49 pages • 1 hour read
E. B. WhiteA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Taken all together, the stories in this book are what is called a Bildungsroman—a story about growing up. Each story is a little self-contained adventure, and though the book doesn’t build up to an exciting climax with a solid resolution, neither does growing up. A person progresses naturally from childhood to adulthood, and the story does not end there; it merely shifts into a different kind of narrative.
Stuart starts out as a child having adventures in which he learns what his limits are and how to overcome them. In each of his adventures, he learns something that brings him a step closer to growing up. In the incident with Snowbell and the window blind, Stuart learns not to let other people push him into doing foolish or careless things. In the episode where he is accidentally locked in the refrigerator, he learns that he must make an effort to make sure he is seen by other people.
Like other children, Stuart plays games of make-believe. Often, he acts more mature than he truly is, such as when he pretends to be an expert sailor during the sailing race on the pond. However, when he finds himself on the garbage barge headed out to sea, he learns that he is not yet ready to manage the full-sized world. Before Margalo rescues him, he is terrified, hopeless, and desperate to go home to the safety and comfort of the parents who care for him. It is only when he loses Margalo that he finds he is really ready to leave home. Even then, he takes a piece of his mother with him, showing that a part of him clings to childhood, safety, and innocence. However, just like regular humans, Stuart cannot remain a child forever. When he teaches schoolchildren about leadership, his commentary on society and nostalgia shows that he is almost, but not quite, an adult.
Growing up is not a steady, straightforward march into the future. Children fall back on their parents as they learn to navigate adulthood, and adults hold onto childish fantasies. Stuart’s father often longs to have the kinds of adventures that Stuart has, but he is beholden to the adult role of husband and father. Doctor Carey races model sailboats on the pond in Central Park, a hobby that some may find immature. Stuart, too, displays remnants of childishness and youth even as he progresses into maturity. The disastrous canoe date with Harriet, the girl his own size in Ames’ Crossing, is one such example. He fantasizes every last detail about the trip, and he throws a tantrum when things don’t go his way, refusing to pivot and change his plans. Harriet, in contrast, shows her maturity in the way she is unbothered by the destroyed canoe and calmly willing to do another activity.
In the end, Stuart discovers that he is not bound by the limitations of childhood or adulthood. The other adults in the story are restricted by things like jobs and responsibilities. Stuart ends up with none of those things. He briefly has the opportunity when he meets Harriet, with whom he could settle down and start a family. If he did, his story would end in a climax where he finds true love and becomes an adult by getting married and having a family. Instead, Stuart tries to impress Harriet by being something he is not, and the encounter ends disastrously. The failed date is Stuart’s sign that he is not ready to settle down and accept the confines of an adult life, but it also teaches him that he must mature and accept the difference between fantasy and reality, unlike his younger self.
If Stuart ever did find Margalo, his journey would end, but the open ending of the story implies that Margalo is an impossible dream that Stuart will spend his life following. Stuart represents the part of every grown-up that remains a child at heart, like Doctor Carey, who loves model boats and cars, or Stuart’s father, who still dreams of exploration and adventure.
Children are born small in a world where everything around them is sized for adults. This changes as humans age and grow, but Stuart, as an anthropomorphized mouse, must deal with being small in a big world forever. Much of Stuart’s life is spent overcoming the obstacles of a world far too big for him; however, Stuart hardly seems to recognize those obstacles. The sink is too high up for him, and he can’t turn on the water, so he simply climbs a rope ladder to the sink and uses a mallet to open the faucet. His way of doing things is different from that of other people, but to him it is perfectly ordinary, neither better nor worse. His brother often expresses ideas to accommodate Stuart, but he rarely follows through; instead, his father gives him helpful tools that promote independent problem-solving.
A full-sized person might assume that Stuart’s dreams of adventure are out of his reach, but Stuart finds or makes opportunities to live out his dreams. Now and then, he finds something built to his scale. His parents buy him dolls’ clothes, toothbrushes, and furniture just the perfect size for him. His father and brother make him toys and tools his own size. He can’t carry a real dime for the bus, but rather than carrying him everywhere as though Stuart was helpless, his father makes him a fake dime out of tin foil. Like Stuart, children love to find—or make—toys and furniture fit to their scale. They make little worlds of their own in which to play at being adults, just as Stuart does when he sails Doctor Carey’s ship.
Ironically, Stuart’s small size allows him greater freedom than he would have as a regular child. Stuart matures much more quickly than a regular human, walking, talking, and climbing shortly after his birth. Additionally, he is able to use small things as if they were their real counterparts. He uses a tiny bow and arrow to fend off Snowbell, and he drives Doctor Carey’s model car when he leaves home in search of Margalo. While Stuart—and other mouse-sized children—is often treated as unremarkable, White does occasionally acknowledge the oddity of a small, anthropomorphized mouse making his way through the world. However, he quickly waves this off with fantasy and humor. When Stuart notes that his tiny car might draw too much attention from regular-sized people, Doctor Carey simply replies that the car has a button which turns it invisible. Stuart does not use the button on the road, and though people stare, he is inexplicably able to take to the roads alongside every other driver.
