logo

45 pages 1 hour read

Mary Rand Hess, Kwame Alexander

Solo

Fiction | Novel/Book in Verse | YA | Published in 2017

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 2, Pages 206-304Chapter Summaries & Analyses

Part 2: “West Africa”

Part 2, Pages 206-248 Summary

Blade flies to Ghana while listening to the CD that Storm made for him that includes bands like Metallica—not Blade’s usual choice of music, but he gets caught up in their energy. When Blade falls asleep, he dreams again of his mother silently cutting a cookie, this time with slight variations: Chapel is in the dream, wearing a shirt with SB on it and laughing or crying. Rutherford starts the word game then disappears. Chapel guesses the meaning behind SB, then also disappears. A big red spider charges at Blade, his mom whispers “run” so he runs toward a ledge to his mother, but before jumps, he hears someone asking him to change the music. He looks beside him and sees Sunny. Confused, Blade asks her if she is real. She asks Blade where he is going and what he is looking for. She tells him that he needs to help Rutherford and asks whether he has figured out who the spider is. Blade replies that it’s Chapel, but Sunny rejects his answer and tells him to stop running, confusing Blade further. She is always telling him to “run,” so she explains: “Run toward, not away […] Wake up Blade. Face the spider” (216). Blade wakes up as the plane lands in Ghana with a feeling of hope.

Drenched in sweat from the overpowering heat, Blade takes a taxi to Lucy’s village, Konko. He marvels at the traffic, throngs of people, and vendors. Blade’s taxi driver calls America “Trump country” and jokingly asks “Is America great again” (221). Blade gets texts from Storm asking how he is. She tells him she is recording a new song with Rutherford and that Chapel caught Van making out with the girl who kissed him at Storm’s party. Blade excitedly tells Storm about Africa and wishes her luck with her new song. Blade’s taxi driver stops and points up a dirt road and tells Blade that Konko is up the road, a five-kilometer walk. Blade is shocked, because he never has to walk anywhere, but he gets out and starts up the dirt road. After walking for two hours, Blade meets a girl getting water from a well. He asks where Konko is, and the girl replies that he has arrived. She speaks English with a slightly British accent and introduces herself as Joy. Blade offers to help Joy carry the water, but she says she can handle it. Joy points Blade to a shop where he can buy bottled water, explaining that the water she is carrying is not safe to drink. Joy assumes that Blade is another American missionary, determined to “save” them, so she is intrigued when Blade explains that he is looking for his birth mother, Lucy. Joy knows Lucy and refers to her as Auntie and says that she can take Blade to someone who knows where Lucy is.

Blade is mesmerized by Joy’s walk as she carries a pail of water in each hand and balances another large bucket on her head. Joy turns down Blade’s offer to help but she appreciates his attempt at speaking Ghanaian. Joy explains that Lucy is helping people in a remote settlement, 25 kilometers away from Konko’s center, only accessible with a guide once a week. Since there is no cell reception at the settlement, Blade cannot even call Lucy. While he waits for a solution, Blade watches the bustling village life, noting the jovial energy. People who pass him wave hello, welcoming him. They share their dinner with him, and Joy offers Blade a bed in the village school for the night. Joy tells Blade that her family lives far away in Volta region, and that she is in Konko to take care of her elderly uncle.

The school is small and also serves as the village church, community center, and library. Joy tells Blade that there are a lot of orphans in the village whose parents have left to find work or have died from malaria. She warns him that the mosquitos are “treacherous” and that 20,000 children die every year in Ghana from malaria. Blade is entranced by Joy: “Her smile / makes me forget / that I am / seven thousand miles / away from / the spider / that bit / and poisoned me” (247).

Part 2, Pages 249-304 Summary

At 4:45 am. the following morning, Blade sends a series of texts to Storm, asking about her song and telling her about Konko before drifting back to a dreamless sleep. Blade wakes up and steps outside and sees more than 20 children playing with an old ball. When a whistle sounds, they all line up, smiling. Blade shrugs, assuming they are getting ready for school, and turns to gather his things when he hears a chorus of voices chant, “GOOD MORNING, MR. BLADE” (256). He freezes, overcome with emotion. The children continue: “HOW ARE YOU? […] HELLO!” (257). At Joy’s signal they start to laugh and dance the The Whip and The Nae Nae. Joy introduces Blade to some of the children who tell him their wishes and stories. Blade silently wishes “to find / [his] mother’s / reasons / for leaving / [him] alone / and unsure / that love / exists” (259).

Blade wants to take a taxi to the nearest hotel for a shower, but when he goes to get in a taxi, a little girl cries and clings to his leg. Joy explains that the girl thinks Blade is dying because she heard him cry out in his sleep. Even after Joy tells the girl that Blade is fine, she clings to him, so Blade agrees to stay and play with her until she sleeps. Joy shares that she doesn’t have a boyfriend because she is too busy with chores and jobs, but that she is happy. She tells Blade that she used to sing in a band, and they bond over their love of music. Blade tells Joy about Chapel and why he no longer plays the guitar. The conversation moves to the concept of love and Blade is impressed by Joy’s philosophical thoughts: “I know that in order to receive it, you must give it, and that / in order to give it, you must have it” (271).

