69 pages • 2 hours read
F. Scott FitzgeraldA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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This book covers over a decade in the characters’ lives. During that arc, much about the Divers and their world changes, not the least of which is Gausse’s Hotel and its adjacent beach on the French Riviera. The hotel symbolizes the idea of escapism. The Riviera marks a vacation spot for Dick and Nicole as well as a hiding place from the more uncomfortable aspects of their existence. In the Villa Diana, Nicole rests a safe distance from the Swiss clinic and doctors who scrutinize her condition, while Dick has an office tucked away in which to focus on his dream of writing a groundbreaking book on psychology. The relaxation of the beach and the comparative seclusion of the place offers the Divers a sanctuary from the world, yet it is a sanctuary that gets broken into very early in the novel.
As the group of Americans arrives in the book’s early chapters, Dick and Nicole each feel irritation at certain members of the ex-pat community. This intrusion of American tourism reflects a larger change represented by the passage of time in the novel. Gausse’s Hotel, relatively unknown at the beginning of the story, becomes a “discovered” haven for noisy travelers and loses its original tranquility. Like the unstoppable development of modernity in the post-war world, the untouched world of the Riviera transitions out of its former simplicity and happiness into a dissatisfying stage for commercialism, industrialism, and cheap entertainment.
Though the book takes place after the war, World War I looms over the story with a striking presence, forming one of the novel’s central motifs. Readers learn in the first chapter of Book 2 that Dick escaped military service because of his outstanding educational prowess in the field of psychology, yet the effects of the post-war catch up with him eventually. As his rival for Nicole’s affections, Tommy Barban, claims in Chapter 6 of Book 1, “I haven’t seen a paper lately but I suppose there’s a war—there always is” (30). Considering all of the tumultuous plot points contained within Tender Is the Night—incest, divorce, murder, infidelity—it might as well be a war story, though it takes place entirely during peace time.
Every character in the story models a lifestyle of distraction, entertainment, and the inane pursuit of transient pleasure, making a desire for escapism one of the novel’s important motifs. Rosemary’s Hollywood celebrity is presented as all sparkle and glamor with no substance. Dick’s ambitions of psychiatric renown are vain and ultimately lead nowhere. Nicole’s struggle against her past trauma never ends, while her romances both with Dick and, it is implied, with Tommy, leave her unfulfilled. The social atmosphere of the hotel on the Riviera itself changes. All of these things prove to be mere diversions, prolonging the inevitable emptiness of life.
Although there are certainly deep-seated, heartfelt longings underneath the romantic affairs the Divers engage in, at the end they amount to nothing more than alternative routes toward escapism and diversion. Dick’s alcoholism and Nicole’s shopping are distractions that contribute to the overarching reality, omnipresent throughout the novel, of life’s futility.
By F. Scott Fitzgerald