54 pages • 1 hour read
T. J. KluneA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Arthur takes his seat before the four government officials: Burton, Haversford, Sallow, and Rowder. Both Burton and Haversford are older, but Sallow is young and Rowder is Arthur’s age. Arthur finds Rowder particularly off putting, although—aside from her too-perfect posture—he cannot identify why. Burton opens the hearing with a claim that their purpose is to examine current government regulations regarding magical people. He references the current leaderless state of DICOMY and its sister agency, the Department in Charge of Magical Adults (DICOMA), in the wake of the recent dissolution of Extremely Upper Management. When Arthur finally begins his testimony, he feels as if he has been waiting for many, many years for this opportunity. He describes the abuse he suffered, including six months being held in isolation in the orphanage’s dark, moldy cellar without books, visitors, or even schoolwork to occupy him. Haversford thanks him for his testimony, saying he is brave to share his experiences so honestly. Burton asks about the firing of the government official that subjected Arthur to this abuse and the million pounds Arthur received as compensation. He says that he considers this adequate compensation and wonders why Arthur now seems to be coming after the government again. Arthur cites evidence that his experiences were not unique and that the abuse of magical children continues. Burton questions where he obtained this information; Arthur does not tell the committee that Linus smuggled DICOMY paperwork out of the agency when he left his position. He expresses a belief that the government has a responsibility to set and enforce policies against abuse.
Sallow turns the questioning to the children in Arthur’s care. Arthur describes each of them lovingly, emphasizing their positive qualities. It is clear, however, that the committee is most interested in Lucy, believing he presents a serious danger to the world. Rowder finally speaks, turning the focus of the hearing to Arthur himself. She makes it clear that she believes his intentions are to use the children at Marsyas to create his own anti-government army, and is particularly focused on the devastation Lucy could cause on Arthur’s behalf. She tries to goad him into adopting his phoenix form, implying that his own powers are also dangerous. She questions him about Charles Werner and Linus, insinuating that he chose these two as romantic partners in order to further his ambitions regarding the orphanage. Haversford interrupts, shocked that Rowder would make such an accusation. Rowder introduces a statement from Werner, who—long after his affair with Arthur—went on to become a member of Extremely Upper Management (EUM). Werner claims that Arthur and Linus threatened him and this is why EUM agreed to keep the orphanage open. Further, Werner offers his opinion that Arthur is “training magical youth to be soldiers” (86). Rowder points out that, when he turned 18, Arthur failed to register with DICOMA as required by law. He then spent many years helping other magical adults evade this law. Not only this, but he also taught these magical beings how to fight.
Rowder announces that she has been appointed as the acting head of DICOMY and DICOMA and that her first order of business will be to send an inspector to Marsyas. The inspector will decide if the children are to remain on the island or taken to different orphanages. At this threat to the children’s well-being, Arthur can no longer control his anger, and he transforms into his phoenix form. The spectators are terrified. Linus tosses the, “Don’t you wish you were here?” mousepad at Arthur’s head to get his attention (95). He murmurs soothing words to his partner, urging him to come back to his human form. When Arthur is fully with him again, Linus tells him that Rowder made a mistake: When discussing the children, she mentioned David as well, inadvertently revealing that she was behind the bugging of their hotel room.
Arthur and Linus change hotels. When they call the children that evening, Zoe reports that they were understandably upset by the radio broadcast of the hearings. Talia asks excitedly whether Linus really threw something at Arthur’s head, and Sal asks how Arthur is doing after the stressful hearing. Arthur assures him that Linus is taking good care of him and that he is fine. That night, in bed, they discuss the difficulties the inspector will create for their plan to move David, an unregistered magical being, to the island. They talk about Arthur’s past helping magical beings hide from the government, and Arthur comments about his many flaws as a person. Linus assures him that he loves him for his flaws, not in spite of them and that he does not really consider them faults. Linus goes to the closet and retrieves a black ring box. He asks Arthur to marry him, and Arthur enthusiastically assents.
The next morning, the two travel to the house where David is being hidden. They meet Jason and his partner, Byron. Jason is relieved when Linus and Arthur easily accept that Byron goes by they/them pronouns. Jason mentions having heard the radio broadcast and seen follow-up reports in the newspapers; his opinion is that EUM is still active—with new faces in charge—and that the tone of the news coverage is mostly unfavorable toward Arthur. He does note that Helen, who is a friend of his, has mentioned that things have been getting better for magical people in the mainland village near Marsyas. Jason worries about their ability to protect David with the inspection coming up, but they promise to keep David safe.
Jason takes them to meet David, a five-foot-tall, 10-year-old yeti covered in long white hair. David has prepared an elaborate noir detective play for them. He plays all of the parts, ducking into a closet to change into various costumes. At the end of the play, he represents a monster who kills the detective. He tells the detective that, “We all have monsters inside of us. The difference between us is that I let mine come out to play” (116). Arthur and Linus learn that David, despite Jason’s explanations to the contrary, believes that he must audition for a place at the orphanage, which he conceives of as a kind of boarding school. When they explain that the reverse is true—that they are essentially there to audition for him and that he can choose whether to come to Marsyas or not—he is stunned. David quizzes them about their rules. It’s clear that he’s nervous about going into a new environment, particularly one with other children, whom he fears will reject him as others have in the past. They assure him that at Marsyas Orphanage, he will be accepted exactly as he is. David shares with Arthur that, just as Arthur is the last living phoenix, David is the last living yeti. After a long conversation, they leave David to think over his decision.
