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F. Scott FitzgeraldA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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When the novel opens, Dick Diver is living in his heyday. He is married to Nicole Diver and has two children, is working on a book that will solidify his reputation as a psychologist, and enjoys wealth enough to travel and vacation on the French Riviera. The first part of the book sees Dick pushed out of his comfort zone: He launches into an affair with a young actress, gets thrown back into the role of therapist toward his wife when she relapses, and must sort out dangerous and unpleasant situations involving the other circle of American expats staying at the hotel. All of this responsibility is put on Dick because he is a respected, scholarly, confident psychiatrist whose ambition and poise fills the descriptive narration about him in the second section of the novel, which flashes back to his post-graduate years. However, the arc of the novel follows the story of Dick’s demise, with the initial promise of a new romance with Rosemary and a new clinical practice with Franz Gregorovius eventually fading into failure in Book 3, leaving Dick disillusioned, discredited, and (ultimately) divorced.
Dick’s central struggle is his relationship with Nicole, which he cannot get beyond thinking of as a “case” (302). Originally involved with other doctors in her treatment as a schizophrenic, Dick vacillates between regarding Nicole as his wife and as his patient. His efforts to “cure” her, which are at first received by Nicole as caring, grow to produce a stifling effect in which Nicole feels judged and controlled. This frustrates Dick as a psychiatrist, rendering his deeply-felt ambitions thwarted and affecting his sense of personal identity. It also takes a toll on the marriage itself: By the time Rosemary is introduced, Dick is portrayed as unconsciously already seeking an outlet for escapism and relief. When his relationship with Rosemary ends, Dick turns to alcohol. As he ages and sinks deeper into confusion and internal unrest, Dick distances himself and ultimately accepts divorce when it is presented to him, leaving Europe and fading into obscurity.
While a young woman, Nicole is a wealthy American receiving medical care in a Swiss hospital for symptoms of schizophrenia, post-traumatic stress disorder (PTSD), and paranoia. When she was a child she was sexually abused by her father and, from that experience, went on to mistrust all men to the point of delusional fixation. When Dick meets her, he believes the treatment she is getting at the clinic is potentially worsening, not improving, her condition. She falls in love with Dick and rises to a state of health that earns her release from the hospital.
Even after marriage, Nicole is prone to episodes of nervous behavior. She experiences one such episode early in the novel during the dinner party at the Villa Diana in Tarmes. Later, when she becomes witness in a single day to both a shooting at a train station and the appearance of a murdered corpse inside a hotel, she suffers another mental health crisis. Nicole’s flare-ups are hard to diagnose, and the reader is dissuaded from trying to act the psychiatrist toward her as Dick does. However, it is clear that for Nicole, trust and safety are very important. She mistrusts Dick the closer he gets to Rosemary and feels unsafe in the hostile climate of post-war Europe. Her symptoms are understandable under such strain, yet she finds ways to climb above their dominance over her life.
Later in the book, Nicole secures a measure of independence for herself by engaging in an affair with Tommy Barban and getting a divorce from Dick. Her own attempts at regaining agency are, however, left open-ended at the novel’s close. Despite her new marriage to Tommy, she still looks to Dick’s letters for a nostalgic glimmer of what she once had or thought she had.
Young, passionate, and glamorous, Rosemary Hoyt adds a fun and energetic new vibe to the Divers’ already-established dynamic of psychological tension. Newly introduced to celebrity as the lead star in the movie Daddy’s Girl, she exudes potential and youthful innocence, though she is not completely innocent, as she longs for passion and excitement and is not afraid to pursue it. It is not hard for Dick to fall in love with her, while she falls in love with him almost instantly. Her infatuation with Dick arises from his confidence, gentlemanliness, and nurturing demeanor as a therapist. Her mother, whom Rosemary adores and obeys, also encourages the affair.
For Dick, Rosemary represents a kind of idealism lost from a pre-war generation, still intact in a girl who has not aged yet into maturity. For Nicole, she represents a young, privileged, empty-headed girl who rivals her own claims to beauty and ideal womanhood. Rosemary herself seems content throughout the story to float along life, enjoying her success and independence; she loves Dick in a naively sentimental way but also never matures enough to make an adult commitment. When she does consummate her relationship with Dick, she quickly fades from the narrative, remaining unchanged and out of reach to the troubled Divers.
One of the American expats whom the Divers befriend in the Riviera, Abe North is a musician and married man whose loose attitude fuels his eventual alcoholism. As an artist, Abe struggles to create satisfying works that adequately express his talents and abilities. In the story, he represents one extreme to which Dick might tilt if he were to let himself go: the extreme of alcohol addiction. Abe uses drinking to mitigate the unrest in his own soul; while this at first makes for a more vibrant personality at parties, it also lands him in trouble. When he binges one night in Paris, he is targeted by a group of Senegalese men who seek him out for vengeance after he hurls false accusations at one of their members at a bar. The resulting conflict mixes Dick and Rosemary up in a murder.
The consequences Abe pays for his alcoholism showcase the dangers of escapism for the American ex-pats. The novel places Abe North’s suffering alongside Dick’s vacation to France to display the pitfalls facing even those individuals who have fled the Roaring Twenties-noise of American cultural prosperity. The world is a brutal place all over, Abe’s fate dramatically signals, and not even drunkenness can offer true relief or escape.
Franz Gregorovius is the doctor in Switzerland who aids Dr. Dohmler in the early case of Nicole Warren. After Nicole is released and becomes Dick’s wife, Franz fades from the narrative until years later when he visits Dick with an offer to join him in co-managing a new clinic. In the book, Franz functions as a character foil to Dick in the domain of psychology. As a therapist, Franz is more pragmatic than Dick. He is among the group of peers who, before their marriage, advises Dick to break things off with Nicole; later on, he is the one to facilitate Dick’s removal from the clinic, which for a few years he shared with Dick.
In these plot moments and throughout the story, Franz represents another extreme to which Dick could tilt if he lost clear sight of his own motivations and feelings. Franz is a standard, rule-abiding psychiatrist, of good standing within his field and relatively unambitious as a man. He can maintain the doctor-patient relationship with objectivity and even throws away quickly and without emotion his partnership with Dick at the first sign of complaints from patients about Dick’s alcohol-scented breath. If Dick were to give in fully to the strict ethos of a typical psychiatrist, he would, at least by outward comparison to Franz, lose his heart and, in a way, his identity. Franz is the more financially and socially-successful doctor by the end of the book, while Dick has sunk into obscurity, suggesting that the post-war world rewards pragmatism far more than it rewards idealism.
By F. Scott Fitzgerald