27 pages • 54 minutes read
Donald BarthelmeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Absurdist humor is a literary device that derives amusement from incongruous, irrational, or fundamentally absurd situations. It thrives on the unexpected and the nonsensical, often confronting the reader with a disconcerting disconnect between reality as they know it and the reality presented in the story. Barthelme’s narrative most prominently incorporates absurdist humor in the group’s nonchalant planning of their friend Colby’s execution. The group’s approach to planning this act is depicted in a mundane, prosaic manner. They fuss over minor details such as catering decisions, the provision of music, and what to do in the event of rain. These concerns contrast starkly with the fatal outcome they are orchestrating. The humor derived from this juxtaposition serves a dual purpose: It satirizes the dangers of Conformity and Groupthink while also exposing the irrationality and inhumanity that can emerge when individuals prioritize group consensus over personal moral judgment.
Irony is a widely used literary device where the intended meaning or outcome differs from the actual or literal meaning. It often involves a disconnect between expectations and reality. Barthelme employs irony liberally throughout “Some of Us Had Been Threatening Our Friend Colby,” specifically through the casual language used to discuss a gravely violent act. The group’s polite and harmonious manner of planning the execution contrasts with the grim reality of their intentions. Rather than focusing on the moral and emotional implications of killing their friend, they obsess over logistical details, displaying calmness and detachment. This ironic discrepancy serves as a powerful critique of societal desensitization to violence, as well as the loss of individual judgment in groupthink situations. Barthelme effectively uses irony to expose and critique these social phenomena, urging the reader to reflect on the potential dangers and absurdities inherent in unquestioning conformity.
Minimalism in literature is a style marked by an intentional reduction and simplification of elements, using straightforward, concise language and details to convey the story. This economical use of words often relies on the reader taking an active role in comprehending the story and its message. “Some of Us Had Been Threatening Our Friend Colby” embodies this minimalist approach. Barthelme uses minimalism to strip the narrative down to its core components, deliberately omitting detailed character descriptions, extensive background information, or explicit explanations of the group’s motivations. The characters are not distinct individuals with rich personal histories but rather are defined almost exclusively by their collective actions. The minimalist approach, devoid of extraneous information or adornment, brings the group’s actions into sharp focus, underscoring the implications of their conformity and groupthink mentality. This strategy, in turn, enhances the overall thematic depth of the story, emphasizing the stark reality of the group’s behavior and casting their collective decision-making in a harsh, revelatory light.
Satire is a literary tool that uses humor, irony, or exaggeration to highlight human flaws or societal issues. In Barthelme’s story, satire is used to spotlight how group conformity and “groupthink” can lead to dangerous outcomes. The characters discuss the execution of their friend Colby as casually as if they are planning a dinner party, creating a commentary on society’s potential to normalize violence. The story also reads as a critique of capital punishment, as Barthelme mocks the process surrounding death sentences. The stark contrast between the group’s laid-back attitude and the serious nature of their plan highlights the risks of blind conformity. Through his use of satire, Barthelme holds up a mirror to society, raising questions about the values of consensus, conformity, and institutionalized violence over individual morality.
The story, while being a straightforward narrative, also operates on a deeper level as an allegory for societal conformity and the dangers of unchallenged group dynamics. It portrays a society (represented by the group of friends) that enforces norms to an excessive degree, threatening those who deviate from accepted behaviors. Colby’s alleged transgression of “going too far,” though never explicitly explained, serves as a blanket phrase for any actions that might challenge societal norms. His friends’ unanimous decision to hang him reflects society’s harsh punishments for nonconformity. Furthermore, Colby’s character can be viewed as an allegory for the individual within society, subjected to extreme measures for maintaining order and unity. Despite his protests, Colby is overpowered by the group, illustrating the suppression of individual voices within a conformist society. The tale ends with a chilling reminder that nobody else has ever “gone too far” again, symbolizing the successful stifling of individuality by the collective power of societal norms (Paragraph 8).
By Donald Barthelme