59 pages • 1 hour read
George SaundersA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Ted works at a medieval themed attraction, and on TorchLightNight, he witnesses his boss Don Murray sexually assaulting his coworker Martha. She asks him to keep it a secret from her partner Nate and leaves before he responds.
The next morning, Don Murray summons Ted to his office with Martha. He tells Ted that he’s given Martha $1000, that their sexual intercourse was “voluntary” and that both Martha and Ted are being promoted, which is “coincidental” to the fling. Ted has been a janitor for six years, which he sees as demeaning work, so moving up to the role of Pacing Guard—an actual character in the attraction—is a big step.
Ted lives with his parents and sister Beth, none of whom work due to injury, illness, and shyness. After stopping to pick up their prescriptions, Ted stops by Martha and Nate’s house. When Nate asks what’s going on at work, Ted decides it’s Martha’s decision whether or not to reveal the rape and covers for her emotional distress.
The next morning, Mrs. Bridges explains that Ted will take a pill called KnightLyfe® to help him perform his Pacing Guard role. His job is to pace in front of a door and guard someone playing the King. Ted has trouble with his improvisational performance until the drug kicks in. He begins feeling chivalric brotherhood with Kyle, who plays a messenger, and the narration shifts into a heightened, medieval-inspired diction brought on by the drug.
Don Murray stops by and says they should go on a trip together, but when Martha arrives, Ted, caught up in his role, says she is “consenting by her Words to keep her Disgrace in such bleak Confinement!” (210). When Don Murray tries to silence him, Ted, under the influence of the drug, feels it is his duty to defend Martha’s honor by announcing Don Murray’s assault to the whole crowd. Martha runs away, and Ted is attacked and taken away by security.
Ted is fired and cast out while under the effects of KnightLyfe® and worries about how he will explain this to his family, who depend on his paycheck, with his normal language. Martha calls him and is despondent that he revealed the assault against her wishes. As he walks home through a high-school football field, Ted thinks through why he revealed the assault as his narration alternates between his altered state and usual diction. He realizes that he’s made a profound mistake. As the last bit of the pill works on him, he watches the sunset as he has one last moment of his chivalric self.
While under the effects of KnightLyfe®, Ted operates with unwavering moral certainty that he is Doing the Right Thing, but he doesn’t consider the potential harm he’s doing to others. In this story, Saunders explores how what seems like the right thing to do by one set of values may not account for the full complexity of a situation, or the various needs of other people. Like many stories in this collection, “My Chivalric Fiasco” questions established notions of right and wrong and considers that one’s intention to do good is not enough. This story suggests a contractualist take on ethics: that ethics is not a theoretical concern but a practical one, and that the right thing depends on the situation, not a prescriptivist view of the world in which, in Ted’s drug-induced case, honesty is always the best policy.
Central to this story is the notion of performance and the roles people are asked to play. Ted’s performance is compulsory (another nod to Soft Power and the Nature of Control), but he finds his role as Pacing Guard deeply meaningful in the moment, though it is revealed to be hollow by the story’s end. While the story treats Ted’s time on KnightLyfe® humorously, engaging in language play that is more joking approximation than actually representative of medieval speech, there’s a darker undercurrent to the drug’s effects. Saunders considers a person’s relationship with their work and what they’re willing to do in order to protect themselves and their loved ones financially. Ted’s efforts end disastrously and he feels culpable, but the system of power and control at his job has made him into this person. Saunders offers a counterpoint to Ted’s experiences in Martha, who is sexually assaulted by her employer, and because of the inherent power dynamic, feels she must concede any recourse in order to protect her marriage and her job. Under the drug’s influence, Ted thinks revealing the assault is a way to defend Martha’s honor and pursue justice on her behalf, but in doing so, he denies her agency, re-traumatizes her by violating her privacy, introduces strife into her relationship with Nate, and endangers her ability to provide for herself financially.
By George Saunders
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