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58 pages 1 hour read

John Scalzi

Starter Villain

Fiction | Novel | Adult | Published in 2023

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Character Analysis

Charlie Fitzer

In John Scalzi's Starter Villain, Charlie Fitzer, a 32-year-old divorcee, grapples with stagnation and lack of direction. Once a business reporter for the Chicago Tribune, Charlie's life took a downward spiral after he lost his job and divorced his wife. Discovering his father was ill, Charlie returned to his childhood home to care for him. However, although Charlie's father died several years before the story's beginning, Charlie remains in his childhood home, working as a substitute teacher. 

Initially, Charlie exhibits a sense of inertia and reluctance to embrace change. Instead of pursuing new opportunities, he settles for underemployment as a substitute teacher. Despite applying for other positions, Charlie often finds excuses for his lack of success. His cleverness is overshadowed by his acerbic and sarcastic demeanor, with his self-deprecating humor often brushed aside. However, beneath his facade lies a compassionate individual who rescues abandoned cats and extends help to others, even when it may not be needed.

Charlie possesses an egalitarian nature and a strong sense of self-awareness. He is open to listening and heeding advice from those who appear more knowledgeable, even if it comes from an unexpected source, like a cat. Charlie supports the dolphins' quest for unionization and actively aids them in achieving it. However, he is far from being a pushover, demonstrating a firm stance when confronted with the manipulative tactics of the Lombardy Convocation. In situations where he feels confident, such as finance matters, Charlie readily takes charge. In the moral world of the novel, Charlie is a relatively "good" person but a terrible villain.

Throughout the novel, Charlie yearns for a sense of belonging. Initially, he seeks to purchase McDougal's tavern to preserve his father's memories and integrate himself into the Barrington community. When that initially fails, Charlie attempts to assimilate into the world of villains, which proves futile, highlighting his innate benevolence. Ultimately, Charlie finds his place in running McDougal's and establishing himself as an integral part of the community, signaling his journey toward belonging and acceptance.

Mathilda Morrison

Mathilda Morrison, roughly the same age as Charlie, exudes success with her sleek black Mercedes S-Class and impeccable "business couture." Having served as Jake's assistant during his lifetime, Morrison now assumes the role of executor of his estate, wielding power and influence. She serves as a foil to Charlie's demeanor: Where Charlie is often bumbling, Morrison is ruthlessly efficient; where Charlie displays kindness, Morrison employs manipulation; where Charlie tends to trust, Morrison remains skeptical and calculating. If Charlie falters as a villain, Morrison excels in the role.

Despite her formidable competence, Morrison faces the challenges of being a disenfranchised minority in the villainous profession. Despite her skill, the members of the Lombardy Convocation often underestimate her and express outrage over her involvement in their affairs, particularly during the "Pitch and Pitch." While Morrison generally maintains her composure, she occasionally reveals frustration at being interrupted by entitled men and frequently highlights the rampant sexism pervasive in the industry.

Throughout the narrative, Scalzi portrays Morrison as a complex character. While she introduces Charlie to Jake's enterprises and aids him in navigating the Convocation, her underlying motivations reveal a calculated agenda to dismantle the Lombardy Convocation. While she may harbor a fondness for Charlie, her actions are ultimately driven by her strategic objectives. Morrison emerges as a formidable and intelligent figure, albeit one lacking in compassion.

Hera and Persephone

Shortly after Charlie returned to his childhood home roughly four years ago, he found a kitten in the garden hedge. He named the orange and white kitten "Hera," and she has remained an integral part of his family ever since. Early in the narrative, Charlie finds another orange and white kitten similarly and names her Persephone. During the story's early phases, Charlie treats the cats like people, talking to them regularly. Charlie treats the cats as confidants and seeks their advice on trivial and profound matters, cementing their status as his most trusted companions.

However, Charlie's unwavering faith in his feline friends is shattered when he learns of their genetically modified nature, their ability for sophisticated communication through typing, and their clandestine role as spies for Jake, for which they receive substantial compensation. Persephone is Hera's paid intern.

Hera and Persephone’s task of spying on Charlie does not impede their love for him. Hera saves Charlie's life several times and expresses genuine affection for him. As Charlie struggles to belong throughout the narrative, he overlooks that he always belonged with Hera. Hera is a clever cat who runs an extensive real estate trust and provides espionage services for Jake's enterprises. At the same time, Hera viciously attacks any threats to Charlie's welfare. Though not vocal in the story, Persephone offers solace through her consistent desire to be held. At the end of the narrative, when the villains abandon Charlie, Hera takes responsibility for him. She shares her diverse real-estate portfolio with Charlie, offering him a home and the pub he most desired. Ultimately, Hera and Persephone retire to rejoin Charlie as members of his family.

