57 pages • 1 hour read
Elin HilderbrandA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: The novel mentions miscarriage and the death of an infant.
On Thursday, August 22, Nantucket’s police chief, Edward “Ed” Kapenash, celebrates his retirement dinner. After a massive heart attack in February, he’s decided to see out one last summer before he finally retires. His last official day is in four days on Monday, August 26.
The retirement dinner is attended by Ed’s wife Andrea, his daughter Kacy and son Eric, Eric’s girlfriend Avalon, and close friends Addison and Phoebe Wheeler, and Jeffrey and Delilah Drake. The Kapenashes, Wheelers, and Drakes call them themselves “the Castaways,’ […] because they all ‘washed ashore’ on Nantucket decades earlier” (5).
Kacy’s friend, Colleen “Coco” Coyle, was invited, but she is working—she is the personal concierge to the Richardsons, a couple who came to the island early in the summer. However, after numerous strange things happened, Ed chose not to invite them to the dinner; the Richardsons are instead throwing a sunset sail party aboard their yacht Hedonism.
Toward the end of dinner, Ed gets a call: The Richardsons’ house has burned down; Coco, who was on the yacht with them, is missing.
The “cobblestone telegraph,” is the rumor mill on Nantucket, “and Blond Sharon has long been the switchboard operator” (10). This summer, she is the subject of gossip as her husband has left her for his much-younger physical therapist. Her sister, Heather, an attorney with the SEC, advises Sharon not to turn into a cliché and reminds her of a poem by Mary Oliver that Sharon taped up on her wall when she was younger: “Tell me, what is it you plan to do / with your one wild and precious life?” (11).
Inspired, Sharon takes an online creative writing class. The teacher assigns the class to observe two individuals out in the world somewhere and dramatize a scene between them.
Sharon heads to the Steamship Authority terminal and watches people getting off the ferry. She sees two young women—one with tattoos and a short, spiky haircut, and the other dressed stylishly. The latter is Kacy, the police chief’s daughter. Sharon overhears Kacy invite the short-haired woman, Coco, to stay with them for a few days.
Simultaneously, Sharon gets a call from Eddie Pancik, a well-known real estate agent in Nantucket, with news that an infamous house nicknamed “Triple Eight” because of its address, has been bought for $22 million—an outrageous price considering that rising water levels are encroaching on the house’s private beach. The buyers are hoping to join the Field and Oar Club.
As Kacy and Coco leave, Sharon is approached by Steamship worker Romeo. Realizing he is quite attractive, Sharon wonders if he is single.
The narrative flashes back a month. Coco is working at a bar called Banana Deck in the Virgin Islands. She overhears a couple talking about moving to Nantucket, where they are buying a house. The man, Bullfinch “Bull” Richardson, owns a beverage-distribution company and produces movies.
Coco has written a semi-autobiographical screenplay titled “Rosebush,” about a young woman who finally makes it out of the small town of Rosebush, Arkansas. Sensing an opportunity, Coco tells Bull and his wife, Leslee, that she is also headed to Nantucket. Bull offers Coco a job as their personal concierge. His wife Leslee is less convinced, but when Coco pretends she is already fielding other offers, Leslee changes her mind and insists that Coco come work for them. Coco agrees immediately.
Kacy, who is a NICU nurse at a hospital in San Francisco, has been having an affair with the head neonatologist, Dr. Isla Quintanilla, for the past 18 months. Isla is engaged to Dr. Dave Rondo, the head pediatrician. Kacy has been urging Isla to come clean to him as the wedding date inches closer. Isla promises she will, even as she and Rondo taste cakes and look at wedding venues.
After a baby dies a few days before he is scheduled to leave the NICU, Kacy is heartbroken. Isla and Kacy usually meet on Tuesday and Thursday nights; however, Isla breaks protocol and comes over that Wednesday. The following week, Kacy runs into Rondo at the hospital. Rondo thanks Kacy for agreeing to be Isla’s maid of honor, and Kacy realizes this is what Isla told him about the Wednesday night visit.
The next Tuesday, Kacy tells Isla she’s leaving for Nantucket for the summer. There, she’ll decide whether to return in September. Isla is upset, but doesn’t offer to break up with Rondo. Later that night, Rondo posts a picture of two wineglasses next to each other, and Kacy is sure she is making the right decision.
Coco arrives in Boston on June 11, the same day the Richardsons told her they were closing on a house. However, as she is about to board the ferry, Bull tells her that they need a week to move in. Coco panics, wondering where she will stay in the meanwhile; she does not have enough money to pay for a hotel for that long.
In the ferry line, Coco feels embarrassed when she is reprimanded by an older gentleman for carrying her big duffel onto the boat. Another young woman helps her out, sits next to her on the ferry, and buys a grateful Coco some clam chowder. She introduces herself as Kacy. As they alight on Nantucket, Kacy and Coco exchange numbers. Concerned about her new friend, Kacy checks in with Ed, who has come to pick her up, and extends an invitation for Coco to bunk with them. Coco accepts in relief.
