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38 pages 1 hour read

Jason Reynolds

Stuntboy, in the Meantime

Fiction | Graphic Novel/Book | Middle Grade | Published in 2021

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Episodes 8-10Chapter Summaries & Analyses

Episode 8 Summary: “Sweating the Small Stuff”

Portico finds an earring in the lobby and asks everyone in the apartment complex if it belongs to them, but everyone says no, so Portico knows that it must belong to Herbert. He decides to face his “villain” and takes Zola with him to knock on the boiler room door. Herbert opens the door and accepts his earring back. He then surprises Portico and Zola by inviting them inside. Portico eagerly agrees, curious about the boiler room and Herbert, but Zola is unsure. Herbert shows Portico and Zola how he can use the pipes in the boiler room to work out and notes that everything is perfect there—except the noise from next door. When he adds that it’s Portico’s parents who are responsible, Portico instantly starts to feel anxious. Herbert points out that Portico’s parents didn’t used to fight so much, and he believes that they must be getting a divorce.

Suddenly, Portico’s mind races with questions about what might happen to his family if his parents separate. Herbert admits that his dad hasn’t been around since his own parents divorced, but he hopes it will be different for Portico. Herbert even tells Portico that he thinks Portico’s parents are cool. Portico decides to listen through the wall and hears his parents arguing over the couch. He envisions them both pulling on it as Gran Gran sits in the middle. Herbert remembers an episode of Super Space Warriors where Mater and Pater argue so much that they don’t even notice when their lab blows up. Portico sinks to the ground, unable to move or say anything. Suddenly, he leaps up and grabs one of the pipes, attempting to pull himself up. Zola and Herbert hoist Portico upward as tears roll down his eyes.

Episode 9 Summary: “Two for Two”

Portico stands, feeling more mixed up and anxious than ever. He knows now that his parents are separating. When he asks them about it, they tell him all the classic things that parents who are getting divorced say: “It’s not your fault […] These things happen” (235). Portico’s parents only have one thing left to fight over, and it’s him; they tell him that he has to choose whose apartment he wants to live in. Portico feels split in half, and he splits himself between the two new apartments. Upstairs with his mom, some things are the same, but he can’t quite function like he used to without his other half. Downstairs with his dad, it’s the same. Portico walks around as half of himself, and neither Zola nor Herbert recognizes him at first. Both Zola and Herbert help him back to his apartment to face what he fears. Inside, his parents argue over him and fail to see that he is crying and shaking. Portico notices his cat standing on top of the stack of boxes, meowing in fright, and suddenly jumps into action. He becomes Stuntboy in front of his parents and maneuvers his way up the pile to save his cat. Portico notices that his anxiety disappears when he becomes Stuntboy, and he ignores his parents, who have stopped arguing and are trying to talk to him.

Episode 10 Summary: “Reintroducing the One and Only…”

Stuntboy is reintroduced as a public and proud superhero. He holds his cat in his arms with a smile of relief on his face. Stuntboy asks the reader if they know where Stuntboy learned his powers and stunts, and he leaps off into the sky with his cat by his side.

Episodes 8-10 Analysis

In the novel’s final episodes, Portico faces his villain by befriending Herbert, illustrating both characters’ growth. Portico demonstrates heroism by being willing to forgive and understand Herbert, even after everything Herbert did to him and Zola. He finds that there is another side to Herbert and learns the reasons behind Herbert’s angry disposition. Herbert even helps Portico reach a state of clarity regarding his parents when he points out that Portico’s parents are likely getting divorced. Hearing this fact spoken aloud turns Portico’s fears into reality, forcing him to confront the truth. Herbert’s comments are meant to help, but they also bring up a whirlwind of anxiety within Portico, who fights through it with the help of his friends. As Herbert and Zola hoist Portico up, he attempts to pull himself up over the bar in the boiler room. The moment symbolizes that Portico needs to find his own strength but can rely on The Foundational Supports Provided by Friendship until he does so.

The height of Portico’s anxiety comes when he is forced to deal with the realization of his parents’ separation, reflecting the connection between the themes of The Effects of Family Conflict on Children and Understanding and Experiencing Anxiety. Portico is illustrated with his arms and legs twisted and a fretful expression on his face; the narrator refers to this contorted illustration by stating, “I’m sure you can tell just by looking at him that he’s having some anxiety” (234). The physical symptoms of Portico’s anxiety are almost too much to bear, and for a time, Portico feels as though he is split in half. His parents put pressure on him to choose which parent he wants to live with, and when Portico decides to split his life in two directions, he also splits as a person. He walks around as half of himself and is almost unrecognizable to his friends and neighbors. Because his parents have turned their own home into a non-livable and unfriendly space, Portico is left with little reprieve. Even when Portico is clearly distraught, they continue to fight around him or shuffle him outside, demonstrating that while Portico has grown in his ability to cultivate calmness amid chaos, his parents remain stuck in the damaging pattern of conflict.

Portico’s story concludes without his parents resolving their differences or coming to a mutual agreement; instead, the solution comes from within Portico as he learns to manage how he reacts to situations. Rather than continue to involve himself or attempt to solve his parents’ problems, he takes on problems that he knows he is capable of solving, like helping his cat down off the stack of boxes. Portico’s problems do not simply disappear, nor are they remediated even by a temporary solution. Portico’s life will continue to change, but he is now more emotionally equipped to deal with it. He has found his inner “Stuntboy” and learned how to be a hero for himself, rather than for everyone else.

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