Jake Baldwin

Although deceased at the beginning of the narrative, Jake Baldwin remains a formidable presence throughout the story. Described as someone who appeared wealthy and well-preserved even in death, Jake's legacy looms large over the unfolding events. Scalzi presents Jake as a complex character, blurring the lines between heroism and villainy. While he appears to engage in heroic work by thwarting the plans of other villains, Jake's methods often involve using criminal tactics to achieve other villains' goals more effectively. Motivated primarily by financial gain and occasionally driven by spite, Jake's actions reveal a morally ambiguous nature. Despite undertaking a seemingly noble mission to dismantle the malevolent Lombardy Convocation, Jake's approach involves exploiting Charlie, who is unwittingly drawn into his schemes.

Despite his noble endeavors, such as his mission to dismantle the Lombardy Convocation, Jake's actions are often marked by opportunism and exploitation, particularly evident in his dealings with Charlie. Furthermore, Jake's disdain for workers' rights, evident in his role as a "union buster," highlights his disregard for ethical considerations in pursuit of his goals. Despite his vast wealth, Jake's frugality and reluctance to invest even in essential upgrades underscore his selfish and self-serving nature.

Even in death, Jake's legacy remains tainted by his selfishness and lack of remorse. His apology to Charlie is hollow and insincere, devoid of genuine remorse or accountability for the hardships inflicted upon Charlie. Ultimately, Jake's character serves as a cautionary tale of the corrupting influence of power and wealth, leaving a lasting impact on those who come into contact with him long after his passing.

Tobias Paris

Tobias, known as "The Stabber," is a double agent who serves Morrison while feigning allegiance to various members of the Lombardy Convocation. Despite Charlie's perception of Tobias as a nemesis, Tobias ensures Charlie's survival throughout the story.

While most characters involved with the Lombardy Convocation are known by their last name, Tobias, like Charlie and Jake, is addressed by his first name; throughout the narrative, these first-name characters occupy a liminal space, occupying multiple spheres simultaneously. Just as Charlie exists between the realms of "normie" and "villain” and Jake influences the world of the living even after death, Tobias navigates both Morrison’s and the convocation’s worlds as a double agent.

Tobias emerges as a sarcastic figure, often exchanging barbs with his girlfriend, Morrison, though their relationship is concealed until the story's conclusion. The characters hint at Tobias's previous attempt to assassinate Morrison. While lethal and possessing an ambiguous moral compass, Tobias demonstrates selectivity in his actions. Despite his loyalty to Morrison, Tobias refrains from killing Gratas despite numerous threats. Likewise, although ordered to murder Charlie, he instead opts to shift blame for the murders onto Charlie. This portrayal renders Tobias a morally ambiguous character driven by his distinct motivations.

Evan Jacobs

Evan Jacobs, a former CIA agent, assumes a multifaceted role within the narrative, adding complexity to the storyline. Initially perceived as a potential intruder and saboteur on the island, Jacobs prompts Charlie to confront his moral boundaries when faced with the islanders' lethal response to trespassers. However, Jacobs soon reveals another dimension of his involvement by purchasing identity manipulation services through Baldwin Consulting. His arrival on the island serves a dual purpose: orchestrating his staged demise to sever ties with the CIA, while providing crucial intelligence regarding the Convocation and Charlie's precarious situation.

Furthermore, Jacobs defies the stereotypical portrayal of an undercover government agent as he operates as a double agent embedded within the CIA on behalf of the Lombardy Convocation. Throughout the narrative, Jacobs emerges as a genuine threat to Charlie, serving as a conduit to showcase Hera's formidable skills. Initially, Hera skillfully manipulates Jacobs into a false sense of security, only to swiftly intervene when he directly threatens Charlie's safety, highlighting her resourcefulness and protective instincts.

The Dolphins

The dolphins are a symbolic representation of the proletariat or working class challenging Jake's bourgeois, or owning class, authority. Portrayed as intelligent and sentient beings capable of complex communication, they initially engage in a labor dispute with the island's human inhabitants, advocating for unionization and fair treatment to assert their autonomy and rights. Despite their foul-mouthed demeanor, exemplified by the lead dolphin's colorful self-designation as "Who Gives a Shit" and his compatriots' similarly blunt monikers (80), their demand for recognition underscores their struggle against oppressive power dynamics. Throughout the narrative, Charlie's interactions with the dolphins highlight their resilience and determination in adversity.

The dolphins' quest for unionization is a significant challenge to entrenched power structures, echoing themes of social justice and equality as they seek to assert their autonomy and improve their working conditions. Their objection to the "eugenics and forced birth" imposed upon them underscores the injustices they face and highlights Jake's role as a villain for perpetuating oppressive conditions (219). Through their struggle, the dolphins illuminate the harsh realities of their living conditions, shedding light on systemic injustices and the need for collective action to combat them.

Charlie's advocacy for the dolphins during their labor dispute underscores his inherent inability to embrace villainy. Though the fate of the dolphins remains uncertain, with Dobrev assuming control over them by the narrative's end, Dobrev's commitment to upholding Charlie's labor agreement and the dolphins' union expanding to include the whales suggests the emergence of an expanding labor force.

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