76 pages • 2 hours read
Guadalupe Garcia McCallA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The Garza girls stay at Inés’s house for the night. Inés asks Odilia to fetch her the paper from the corner store. Odilia sees that her and her sisters’ disappearance has made front-page news and caused considerable trouble for their parents. Odilia returns to usher her sisters out of the house. In the car, Odilia shows her sisters the details of their case in the news—that their mother is on house arrest as a suspect in their disappearance, and that the FBI are looking for their father as well. Juanita expresses remorse at their plan to take the dead man back. Odilia decides it’s best to get to their grandmother’s house as soon as possible instead of calling their mother. Just then the car breaks down, and the girls are forced to walk the 15 miles to their grandmother’s house.
After walking for two and a half hours, the sisters rest under the shade of a tree. They hear the lovely voice of a woman calling from the brush. Odilia remembers her mother saying, “Never talk to strangers” (129), but her sisters follow the voice. An enchanting blonde woman, Cecilia, invites them to her house to rest. The house is like an Eden, with a beautiful garden and carefully designed interiors. Cecilia pours them glass after glass of cold lemonade and feeds them sweet bread. The girls become very sleepy, and Cecilia encourages them to nap. The girls fall into a deep sleep. When they wake up, the woman is watching news coverage of their disappearance on TV. The news reports that Gabriel was a known drug dealer, and it is suspected that the girls were kidnapped in connection with his illegal dealings. Cecilia says that the police chief speaking is corrupt and that all will be well as long as they stay with her. Odilia asks to use the phone to call their mother, whom they have just seen on screen crying, “Please, please, if you have my daughters, please let them go. Let them come home. They’re all I’ve got” (136). Cecilia ignores Odilia and says that if she were their mother, she would never neglect them. Cecilia feeds them more sweets and ushers them to a bath and then bed. Odilia goes to bed grateful for a nice home but wakes up to a “mal aire,” which tells Odilia that the home is an illusion. She tries to get up to leave or use her ear pendant, but her hands feel like they are made of lead. She calls out to La Llorona for help.
La Llorona wakes Odilia and gives her a medicine made from the heart of a chinchontle plant, forcing her to throw up the sweet poison that Cecilia gave her. La Llorona shows Odilia to the kitchen, where Cecilia is baking more drugged cakes for the girls. She is now old and haggard. La Llorona explains that Cecilia is a witch and has been using potions to keep the girls there against their will. Odilia feeds the freshly baked pies to the pigs, then gives her sisters the same chinchontle drink. After they have purged the poison, Odilia explains what has been going on. The next morning, the girls confront the witch. Odilia uses her ear pendant to hypnotize Cecilia into helping them. Under hypnosis, Cecilia instructs them to visit a seer who lives two miles up from her house on a hill.
When the sisters turn back to look at the house, they see it as it is: run down and dilapidated. Just as the sisters are moving up the hill, Odilia’s hypnosis wears off. Cecilia rushes out and angrily shouts that the Garza sisters will pay for humiliating her. Juanita and the twins mock Cecilia, prompting her to cast a dark spell over them.
The Garza girls go to see Teresita, the seer whom Cecilia recommended. They are surprised by her unpleasant appearance, as she is hunched over and bald. Teresita pulls out a pack of cards and reads them to foresee the Garza girls’ future. Teresita tells the girls that Cecilia has set demons to terrorize them due to their conceit and arrogance. They will be visited by “The Evil Trinity,” or “Immortal children crafted by the devil himself and loosened upon this earth to aid in its destruction” (163). Teresita explains that the girls will first encounter el nagual, a disguised warlock who they must banish through song. Then they will meet evil lechuzas, or owls, whom they can defeat by tying seven knots in a silk thread. Lastly, they must defeat el chupacabras, a blood-sucking demon. Teresita’s husband informs the girls that he once blinded a chupacabras in one eye. He gives the girls a map to Hacienda Dorada, where their Abuelita Remedios lives.
Learning that the FBI is searching for them and their mother is on house arrest as a key suspect calls the sisters’ emerging sense of Solidarity Among Women into question. Though they have supported each other while navigating a misogynistic world, their actions have caused their mother trouble. This realization leads Odilia—overcome with guilt—to gather up her sisters and rush toward home, though she does not yet know how many more obstacles she will have to face before she gets there.
The first of these is Cecilia, who first appears as a beautiful and generous woman who wishes to help the sisters by feeding and housing them in her lavishly appointed home. Cecilia is one of many ways in which the sisters’ journey echoes the plot of Homer’s ancient epic The Odyssey—she is analogous to Circe, the goddess who lures Odysseus’s men into a trap by plying them with food and drink. This character illustrates the theme of Misunderstood Women in two ways: First, the illusion of her beauty and heramayious home mislead the sisters into trusting her, showing the danger of trusting in such superficial signifiers. Second, Odilia realizes that she is not wholly or irredeemably evil; she is lonely and isolated, and her desperation drives her to seek companionship in harmful ways. After escaping Cecilia, the sisters receive help from the seer Teresita, whom they initially fear because her hunched and bald appearance makes her look like a stereotypical depiction of a witch. Teresita’s sincere generosity, in contrast with Cecilia’s manipulation, is further evidence Solidarity Among Women requires looking beyond the surface.
By Guadalupe Garcia McCall
Action & Adventure
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Audio Study Guides
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Chicanx Literature
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Coming-of-Age Journeys
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Family
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Hispanic & Latinx American Literature
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Juvenile Literature
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Magical Realism
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Mothers
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The Journey
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