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71 pages 2 hours read

Ted Chiang

Stories of Your Life and Others

Fiction | Short Story Collection | Adult | Published in 2002

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Themes

The Ethics of New Scientific Discoveries

The ethical issues that scientific discoveries bring into sharp relief are at the thematic center of several stories in this collection. In “Understanding,” Leon, an unremarkable digital designer, receives doses of a newly developed drug, Hormone K, after nearly drowning. The drug, designed to regenerate damaged neurons, brings vast improvements to Leon’s intelligence, far beyond what should be humanly possible. The author utilizes this plot line to examine the consequences this scientific achievement might potentially have, aside from helping people with damaged nerves. As his understanding of reality grows, Leon becomes arrogant; he feels omnipotent and uses his new skills selfishly for his own benefit. Eventually, he comes across another person affected by the drug, Reynolds, who seemingly represents the other side of the spectrum: he dedicates his abilities to saving the world. At the same time, this big-picture worldview causes him to stop caring about individuals, whom he sees as necessary sacrifices in the battle for his goal. Both of these men exemplify the profound change scientific discovery can bring into a human life, and Chiang warns that some of them might not be so pleasant.

Similarly, in “Seventy-Two Letters,” Stratton achieves his advances in the field of nomenclature and self-replicating automata in the belief they will help make this technology cheaper to produce and therefore available to poorer families. However, in the excitement of his scientific discoveries, he fails to take into account the many workers whose jobs will become obsolete in the process, bringing them to the point of starvation. His mentor, Lord Fieldhurst, espouses a decidedly unethical worldview in his efforts to produce human beings through sacred naming: He wishes to purify the British race by only allowing the wealthy aristocrats to reproduce. In this story, through both the protagonist and his foil, Chiang shows us the deeply ambivalent nature of scientific achievement.

In the sixth story, “The Evolution of Human Science,” the ethical conundrum extant in scientific research is perhaps the most evident. Chiang creates a world where science is so advanced that humans have become redundant or obsolete in the field. The metahumans constitute almost a new species in themselves, one that neither needs nor acknowledges the scientists who created them. Here, Chiang brings the question of ethics in science to its extreme—albeit logical—conclusion, warning readers to take the human factors and the possible repercussions of scientific developments into account.

Chiang utilizes the science fiction genre as a fictional platform to raise philosophical questions about how science affects humanity.  

Combining the Real with the Metaphorical or Fantastical

Chiang frequently creates alternative universes in his stories. Some represent a potential reality while others include fantastical or magical elements. One can classify these stories as science-fantasy (“Tower of Babylon”), alternate history (“Seventy-Two Letters”), or magic realism (“Hell Is the Absence of God”), but their setting serves a single purpose: the author explores a unique and fantastical idea within realistic parameters.

The first story in the collection, “The Tower of Babylon” is set in a world where the ancient concept of geocentrism is a reality. The presence of the God Yahweh in the Heavenly Vault is also a true part of the story’s world. Thus, the building of the Tower becomes is more than a mere metaphor for the idea of reaching the divine; it is also a real adventure of builders and miners who toil for centuries to reach the Heavens and the seat of the God. Chiang states in the Story Notes, “The characters may be religious, but they rely on engineering rather than prayer. No deity makes an appearance in the story; everything that happens can be understood in purely mechanistic terms” (265). In this way, just as the character of Hillalum comes out the other end of the Heavens only to find himself on Earth again, so does the story utilize Biblical myth only to reinforce the reality of the scientific concept.

In “Seventy-Two Letters,” Chiang uses the ancient Hebrew myth of the golem and the once-accepted notion of preformation to create a world in which these concepts are real and fully accepted as such. Setting the story in an alternative Victorian era allows the author to investigate the uses these notions might have in an environment where humanity faces extinction. As previously mentioned, this set-up requires suspension of disbelief from readers, but it also invites them to join a mental experiment that explores different potentialities within a contemporary understanding of reality.