Even for adults, the miniature can be a vehicle for imagination. For Doctor Carey, his model ships and cars are an opportunity to pretend that he is on a road trip around the country, or that he is a ship’s captain plying the high seas. Doctor Carey cannot go to sea himself because he must do his work as a dentist. Many people also grow more cautious with age, preferring to keep their fantasies firmly in the realm of pretend; in which case, Doctor Carey may very well be content with his model vehicles. Stuart fulfills his own dream by sailing Doctor Carey’s ship, but Stuart also gives Doctor Carey (and the reader) a chance to imagine himself at the helm without the dangers of actually being out on the high seas.
Being smaller than everyone else means that Stuart must make an effort to make sure he is not forgotten or overlooked. If he is rolled up in the window blind or slips into the refrigerator in search of a snack, his family sometimes can’t find him for hours. He learns that if he doesn’t want to be overlooked, he must call attention to himself and make sure other people see him. This is reflective of regular-sized children as well. Many children’s stories feature busy adults who fail to notice, or outright ignore, children. When the superintendent asks Stuart if he can keep a classroom under control, Stuart replies that he can; indeed, he proves that by listening to the children, acknowledging their thoughts and ideas, and respectfully involving them in discussions, there is no need for stern discipline.
Even full-sized people can be overlooked or forgotten. White was physically a small man. He was also quite shy; he didn’t like parties or unexpected visitors to his home (Straw, Deborah. “E. B. White: A Shy Man Fond of Creatures.” Literary Traveler, 2006). However, he was highly eloquent and had a rich imagination. Similarly, Stuart does not tell his parents about his dreams and adventures until after Margalo arrives.
Sometimes people who are thoughtful and introverted have difficulty calling attention to themselves even when they want to be involved, and are consequently overlooked. Like Stuart, their private lives may be enormous, and they could possess amazing ideas and capabilities, but because their presence seems “small,” they are invisible to other people. There is a difference between respecting the boundaries of introverted people and leaving them out completely, and Stuart illustrates the importance of not overlooking someone’s potential simply because they are “small” or quiet.
In the final scene, when Stuart sets out toward the horizon, he is stepping into a world so vast and full of wonder that it dwarfs even adult humans. Stuart’s small stature, as compared to other people, is nothing in the face of such enormity. In the grand scheme of things, everyone is a small person in a large world.
The opening of the story sets the stage for the theme of embracing difference. Mr. and Mrs. Little are somewhat surprised by Stuart’s size and appearance, but they quickly rally—providing him with clothing and furniture suited to his size. From that point forward, Stuart’s family and everyone he encounters treat him as perfectly acceptable. The doctor who examines him remarks that it is unusual for an American family to have a mouse, but apart from that, he finds Stuart delightful.
The family never actually forgets Stuart’s difference. They consider how his mousiness might influence his feelings about references to mice in nursery rhymes, and they worry about the mousehole in the pantry. His diminutive size does present problems for them—they often find him difficult to locate—but they also encourage him to use his special skill set to participate in family activities like fetching ping-pong balls or helping George to play the piano.
People outside of the family take Stuart for granted as well, being aware of his difference but unperturbed by it. For example, the spectators at the boat race are excited by the idea of a mouse at the helm of the Wasp. Doctor Carey even sees the advantage of a Stuart-sized crewman. He takes pleasure in living out a fantasy of his own through Stuart.
Stuart doesn’t like people to fixate on his size. He is rather short—as it were—with the bus driver who describes him as hardly bigger than a dime. Fortunately, he rarely encounters anyone who finds his appearance worthy of comment, and even the bus driver doesn’t seem to see anything wrong with Stuart. In Ames’ Crossing, the storekeeper comments on Stuart’s size only to tell him about the existence of someone like him.
Stuart himself has an appreciation for difference. In Ames’ Crossing, he meets a girl his own size. Harriet is the one person he has ever encountered who was most like himself, but although Harriet intrigues him—or at least the idea of Harriet—the woman who owns his heart is a bird. Margalo isn’t only different in shape from Stuart. She is his opposite in temperament as well. She is timid where he is bold. Stuart isn’t looking for someone like himself, not even someone who shares his quality of boldness and adventurousness.
Many, if not most, people feel themselves to be different in greater or lesser ways. Difference can be uncomfortable, and it can create conflict. It also forces change both in the self and others, which makes for a compelling narrative and constitutes the basis for a vast amount of stories about those who don’t quite “fit in.” Usually, those stories resolve with the protagonist overcoming obstacles presented by his or her difference and incorporating that difference into daily life. The incident with Harriet suggests that Stuart will never be absorbed into the ordinary world. His difference never quite seems to be resolved, but it is embraced. He will always be an outsider, but that is what he is looking for in the end.
By E. B. White