Blade tries to help with the village chores, chopping wood, sweeping floors, and washing clothes, while listening to the villagers’ laughter and chatter, appreciating their deep sense of community. Blade wishes he “belonged” and feels homesick for Storm and Rutherford. A sudden rainstorm bursts over the village, soaking the happy children who tackle their teachers and embrace the rain. The rain prevents Blade from leaving for the hotel, so he stays another night in the village. Blade watches in awe as Joy gets the children settled, and after dinner, Blade and Joy play “wordscram,” making up meanings for the letters “TR.” Blade playfully says “Tantalizing Rhythm-Keeper” and Joy asks if he means her. Blade replies yes, and that he finds her walk mesmerizing, to which Joy replies “Be careful, Blade. Timely Regrets” (281). Blade texts Storm with his news, and fondly scolds her for not texting him back. Blade reads Charlotte’s Web to the little girl who has stayed by his side the entire time until she falls asleep.

The next morning, Blade persuades the little girl, Sia, to eat breakfast by pretending to be a monster. Joy tells him not to play with his food, but she smiles and is happy that Sia is eating. The rain is still pouring, washing out the roads. School is closed, so Blade plays with Sia and chats with Joy. Blade learns that she has a year of high school left, and that it costs $1,000 a year to attend. Blade says he is sorry, but Joy is quick to reject his apology, explaining that they have opportunities right there. She asks Blade about his family, and he tells her the family secrets are all in a sealed envelope. Joy pushes him, but he brings the conversation back to music. Blade feels the urge to kiss Joy, but she stops him. She sees his “Chapel” tattoo and tells him “Blade, you can’t just come kiss a girl because you miss a / girl” (298). Joy is not angry, but Blade apologizes.

After four days of solid rain, the roads reopen. Blade hugs Sia, about to take a taxi to a hotel for a shower before going with the guide to meet Lucy when a huge bus pulls up and a familiar voice yells “Rock ‘n’ Roll, Baby!” (304).

Part 2, Pages 206-304 Analysis

Blade’s recurring nightmare resurfaces, continuing his Searching for Identity and Belonging, as it symbolizes his struggle. The dream takes on a new dimension and foreshadows the spider’s identity as loved ones express their regret in the word game. As usual, his mom whispers “run” and he runs away from the spider. However, the dream becomes a hallucination, with Blade’s mom sitting beside him on the plane. Sunny’s revelation that Blade is looking in the wrong places for answers demonstrates that she remains his compass for life, beyond her death. Her word of choice of calling Blade “Youngblood” merges her identity with Robert’s in Blade’s subconscious, emphasizing his unspoken affection and admiration for his friend. His mother’s guidance to face the spider in his dream points to Blade’s later revelation of the truth behind the dream, and his understanding of his identity.

The contrast between Blade’s life in Hollywood and village life in Konko is explored in this section. Blade has material wealth in Hollywood that is accompanied with the stress of constant media scrutiny because of his father’s fame, coupled with the ever-present fear of losing his father to addiction. In Ghana, Blade’s perspective widens as he better understands The Impact of Addiction and Fame on Family. Blade witnesses the genuine joy of life in the laughter, dance, singing, and familial spirit that embraces him in Konko, despite the lack of infrastructure and material poverty. While Blade is financially and materially wealthy, the villagers of Konko show him how emotionally bankrupt he has come to feel as he struggles with his resentment and grief. As the children in the village surprise Blade, guided by Joy, he feels a sense of identity strike him to the point of shock. As he has been Searching for Identity and Belonging, he thinks, “To hear your name / called in unison / in a place / in a time / where you feel nameless / and alone / is as stunning / and shocking / as fireworks / on a Sunday / in December” (256). The village embraces Blade as family as Blade rejects his family in Hollywood.

Blade’s fascination with Joy supports his journey of Searching for Identity and Belonging as he recovers from Chapel’s rejection. Joy’s depth of character and the welcoming community of Konko contrasts with the competitive, judgmental, and exploitative culture of Hollywood that Blade is used to. Joy finds happiness and satisfaction in being part of a community, an element of the Hollywood life that does not exist for Blade. Joy’s observations on belonging touch Blade deeply. When talking about orphans, Joy says, “An orphan / is like a soul bulb // waiting / to be planted // in just / the right place. // When you’re an orphan, / you no longer belong, // but a child is a child / of everyone, // they belong / to a community, // to a greater garden” (245). Another member of the village, Sia, the little girl who follows Blade around, resembles the inner child Blade has been forced to abandon in himself. As an orphan, Sia has experienced loss, but she has also experienced the love and protection from her tight-knit community. This strikes Blade, who feels abandoned by his family, and Sia shares this love and protection with Blade without hesitation. Even as Rutherford arrives in Konko, his presence further exaggerates what he does not emulate for Blade, frustrating him further, widening the distance between them.

blurred text
blurred text
blurred text
blurred text