In “Hell Is the Absence of God,” Chiang goes even further by creating a world in all senses the same as his own, except for the presence of Angels, the manifestation of Hell, and the ascension of souls to Heaven. The author positions readers on a plane that bears all the markings of their reality, and then infuses this reality with concepts they regard as highly metaphorical. This achieves a sense of heightened awareness of what religion is and how individual and group faiths might embody themselves in reality. The combination of the real and the metaphorical achieves both a sense of wonder and a sense of familiarity, and in this intersection Chiang finds the potential to create new meaning.  

The Danger of Superintelligence

A strong thematic line in several of Chiang’s stories is the idea that human intelligence, in the sense of both intellect and knowledge, can be a source of power that characters use and sometimes abuse. In “Understand,” both Leon and Reynolds gain unimaginable powers of intellect after receiving Hormone K, and the way they deal with the newly acquired abilities speaks to the fundamentally ambivalent ethical nature of intelligence. As mentioned before, the ambivalence of seemingly positive traits is one of Chiang’s main thematic preoccupations. Leon’s deep understanding of how reality works allows him to “weaponize” his intelligence, and the way he gains knowledge and uses it to serve his selfish impulses shows readers that intelligence holds no inherent morality. Rather, characters infuse intelligence with additional meaning. Reynolds utilizes his intelligence to save the world from itself, sacrificing those he believes to be of little use to society as a matter of routine.

In “Division by Zero,” Renee’s intelligence allows her to discover both the beauty of mathematical order and the crucial flaw in the design that renders everything else in her life meaningless. She becomes a danger to herself and to her relationship with Carl, whose lack of understanding results in a lack of empathy. Renee’s intelligence brings about the implosion of both her career and her marriage.

Similarly, in “The Evolution of Human Science,” the knowledge that human scientists pursue and the intelligence they gain leads to the creation of metahumans, whose intellect is vastly superior to the scientists who made them. Again, metahumans’ intelligence is dangerous precisely because it is devoid of ethical regard, aiming purely at gaining knowledge and pursuing technological advances. 

Cultural Paradigms in Alternative Realities

Another advantage of the science fiction and fantasy genres is that they allow worldbuilding, the concept through which the author explores realities different from his own. In this collection, Chiang infuses the reality of every story with cultural paradigms of its own, thereby creating worlds that might resemble the real world to greater or lesser extent, yet they all diverge from it in some key cultural aspects.

In “Tower of Babylon,” the culture is very much that of an ancient Biblical legend, yet the characters inhabit their reality as if it were the only one possible. The dedication of the workers and their families to the building of the Tower is both religious and cultural. The Tower becomes a part of their existence over many centuries, and the inhabitants of Babylon view the existence of the Tower as part of their daily life and work. Generations of families spend their whole lives within the walls of the Tower, never treading the earth or reaching for the Heaven’s vault, and they regard this as their natural lot in life, all the while feeling privileged to be a part of the Tower’s existence.

The steampunk reality of the Victorian age in “Seventy-Two Letters” incorporates both the traditional reality of the late 19th century and the cultural matrix of an alternative reality. The conservative nature of the society and the views of aristocracy on the issues of race and class are familiar from history, but Chiang infuses this with concepts of commonplace automata that serve as butlers and workers, along with “megafetuses” produced from spermatozoa. The scientific changes he brings into the world of the story influence the culture of the depicted reality: the wealthy are now able to dispense with laborers due to the existence of primitive robots, and men like Lord Fieldhurst can develop radical plans of reducing the number of lower classes by means unimaginable in the readers’ reality. This changes the culture of the world vastly: the poor have even less hope of surviving, let alone of climbing the social ladder. Additionally, through the introduction of sacred naming and the depiction of the Kabbalist Benjamin Roth, Chiang changes the structure of the society as a whole, where Jewish traditions play a crucial role in the functioning of the world of the story, as compared to the real Victorian era.

By building worlds that are both familiar and foreign, and by creating cultures that logically stem from these different worlds, Chiang emphasizes the role societal structures play in the development of culture, religion and everyday notions of existence.  

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