45 pages • 1 hour read
Mary Rand Hess, Kwame AlexanderA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Rutherford, Uncle Stevie, a cameraman, and Birdie, Rutherford’s new sober coach, get off the bus. After hugging a stunned Blade, Rutherford starts playing his guitar in the middle of the village. The village children “swarm” Rutherford. Even Sia runs to him. Rutherford excitedly tells Blade that the band is getting back together, and they are making a documentary about their comeback. Coldly, Blade asks why Rutherford didn’t check with him first. Confused, Rutherford says that Storm did. Blade’s phone battery had died during the power outages, but now that it is charged, he sees the frantic texts from Storm telling him the their dad is coming and that she couldn’t stop him. She wishes him good luck.
Blade confronts Rutherford, upset that his father is crashing his trip, interrupting village life, and filming everything. When Rutherford refers to the villagers as “little village people in Ghana” (309), whose gratitude for his “help” he wants to film, Blade loses his temper, which the cameraman says will be good for viewership. Joy interrupts them, telling them not to fight in front of the children before greeting Rutherford and telling him that the Elders will decide whether he can film. The children love Rutherford’s luxury air-conditioned bus, with bunk beds and a shower. Sia refuses to leave Rutherford’s bed, so Blade stays there with her until she falls asleep as Rutherford plays a rock version of “Twinkle, Twinkle Little Star.” To calm himself, Blade re-reads Track by Track on his phone. He bought Track by Track with his mom the day she died. Once Blade thinks everyone is asleep, he gets up for a snack, but he is startled by Birdie. She tells a skeptical Blade that she can help Rutherford, but that the love and support of his children is what will help Rutherford recover. Before going to sleep, Blade sends a series of angry texts to Storm.
When Blade wakes, he sees Rutherford and Stevie playing soccer with the village kids. Sia starts to feel sick as Blade walks her to school, but she suddenly feels better when she hears Rutherford playing his electric guitar. Sia runs to join the other children surrounding Rutherford, all wanting to learn how to play the guitar. Sia sits on Rutherford’s lap and Rutherford tickles her the way he used to tickle Blade. Blade is annoyed and resentful that his father is derailing his plans and monopolizing the village. Rutherford charms the Elders, giving gifts of whiskey and iPads. Blade speaks up from the back of the meeting, asking Rutherford about his plans to build a dormitory for the school, putting Rutherford on the spot. The villagers and elders all stand and applaud, so Rutherford says yes, he will build a dormitory for the village, forgetting the name Konko. The constant presence of the camera bothers Blade, but the children love recording and watching themselves.
Elvis, the guide, confirms that Lucy is still in the mountain village, and that he’ll be going back in five days. Not wanting to wait, Blade offers Elvis money to take him the following day, which Elvis accepts. Relaxed, Blade enjoys the evening, playing games with Sia, Rutherford, and Joy. When Blade and Joy go for a walk holding hands, Joy confesses that while the village is grateful for Rutherford’s gifts, it would be nice if the villagers were asked what they would like first. Laughing and joking, she says she would like a stove, or a washing machine.
The following morning Blade is woken by a chorus of voices singing “Happy Birthday,” accompanied by a guitar. He forgot his 18th birthday. Rutherford disappears into the bus and reappears holding a rare Madagascar rosewood guitar. Blade thinks Rutherford is going to play him a song, but Rutherford gives the guitar to Blade. Sia begs Blade to play, but he is still unable to bring himself to pluck the guitar strings. Joy gives Blade a hand stitched bangle with his name on it and wishes him a happy birthday.
Before Blade leaves with the guide, he plays games with Sia and Rutherford. Watching Sia braid Rutherford’s unruly hair reminds Blade of happier times when he and Storm were young. Blade hugs Sia goodbye and turns to go as she runs off with Rutherford. Rutherford returns looking sweaty and ill. Blade asks, unsuccessfully, for the cameras to be turned off as Rutherford’s condition, caused by alcohol withdrawal, deteriorates. Birdie and the cameraman say that Rutherford requested they keep rolling, no matter what. Blade picks up his new guitar and slowly starts playing. The joy of playing the guitar and the freedom Blade feels as he plays is intoxicating. Blade stays with Rutherford for the next three days. On the fourth day, Blade wakes up to find Rutherford and a crowd of kids standing over him, laughing at the face paint that Rutherford has put on Blade’s face. Blade notices how close Sia and Rutherford are, as they happily do everything together. Blade receives texts from Storm asking how Rutherford is and to describe Ghana with more words than just “beautiful.” Blade replies with lyrical descriptions of the Konko landscape, people, culture, and daily life.
Rutherford broaches the subject of Sunny’s sealed letter with Blade. He tells Blade that they love him and were going to tell him that he was adopted when he turned 18. Blade reacts angrily and lashes out. He asks whether Rutherford ever thought about what Blade wanted: a normal household, without worrying that his father is going to die. Rutherford quietly agrees and softly cries that he misses Sunny. Blade replies that they all miss her, and he doesn’t want to lose another parent. Blade knows he should hug Rutherford, but before he can, Sia runs over and wipes away Rutherford’s tears and winks, breaking the moment of sadness. Sia starts vomiting while she sits with Rutherford, who is teaching her “Stairway to Heaven” (376). Rutherford panics, but Joy steps in and takes Sia to the nurse.
