57 pages • 1 hour read
Naomi NovikA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The sensation of cold and frost are associated with the Staryk, whose powers lean to all things winter. However, it is also associated with Miryem’s ability to suppress any empathy or compassion when it comes to collecting on her debts. While the cold of Miryem’s guarded heart may be contrasted with the warmth of her family, the primary comparison is between Chernobog and the Staryk. The Staryk are fairies made of ice, which makes the fire demon Chernobog a reasonable foil and natural enemy. Where one becomes strong, the other becomes weak, as seen by the Chernobog’s increased power and size, which comes from drinking water from the Staryk mountainside.
Silver and gold also represent ice and fire, Staryk and Chernobog. While silver fits neatly with the Starks’ wintry aesthetic, the Staryk king is able to be bound with a chain of silver. Similarly, the sun which is magically present in gold is able to bind and injure the Chernobog. In an ironic twist, Miryem is able to use the Chernobog’s own fire against him, as it melts the gold coins onto his body.
Mirnatius is deeply frustrated by how Irina’s plain face is perceived as beautiful by their subjects. While his original deal with the demon Chernobog for “beauty, crown, and power” was negotiated by his mother, he clearly values physical appearance (286). When Irina defeats Chernobog, expelling him from Mirnatius’s body, he looks at her as if she were “the most beautiful thing in the world” (455).
The novel also asserts that even beautiful things are dislikable. Just as Mirnatius’s handsome face does nothing to tempt Irina, the Staryk lands and people hold little charm to Miryem upon her first arrival. The frustrations of her stay and longing for the normalcy of home make them both more frightening than enjoyable to look upon. As Miryem says, “The Staryk didn’t look so terribly strange at first; that was what made him truly terrible. But as I kept looking slowly his face became something inhuman, shaped out of ice and glass, and his eyes like silver knives” (68).
The pride and determination that enable Miryem to survive also lands her in situations she is not prepared for. Her pride not only leads to her boast that attracts the Staryk’s attention in the first place, but it also leads her to demand payment for her services, resulting in an unwanted marriage and a massive shift in her life’s trajectory. On the Staryk’s end, pride prevents him educating Miryem about his culture and high magic, and it causes him to dismiss Miryem’s value as more than a means to an end. It is only after swallowing their pride that both characters achieve success and happiness.
Miryem’s strength of will preserved her mother’s life and the rest of her family when she assumed her father’s moneylending business. It saved her own life again when she resolved to save the Staryk from Chernobog. Wanda’s persistence helped her to survive her father’s abuse. Irina’s will to resist temptation enabled her to kill Chernobog—if she had accepted any of the rewards he offered her, she could not have declared that he could not harm her and hers. The Staryk king’s strength of will enabled him to survive Chernobog’s torture long enough to be rescued by Miryem and save his people.
Wanda’s kindness in rescuing Sergey is repaid when he saves her from her father. Miryem’s kindness in hiring, teaching, and paying Wanda, though she perceives this as good business practice, is repaid when Wanda refuses to release the Staryk king. Miryem’s kindness in paying and feeding Sergey for a job he could not do is repaid when he saves her life, defending her from the guardsman after she rescues the Staryk king from the tunnels. The Mandelstams’ kindness to Wanda, Sergey, and Stepon is repaid when the siblings invite them to live on their lands and share their home.
Miryem’s skill with high magic does not emerge simply because she asks for it. She fights for it with everything she has and must take any available loopholes to make her claims true. Miryem also discovers that she is able to call forth Staryk winter trees using a Jewish blessing for fruit trees in bloom, something which she has no reason to expect to work. Similarly, Wanda is able to bind the Staryk king, but she has no way of knowing this until she tries to do so. She summarizes this important lesson herself: “I was strong enough […] But I had not known that I was strong enough to do any of those things until they were over and I had done them. I had to do the work first, not knowing” (381).
In several instances, characters are presented with two apparent options: submission or death. In this classic abusive strategy, submission is often the safest answer, delaying an immediate danger through submission, even if it results in a larger danger down the line. Miryem is no stranger to this choice: “The temptation was familiar: to go along, to make myself small enough to slip past a looming danger” (217). In some cases this threat is empty enough, such as when angry debtors threaten Miryem. In other cases the danger is real. When Wanda’s father arranges a marriage on her behalf, she must accept or refuse and face his wrath. When the Staryk is captured and bound, he must give up his name or forfeit his life to save his people. When Miryem plans to rescue the Staryk king, she must weigh the chance to save him and his people against lives of those aiding her. As the story progresses, these dilemmas are consistently met with the bold choice of refusing to submit, as Wanda defies her father, the Staryk refuses to share his name, and Miryem goes against Irina’s will.
By Naomi Novik