Arthur and Linus are charmed by the bizarre disguise David chooses to wear on the train trip back to the coast. It is David’s first train trip, and at first he is thrilled, but as the hours pass he grows bored and then, as they near the coast, nervous. Linus and Arthur reassure him that the other children will like and accept him. When they meet Helen at the train station, David flies into her arms, excitedly recapping the entire trip for her. On the ride through the village, David is amazed by all of the new sights. He is especially shocked by a family of Cyclopes there to vacation. Linus explains that, although this village used to be prejudiced like many other places, it is now quite friendly to magical people. Helen confesses that, in the past year, her own attitude toward magical people has changed a great deal, as well. “We’re building something” (136), Arthur tells David, explaining their hope that little changes like the one in this village will spread outward to the rest of society. At the shore, Helen suggests that, instead of taking the ferry, they let Zoe create a salt road from the ocean as a special treat for David. When it appears, they drive over it to the island.
When he meets Zoe, David is impressed by her wings. The children are inside, where Zoe has asked them to wait so as not to overwhelm David, but they can all be seen peeking through the house’s windows. David stomps around, claws extended, growling, and then announces that this is how yetis greet new places. Linus does the same, growling so deeply that even David is impressed. He suggests that David can give him lessons on how to be a yeti. Zoe brings the children outside, and they unfurl a banner welcoming David home. Arthur calls Theodore over to meet David. David is puzzled by how they communicate with Theodore, who speaks his own chirpy kind of language, but Linus assures him that soon, he will grow to understand Theodore as well. When David meets Lucy, he asks whether Lucy will one day fight Jesus for the souls of all humankind. Lucy is speechless, but eventually he agrees that yes, probably he will do just that. Talia laughs and says that this is doubtful, considering that just last night Lucy cried over stubbing his toe until Zoe kissed it to make it better. David meets the other children, who are all friendly and excited. Talia offers to show David the house, and Chauncey leads him inside.
Zoe sees the ring Arthur is wearing and offers delighted congratulations on his and Linus’s engagement. Phee comes running back outside to get them; David and Calliope are squaring off with one another because yetis and cats are “mortal enemies” (146). Linus and Arthur go inside and diffuse the situation; David agrees that he will not try to eat Calliope, and Calliope stalks off, having decided to simply ignore David. When the children show David his room, he is overwhelmed. Not only has he never had his own room, but this room—made from the former cellar—is also chilled to an Arctic temperature and decorated to resemble the icy far north. That night, after Arthur and Linus go to bed, all of the children except for David gradually creep into their room and join them in bed. When the children finally notice the ring on Arthur’s finger, they are instantly awake, and their excitement keeps everyone up for much of the night.
On Friday morning, two days after their return from the city, Arthur reads David’s file. He learns that David’s parents were shot by a big game hunter, who is now facing a minimal prison sentence. David comes into Arthur’s office and the two talk about how David is adjusting. Arthur asks what David wants to be when he grows up, and David responds, “a monster” (159). David tries to explain that since people sometimes find it entertaining to be scared, this is what a monster can do. Arthur tells David that he does not have to be a monster if he doesn’t want to be one, which makes David angry. David feels that Arthur, like everyone else, is trying to change him and does not really accept him for who he is. Arthur worries about how to support David’s identity without contradicting what he has been teaching the other children. He apologizes to David for making assumptions and not really listening well to what David was trying to tell him, and they agree that Arthur’s job will be to help David become the best possible version of whatever he wants to be.
On Saturday, the family goes on their weekly adventure. This time, it is Chauncey’s turn to lead, and he chooses a “yachting” adventure. Chauncey decks himself out in his version of fancy yachting clothes and provides everyone else with a wet suit. He proudly shows the family the “yacht” he has constructed from a rowboat and a cardboard box, and they launch the craft into the ocean. Despite his misgivings about his own leadership abilities, David is nominated to be their captain. He rises to the occasion, and all of the children have fun following his directions as they sail along the shoreline. After an hour, Chauncey stops the boat, announcing that they have arrived at their destination. He tells them that he has recently discovered an ability to talk to fish. He yells repeatedly for a particular fish, whom he calls “Frank.” Finally, a fish actually surfaces. Chauncey holds a conversation with the fish and then tells the family that he believes they should no longer eat seafood. While the family debates this, Chauncey undercuts his own arguments by swallowing Frank, whom he soon vomits back into the ocean. David is amazed, telling Arthur, “You weren’t kidding when you said we could be monsters if we wanted to” (176). This outrages Lucy, whom Arthur has repeatedly forbidden from acting like a monster, and Lucy retreats into a sulk.