That night, Rutherford announces that he will join Blade on his trek to the mountains to meet Lucy, along with Stevie, Birdie, and the cameraman. Blade is furious and tells Rutherford that he doesn’t want him there, but Rutherford’s mind is made up. Joy tells Blade to give Rutherford a chance, and that she will join them on the trek too, so Blade reluctantly agrees. The following morning, Sia doesn’t eat. She feels sick and is sad that she can’t join the group. Blade notices that Joy looks worried, even though she reassures Rutherford.
Blade’s anxiety rises as they get closer to meeting Lucy. Rutherford notices and rubs Blade’s head, telling him to breathe. Blade listens to music to calm himself when they park at the end of the road and start their hike up a mountain. Rutherford is swarmed by biting ants who crawl up his pants, and Blade helps him brush them off. Rutherford tries to explain that alcohol was the reason for his bad parenting. Blade is dismissive, but he listens to Rutherford. When Blade slips on a rock and cuts his leg, Joy says she has medicine. Rutherford asks whether it’s “Some good ole Ghana roots and herbs?” (393) and Joy humorously replies that it is Neosporin. Blade muses that Joy is the medicine. As they get closer, the excitement builds. Rutherford grabs Blade and spins him around joyfully. Blade runs toward the village as Rutherford tells Travis to turn off the camera out of respect for Blade and Lucy. They see colorful mud and straw houses, children in school uniforms, and then Blade sees Lucy, walking down the red clay road flanked by four schoolgirls. Lucy sees Blade and runs to him.
Lucy is short but she wraps Blade in a strong embrace and cries with joy. Blade, overcome with emotion, passes out. He sleeps for a day and a half. When he wakes up, Lucy and Joy are standing over him, smiling and holding tea and food. They tell him he had a nightmare and shouted out about a spider trying to kill him. Blade and Lucy sit together and ask each other questions that neither of them fully answer, always countering with another question. Lucy tells Blade that he must go back down the mountain the following morning to avoid the impending rainstorms, but that she will join him in Konko soon. That night, Blade dreams about the spider again. When Rutherford hears about Blade’s dreams, he has a theory: Blade used to love the book Anansi the Spider (422), even making up songs about it, but he stopped reading it when Sunny died. Lucy tells Blade that “in Ghana folklore, Anansi carries knowledge and stories to / help us triumph over challenges” (422). As they start the hike back, Blade realizes the meaning of the dream. A “Ghanaian bon voyage feast” (425) is held to wish the group a safe trip back down the mountain. Blade plays “Landslide” by Fleetwood Mac on Rutherford’s guitar after the meal as a thank you. Blade hugs Lucy goodbye and tells her that he loves her.
On their return to Konko’s center, the group is met with chaos. Sia has been taken to the hospital. The group drives straight to the hospital, where they are told that Sia has malaria. Frightened and frustrated, Rutherford yells at Joy, blaming her for not acting sooner, but he calms down and considers adopting her to get her treatment in America. Rutherford sits beside Sia, encouraging her to eat, telling her stories and holding her as she gazes up at him. Blade marvels at the love he sees between them. As Sia’s condition improves, Rutherford tells the others to go back to the village and rest. On their way out, Rutherford tells Blade that the “favor” Blade requested of him has been delivered to the school. When Blade thanks Rutherford, he replies, “No, thank you, son […] For giving me a reason to be better. For you” (437).
Joys asks Blade how he feels now that he has met his mother, and Blade shares that he feels “full” and “happy.” When Joy takes a nap, Blade finally reads the letter from Sunny. The letter to Blade from Sunny is full of bittersweet love. Sunny tells Blade that she and Rutherford are lucky to have found him, that they love him and that she dreamt about him a year before he was born. Sunny tells Blade that she used to babysit Lucy November and that Lucy never wanted to give him up—Lucy’s parents made her. Sunny encourages Blade to find Lucy, knowing they will love each other. In her final paragraph, Sunny asks for forgiveness and tells him they will always be family.
Blade goes with Joy to school the next morning, excited for her to see Rutherford’s gift for the village. When they arrive, a crowd of villagers is gathered around the new washing machine. Joy is ecstatic and jokes with Blade when he asks her out on a proper date. Blade sees Rutherford, looking dejected, walking up the road. Before Rutherford shares the news, Blade already knows: Sia has died. Rutherford yells in pain and grabs his guitar. Walking through the village, he plays wildly with emotion and the villagers join him with drums, songs, chants. The procession mourning Sia marches through Konko. With the backing of drums, Rutherford speaks to the villagers, honoring Sia and thanking them for embracing his son, Blade. He turns to Blade and Blade starts to play his guitar and sings a song he composed, titled “Solo.” The lyrics honor Sunny and Sia, expressing how much he loves and misses them. Blade sings for all the people he loves, including his father, Robert and Chapel, and thinks, “[M]ost of all / I sing / for myself. / The spider // I’m finally / ready / to face” (456).