Andrea invites the Wheelers and the Drakes over for dinner that night. Addison already knows the Richardsons—he was their realtor for the Tripe Eight transaction. Phoebe will take Leslee to lunch next week, keen on the Richardsons joining the Field and Oar Club. Delilah is indignant: She and her husband Jeffrey have been on the club’s long waiting list for nine years and have not been approved, despite Phoebe being on the membership committee.
The group is incredulous when they learn that the Richardsons paid full price for Triple Eight despite the property being compromised. Delilah, who is on the board of Nantucket Food, Fuel, and Rental Assistance, opines that the Richardsons should donate to the food pantry if they want to be involved in the community. Phoebe invites Delilah and Andrea to join her lunch with Leslee to talk about this, and potentially scout out a fourth to play pickleball with them.
Leslee is having renovations done on Triple Eight. She hires landscaper Benton Coe and explains her vision: She wants to create a walled-in, circular garden with an octagonal hot tub. This will be the third figure eight in the house, which already has an octagonal porch and deck. Leslee also flirtatiously invites Benson to join her in the hot tub once it is ready. He backs off immediately.
Shortly after the Richardsons buy the house, their new yacht, Hedonism, arrives. They hire Lamont Oakley, who comes from one of the oldest Cape Verdean families in Nantucket, as captain. Lamont, who excelled at competitive sailing and has captained yachts around the world, is thrilled at the opportunity—he has returned home to care for his mother, who has developed macular degeneration.
While their house is being renovated, the Richardsons stay at the Hotel Nantucket and frequent every fine dining establishment in town, making connections along the way. Realtor Eddie is amazed at how they have been able to snag reservations at sought-after places in such little time. Eric Kapenash and his girlfriend Avalon run into the Richardsons at the Chicken Box, a Nantucket hotspot for music and dancing. Recognizing Avalon as her masseuse, Leslee propositions her, asking Avalon and Eric to join the Richardsons at their hotel. Shocked, Avalon refuses.
Kacy takes Coco for a tour of the island. She insists that Coco do some shopping, so they visit a boutique Kacy frequents. Coco is stunned to discover that one of the dresses on sale is $168. Kacy insists Coco try it on and takes a picture, as Coco looks stunning in the dress. Just then, Coco gets an email from Bull confirming her start date; Coco decides to buy the dress right away.
Kacy takes Coco out to lunch to celebrate the start of her new concierge gig, snapping some more pictures of Coco. Later that night, Isla texts Kacy, confessing she misses her and promising to tell Rondo. However, when Kacy checks Rondo’s Instagram, she sees a picture of him and Isla, along with Rondo’s best man, Dr. Dunne, and his wife, Tami, enjoying champagne. Kacy replies to Isla’s messages with pictures of Coco; she casually mentions they are just friends but is satisfied when Isla claims she is “sick with jealousy” (68).
The narrative flashes forward to the present.
Ed rushes to Triple Eight with Kacy, who insists on coming along to the fire. Kacy keeps trying Coco’s cell phone. Lucy Shields, the harbormaster, calls to report that Coco has not yet been found; Lucy wonders if Coco arranged for the house to burn down and then escaped the yacht while it was at sea.
Ed and Kacy arrive to find that the fire has finally been put out. Zara Washington, the incoming police chief, is at the scene. Ed wants to leave the investigation to her, but Zara insists that they partner up instead.
Ed spots Lamont, who called in Coco’s disappearance, and approaches to question him.
The narrative flashes back to earlier in the summer.
Kacy packs a picnic for her and Coco to celebrate before Coco officially starts work. On the beach, Kacy finds a spot to picnic while Coco goes for a swim. Kacy nervously calls Coco back, worried about the riptide, but Coco is unfazed; she is an excellent swimmer. As they eat and drink rosé, Coco tells Kacy about the screenplay she has written; to Coco’s delight, Kacy asks to read it.
The wind picks up, so Kacy wants to move the Jeep so it blocks the wind. However, the vehicle is stuck, and neither she nor Coco has cell service. Just then, a truck approaches. Kacy recognizes Lamont behind the wheel; he was her date to junior prom and senior banquet, but they went just as friends.
Lamont has grown up to be very attractive. Coco is immediately taken with him and thrilled when she learns he, too, will be working for the Richardsons. Kacy misses Isla and watches wistfully as Coco flirts with Lamont.