The wind dies down, and Arthur decides to let the children figure out how to solve the problem of getting back to shore. Lucy creates a tidal wave that lifts the boat up into the air. Chauncey forms himself into a parachute shape and Theodore breathes fire to create a hot-air-balloon effect. The result is a thrilling, chaotic ride that leaves the adults shaken but proud at the children’s ingenuity. When the family arrives back at the house, their upbeat mood is punctured by the arrival of a letter from DICOMY. The inspector will arrive on Wednesday, and if the adults interfere in any way with the investigation, the children will be removed from Marsyas.
Chapters 5 through 8 serve to increase the stakes of the novel’s central conflict. In Chapter 5, the hearings make it clear how dangerous Jeanine Rowder is and how far she’s willing to go in pursuit of her agenda. Chapter 6 introduces David, creating a sympathetic portrait of a child who, although navigating the effects of trauma, remains a silly, hopeful, and loveable person. Chapters 7 and 8 return Linus and Arthur to Marsyas, where the warm reception David receives and the family’s Saturday outing make it clear what a loving and nurturing family environment Arthur and Linus have created for the children. Klune presents Marsyas as a place where David can flourish just as the other children have—a place where the family’s best interests will be served by keeping them together and allowing Linus and Arthur to parent the eccentric group. The arrival of the letter from DICOMY at the end of this section provides a sharp reminder of the threat that Rowder’s investigation poses to the happiness of the novel’s central characters.
Although the story’s central conflict is first established in Chapter 4, Chapter 5 develops this conflict more fully. Chapter 5’s descriptions of the hearing chamber, an intimidating, dark place where rain can be seen pouring down “in sheets” against the glass-domed ceiling, make it clear that Arthur and Linus are out of place and in danger (70). Jeanine Rowder makes her first appearance in this chapter, and details like the foreboding feeling she gives Arthur, her large pile of meticulously tabbed papers, and her attempts to goad Arthur into assuming his phoenix form establish that she will be a cunning and formidable antagonist. Details like her sarcastic comments about Lucy’s name establish that Rowder supports heteronormativity and continue the novel’s linking of “magical” natures to gender nonconformity.
In Chapter 6, Jason and Byron provide an additional example of a partnership that doesn’t comply with traditional gender norms. Throughout the narrative Klune centers the relationships of Linus and Arthur themselves, Zoe and Helen, Larmina and her wife, and Jason and Byron—but not a single heteronormative romantic partnership. Byron is the story’s first explicitly nonbinary character, but they are kept company by nonbinary-coded characters such as Talia and Chauncey. Arthur and Linus’s easy acceptance of Byron’s identity and pronouns establishes the text’s posture of acceptance toward nonbinary people—an attitude reinforced by Linus and Arthur’s positive regard for their children who exhibit gender ambiguity. Jason’s enthusiastic praise of Byron, his insistence that visitors to their home respect their relationship, and their obvious happiness together all support the novel’s thematic engagement with The Importance of Living Authentically and Queer Joy as a Form of Resistance. These themes are further reinforced in this section of the story by Linus’s proposal to Arthur and the enthusiastic reactions of Zoe and the children to their upcoming union.
With the introduction of David’s character in Chapter 6, Klune presents a philosophical question for Arthur to grapple with as he continues to grow as a father to his magical brood: What does it mean to be a “monster”? David is introduced as a thoroughly likable young man—somewhat prickly with authority due to his age and traumas, but funny, creative, and enthusiastic. That this likable boy would identify himself as a “monster” troubles Arthur. Both Arthur and Linus clearly care deeply about David’s happiness: the descriptive details of David’s new room in Chapter 7, for instance, demonstrate how far Arthur, Linus, and the children are willing to go in order to celebrate what makes David uniquely David and to ensure that he feels welcome in his new home. For Arthur, particularly, the conversion of the cellar into “a place of dreams rather than nightmares” is both emotionally difficult and therapeutic (150). In subsequent chapters, Arthur learns more about David’s ideas about what the term “monster” means and begins to reshape his own ideas as a result. Arthur’s willingness to confront his own traumas and critically examine his own deeply held beliefs about the monstrous demonstrates The Transformative Power of Love both in his own life and in the lives of others through him. Just as Arthur’s love is capable of changing the lives of others, it can also serve as a catalyst for changes in Arthur himself.
The love that Arthur and Linus have for one another, for the children, and for their life on Marsyas Island is on full display in the final two chapters of this section. Chapters 7 and 8 brim with details that convey the happiness of the family’s reunion and the lengths all are willing to go to in order to successfully incorporate David into the family. There are joyful reactions to Linus and Arthur’s engagement, the children banter and engage in playful mischief, and the entire family goes off, in Chapter 8, on the comical “yachting” expedition that demonstrates how much Linus and Arthur both trust the children and value their individuality. The juxtaposition of these happy scenes with the arrival of the DICOMY letter at the end of Chapter 8 highlights the injustice and cruelty of Rowder’s prejudices and agenda. Because of her own biases and fears, she’s willing to destroy the hard-won happiness of people like Arthur, Linus, and their children.
By T. J. Klune
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