Blade and Rutherford’s relationship further develops in this section, as Blade is unable to entertain the idea that Rutherford might have traveled to Africa out of love and to support him. Rutherford’s character never changes—he is always larger than life, but in Konko, he genuinely cares about Sia, Joy, and the children in Konko, teaching them songs and encouraging them to play with his guitar and enjoy his luxury bus. As Blade softens toward Rutherford, he remembers that when he was young Rutherford would bring him onstage and massage his head, “which was his way / of saying I love you / and Everything’s / gonna be okay” (349). He follows this memory with “I believed him, / despite / all our madness. / And, I guess / I still do” (349), indicating his growth and developing forgiveness toward Rutherford. Speaking with Joy, Blade communicates The Impact of Addiction and Fame on Family as he says, “I’m happy, / when he’s sober / and clean // when he’s kind / and generous / with the children / when he’s a father / and puts us before / the addiction / of fame […] and shows me / that quitting this life / is not an option. // Yeah, that’s when I’m happy” (352). Underneath the pain and humiliation that Rutherford’s addictions and fame have caused Blade, there is a deep familial love that is still alive.
Blade’s Searching for Identity and Belonging comes to a head as he begins to understand the complicated love he has for Rutherford, and he learns the love his biological and adoptive mothers have and had for him. This love surfaces during their trek to the mountains, when Rutherford pushes Blade too fast to reconcile. Blade snaps, responding, “Save the ‘woe is me, Hollywood movie drama,’ / Rutherford. I get it. You got dealt a bad hand, and you / folded” (390). However, the moments of joy between father and son increase as they climb the mountain—real and metaphorical—to reach the final part of Blade’s familial puzzle: Lucy. Rutherford and Blade’s relationship is fully healed when Rutherford turns off the cameras, respecting the significance of the moment for Blade as he meets his mother. Lucy makes Blade feel “full” and complete as she fits into the puzzle alluded to in the narrative’s beginning, where Blade thinks, “There’s this dream […] the / fractured world / that used to make sense, / but now seems / disjointed—islands of possibility / float by—like / a thousand puzzle pieces / that just don’t fit / together anymore” (8). Sunny’s letter underscores the love that has always surrounded Blade and reiterates that he has a place where he belongs. That Sunny wanted Blade to meet Lucy makes his trip to Konko even more meaningful.
On Blade’s first night in Konko, Joy tells him about how 20,000 children die from malaria every year there. This education, coupled with Joy’s concern when Sia begins to vomit foreshadows Sia’s sickness and death from malaria. The symbolism of insects as the harbingers of death is clear: Blade’s mom died of a bee sting and Sia dies from a mosquito bite. Spiders, while terrifying Blade in his dreams, are not insects, and turn out to be symbols of intelligence, perseverance, and success. Charlotte’s Web, with the brilliant and kind spider Charlotte, was one of Blade’s favorite childhood books, which he takes to Ghana and reads to Sia.
As Rutherford, Lucy, and Blade discuss Blade’s recurring dream, the nightmare’s connection to The Power of Love Through Music and Poetry is made. Rutherford remembers that Blade loved the book Anansi the Spider. When Lucy describes the attributes of Anansi the Spider—“Anansi carries knowledge and stories to / help us triumph over challenges” (422)—she solves the mystery of the spider’s identity as Blade himself. Lucy clarifies, marking the dream’s thematic significance: “You’ve been dreaming up your childhood, my dear […] Remembering the gift you have. Your father tells me you are a natural storyteller, that you weave powerful songs” (422). Through his subconscious dreams, Blade has been clinging to the stories that inspired him as a child, inspiring the poetry and music of his present that communicates his love for others. Blade’s guitar and music form the backdrop to everything he does, so when he swears never to play again and destroys his guitar, he abandons a part of himself. It is not until Rutherford unintentionally delays Blade from reaching Lucy that Blade picks up his new guitar. Once Blade starts playing again, he feels release and freedom, finding the strength to cope with the challenges that lie ahead, feeling “like a new life could be beginning” (362). Blade honors the people he loves through music, including himself, which he does in the song “Solo” that he composes and performs at Sia’s procession.
By these authors
Addiction
View Collection
Appearance Versus Reality
View Collection
Art
View Collection
Brothers & Sisters
View Collection
Class
View Collection
Class
View Collection
Colonialism & Postcolonialism
View Collection
Coming-of-Age Journeys
View Collection
Community
View Collection
Daughters & Sons
View Collection
Diverse Voices (High School)
View Collection
Family
View Collection
Fathers
View Collection
Forgiveness
View Collection
Grief
View Collection
Guilt
View Collection
Hate & Anger
View Collection
Memory
View Collection
Mortality & Death
View Collection
Mothers
View Collection
Music
View Collection
New York Times Best Sellers
View Collection
Novels & Books in Verse
View Collection
Popular Study Guides
View Collection
Pride & Shame
View Collection
Realistic Fiction (High School)
View Collection
The Power & Perils of Fame
View Collection
Trust & Doubt
View Collection
Valentine's Day Reads: The Theme of Love
View Collection