74 pages • 2 hours read
David SedarisA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
At dinner with his partner, Hugh, Sedaris is upset about “fifteen-word entrees” (120), one of what he considers the many overly complicated features of fine dining in New York City. He remarks upon how well known American dishes, such as lamb chops and steak in fancy restaurants in New York City’s SoHo district, can be rendered unrecognizable. He describes the transformation, “I’d order the skirt steak with a medley of suffocated peaches, but I’m put off by the aspirin sauce. The sea scallops look good until I’m told they’re served in a broth of malt liquor and mummified lychee nuts” (121). Turning down another potentially lackluster dessert after a dissatisfying meal with Hugh, they look for food that will satiate them before their movie. They come across a hot dog stand; Sedaris determines that while hot dogs do not have the glamorous allure of the elaborate foods he consumed before, they are “simple and timeless” (124) and most importantly, recognizable as food.
Alisha, Sedaris’s longtime friend from North Carolina, has always visited and stayed with Sedaris in New York City. A respectful and easygoing friend who acclimates to Sedaris’s schedule when she visits, Sedaris mistakenly assumes that Alisha’s friend, Bonnie will be just as easygoing. Bonnie has never left North Carolina before and is Sedaris and Alisha’s worst nightmare. Believing New York to be filled with scam artists looking to pull one over her, she is aggressively suspicious of every interaction and does not believe Sedaris when he attempts to tell her that things are not so.
Determined to go through her New York City itinerary, Bonnie descends upon all the tourist traps, and insists that they have high tea at the Plaza Hotel. Sedaris warns her that her outfit of farmer “hog washers” (129) is not appropriate for the Plaza Hotel. She refuses to listen. Sedaris secretly hopes that she will be admonished for her inappropriate outfit at the Plaza Hotel. He discovers later that, rather than face embarrassment, Bonnie found a group of out-of-town tourists of her own ilk who were happy to entertain her demands, such as taking a photograph of her with a Plaza Hotel waiter. Bonnie continues to find herself in spaces filled with other out-of-town tourists that she mistakes for true New Yorkers. The chapter ends with Sedaris’s horrifying realization that Bonnie’s discovery of a “New York without New Yorkers” (130) makes him viciously aware of himself as an outsider.
Sedaris’s sister Amy is named one of New York’s interesting women and is about to take part in a photoshoot in honor of this occasion. Their father, who has always been overly concerned with his daughters’ appearances, enlists Sedaris in ensuring that Amy looks good in the photoshoot. This insistence leads Sedaris to recall his father’s history of controlling his sisters’ weight and appearances, often with degrading remarks. Sedaris remarks that while his sisters and mother would get angry, Amy would respond by playing elaborate pranks on their father. In one instance, she impersonates Penny Midland, a family friend, over the phone and pretends to flirt with her father. This leads her father to believe for several years that the real Penny had tried to initiate an affair with him. One Christmas, she puts on a fat suit, leading her father to believe she has gained weight. Sedaris’s father chastises him for failing his promise to watch over Amy’s health. Going along with the prank, Sedaris responds by telling his father that men nowadays appreciate a woman of Amy’s size. When Amy finally reveals that she was in a fat suit the whole time, Sedaris’s father attempts to sit with the joke but cannot let go of his fixation on Amy’s appearance.
Back at the photoshoot styling table, Amy requests, “I want to look like someone has beaten the shit out of me” (140). The stylists oblige, covering her face with fake scabs, bruises and stitches. She loves her new appearance so much that she wears it for the rest of the day, telling gawking passersby that she’s in love.
Sedaris laments the advent of computer technology, an advancement well supported by his father who works for IBM. He decries how it has transformed life around him—from the graphic designers who have abandoned their former materials for electronic platforms to the suspicion he draws when he travels with his typewriter. He stubbornly insists on using a typewriter over a computer despite unwelcomed suggestions to switch over by airport authorities who remark upon his bulky luggage. Hotel staff has had to field complaints from his neighbors who are disturbed by his loud typing. He is finally swayed when Amy shows him a video of a woman trampling a naked man’s testicles on the Internet. He determines that if computers are capable of such content, then he may be okay with it.
These chapters feature several instances of situational irony. In chapter 10, Sedaris devotes considerable time to discussing the elaborate dishes he and Hugh encounter in fine dining restaurants in New York City only to settle on a simple hot dog in the end. Situational irony also occurs in chapter 11 when, much to Sedaris’s consternation, Bonnie meets other tourists whom she mistakes for New Yorkers at the Plaza Hotel. Sedaris had expected that her inappropriate outfit would lead to her humiliation at the upscale site, teaching her a lesson. When Bonnie is embraced by the city instead, Sedaris has to question his own relationship with New York City.
In chapter 12, the title “A Shiner Like a Diamond” refers to Amy’s star quality as well as her off-beat sense of humor, which includes wearing a fake “shiner” or black eye to appear as if she has been beaten up for an important photoshoot. The chapter also includes a first and second story in which the latter becomes important context for the former and significant to the punchline in the end. The first story in the chapter’s opening is Sedaris’s recollection of the time Amy was named one of New York’s interesting women and his father’s expressed concern about his sister’s appearance. The second story offers background to their father’s obsession with his daughters’ appearances and Amy’s history of pranks in response to his control. When the chapter returns to the first story in its conclusion, it reveals Amy’s final prank in defiance of her father’s desire to see her appear conventionally beautiful. It also harkens back to the time Amy put on a fat suit during Christmas, fooling their father into thinking she had gained weight. Her father said at the time, “Who’s going to love her, who’s going to marry her with an ass like that?” (137). At the end of the chapter, Amy goes into public with her face full of fake stitches, scabs and bruises, declaring, “I’m finally, totally in love, and I feel great” (140). Her declaration is a delayed response to her father’s question about her appearance, defiantly embracing the opposite of what her father desires for her.
Chapters 13 and 14 show Sedaris’s unique relationship with Amy who seems to share with him a similar sense of humor. In chapter 14, Sedaris fails to be convinced by everyone’s practical advice concerning switching from typewriter to computer. He is dismayed to find that Amy, someone he regards as unconventional and going against the grain, also owns a computer. Sedaris is finally convinced of the computer’s appeal when the two bond over a fetish video, the contents of which fill them with mutual wonder. More so than any other figure in this book, Amy is attuned to Sedaris’s unique habits, tastes, and ways of thinking.
By David Sedaris