then redefining your concession. (“You could say it’s spinach, yes. Others would say it’s broccoli.”) Finally, switch the tense to the future (“But the question is, how are we going to get that vegetable down you?”) (354).

To help readers know which “rhetorical weapons” to use, Heinrichs walks through several scenarios, including how to sell oneself. In this scenario, the agent’s supervisor quits, and they want to make a bid for the open position. The goal is simple: to convince the head supervisor to promote them. Since this goal involves choice, it is a deliberative argument. As such, the agent will want to use the future tense and focus on how they can advance the organization’s goals and mission.

Heinrichs recommends using ethos, as the supervisor will be evaluating the agent’s character. Specifically, he recommends that the agent write a memo highlighting the three ethos traits: cause, caring, and craft. The memo should outline their alignment with the organization (cause), how they can help the organization save money (craft), and ask what the supervisor needs (caring). The agent then needs to decide how to present their memo (slide deck, email, etc.). Once they decide on a medium, they should quickly deliver their memo without errors; this illustrates kairos. While the supervisor reviews the memo, the agent should dress for the job and use appropriate language (decorum). During their interview, the agent should include storytelling in their responses and end the interview with emotion.

Part 5, Chapter 29 Summary: “Run an Agreeable Country: Rhetoric’s Revival”

In the final chapter, Heinrichs laments the absence of rhetorical studies in most of the US education system. Rhetoric once formed the core of collegiate education. The Founding Fathers were all well-versed in rhetoric. They even credit John Locke (the “Father of Liberalism”), Cicero, Aristotle, and Montaigne with inspiring them to write the Declaration of Independence. The country’s founders also established a system of checks and balances in the federal government to combat factionalism, which destroyed both Athens and the Roman Republic. They believed rhetoric was the key to a healthy and functioning government. Unfortunately, these same leaders laid the groundwork for modern factionalism by founding political parties who try to prevent the other from gaining power. While the country’s current division in values is not as severe as the Civil War era, Heinrichs still credits it to the loss of rhetoric in the higher education system. 

Part 5, Chapters 25-29 Analysis

In the final section of Thank You for Arguing, Heinrichs provides examples of how to use rhetorical techniques in everyday life. He demonstrates how to employ Cicero’s five canons of persuasion via a modern speech. The rhetoric of Presidents Barack Obama and Donald Trump demonstrate how to successfully use the tricks of ancient orators. Rhetoric can also make writing more persuasive. There is a rhetoric tool for every occasion from advocating for a promotion to running for president. Heinrichs reiterates that readers do not need to memorize all the tools. His goal is to help his audience spot persuasion, employ it via speech and writing, and avoid manipulation.

Heinrichs laments the absence of rhetoric in the US education system, as he believes this loss is behind society’s division. The three pillars of modern society—journalism, science, and government—are crumbling in what Heinrichs calls a post-fact era. He notes, “Having lost trust in the sources of facts, we don’t have any common ground of reality to debate with” (362). Americans no longer enjoy arguing to persuade—instead, they fight to win. The country is divided by ideological lines, and “ideologues by definition cannot be persuaded” (364). This division is heavily driven by moral issues in political campaigns. As Heinrichs demonstrates throughout the book, values cannot be the sole component of an argument. While they can help a persuader bring people together and make them identify with their perspective, values do not lead to action.

Heinrichs argues that the solution to the current division is to reintroduce rhetoric. In doing so, more and more people will be able to use rhetoric to cut through the useless noise that surrounds them and extract truth. Americans might “actually start talking—and listening—to one another” (365). Heinrichs ends with his vision of what a rhetorical society would look like: There would be a mass exodus of voters from current political parties “since tribal politics would seem uncool” (365). People would spot tricks in campaigns and consumer ads, which would force politicians and businesses to speak more intelligently; salespeople would find it more difficult to seduce customers. Heinrichs encourages parents to raise their children rhetorically—which includes advocating for rhetoric in class. Overall, reintroducing rhetoric will help ensure a more inclusive and just democracy. 

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