The narrative in Swan Song unfolds over two different timeframes: The investigation of Triple Eight burning down in the present, and a recounting of the summer that led up to this incident. The narrators of these timeframes differ. In the present, the story is largely told in third person by an omniscient narrator that follows different characters’ thoughts, beliefs, and individual plot threads. The reader is thus privy to more information than any of the characters, and the facts that the reader learns feel objective and reliable. For instance, the reader learns before Sharon does who Kacy and Coco are and what the relationship is between them. However, in the past timeline, the narrative voice sometimes slips into the first person, employing plural pronouns to create a more intimate but also more biased description of events. The identity of the “we” is never explicitly clarified, but the perspective employed, especially in the past timeline, is that of Nantucket gossip, innuendo, and received ideas. For instance, Sharon is presented with a catty dig at her divorced status and the sense that the reader is part of the group talking behind her back: “We feel bad that Sharon has been dropped like a hot potato at the age of fifty‑four, but none of us feel guilty talking about it” (11). Using these two different narrative voices is Hilderbrand’s way of giving the reader the most complete picture of Nantucket: The first objective voice keeps us informed, while the second judgmental voice immerses and implicates us in the world of the novel.
The novel is interested in the numerous connections between people on the island, many of which are complex and defined by changing relationship dynamics that have transformed with time. For example, Kacy and Lamont were close enough in high school to go to prom together, which affects how Kacy reacts to Coco flirting with Lamont now. Part of the reason the Richardsons are so disruptive to the community is that they do not really fit into this shared history. For instance, rather than embed well enough into the Nantucket tapestry to have been invited to Ed’s retirement dinner, the Richardsons are throwing their own sunset sail the same evening out of spite. Thus, relationships between characters directly contribute to the narrative tension in the book—what happened between the Richardsons and the Kapenashes is as much of a mystery as the house fire and Coco’s disappearance.
The novel’s present-day investigation plot borrows genre tropes from mystery and detective fiction. As the Richardsons arrive on the island and ruffle feathers, the novel posits several possible suspects for the fire, such as the indignant Delilah, the possibly mistreated Avalon, and Coco. Most likely, all of these early leads will actually turn out to be red herrings, or misleading elements that are meant to misdirect readers about what is actually going on. However, by including many characters with motive to want to harm the Richardsons, the novel maintains suspense and drives readers to continue uncovering Nantucket’s secrets.
One of the first themes to emerge is that of Betrayal and Poetic Justice. It is established early on that the central mystery of the house fire hinges on things going awry in the Richardsons’ relationships with their new neighbors. However, other characters, too, experience betrayals of different kinds. Sharon is coping with her husband leaving her for his physiotherapist, while Kacy is nursing a broken heart as her girlfriend Isla refuses to break up with her fiancé. Kacy attempts to find some kind of justice, or at least resolution, to her pain: She taunts Isla with photos of the attractive Coco, forcing her dithering girlfriend to experience the same kind of jealousy Kacy has been dealing with. The gesture is not particularly satisfying, since Kacy is all the more bombarded by Instagram evidence of Isla and Rondo’s continued engagement, but the temptation to get back at a wrongdoer is strong.
The novel is set in a community where Wealth, Class, and Social Status are of paramount importance. The fictional Nantucket—like the real one—is depicted as extremely rich, the province of exclusive private clubs like the Field and Oar. Jockeying for social position is clearly important to its residents, as is evident from Delilah and Jeffrey’s longstanding failure to become members despite having lived on the island for decades. However, Nantucket is also a small and long-established community, which means that wealth isn’t enough for acceptability. The Richardsons’ wealth is one of their defining characteristics and what distinguishes them immediately upon their entry into Nantucket society: They buy a $22 million mansion despite it being condemned because of rising sea levels, hire Lamont and Coco as stand-by servants, frequent the town’s most exclusive restaurants, and aggressively attempt to join the Field and Oar Club. But while the Richardsons’ flashy ostentation is enough to capture Nantucket’s interest, it is not the right kind of display to enmesh them into the island’s community; neither Leslee nor Bull understands how to modulate their behavior to really fit into the social fabric.
Several characters seek out a summer on Nantucket for Personal Reinvention. Some seek out change to deal with setbacks in their personal lives. For example, Sharon uses the summer to try creative writing as a fresh and different approach to life following her separation. However, others’ attempts at personal reinvention carry elements of deception and manipulation. For instance, Coco lies about going to Nantucket to get a job with the Richardsons, hoping to transform herself from Virgin Island bartender to successful screenwriter. Similarly, the Richardsons make increasingly desperate attempts to ingratiate themselves with Nantucket society, flaunting their wealth in ways that defy logic as a way of establishing their upper crust bona fides.
Triple Eight, the Richardsons’ house, is an important symbol in the novel. The house, and its eventual fate, represents the Richardsons themselves: On the outside, it is a status symbol that initially brings the Richardsons into the spotlight in Nantucket. Its many complex design features are meant to signal taste, complexity, and refinement. However, despite all the money the Richardsons will sink into this house, its foundation is on quickly eroding sand that is being washed away into the ocean. Similarly, while the Richardsons present as an uber-wealthy couple, their marriage is clearly full of infidelity, and their money is in legal limbo. Eventually, both their social status and Triple Eight go up in flames.
By Elin Hilderbrand
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