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45 pages 1 hour read

Mary Rand Hess, Kwame Alexander

Solo

Fiction | Novel/Book in Verse | YA | Published in 2017

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Part 1, Pages 101-205Chapter Summaries & Analyses

Part 1: “Hollywood”

Part 1, Pages 101-152 Summary

Blade drives home alone. He composes a love song to Chapel when Storm interrupts to chat about Rutherford and her party. Blade is unhelpful, and Storm tells Blade to be grateful for his privileged life. Blade floats in their pool, wondering why he feels empty, even though, materially, he has everything. He thinks about his mother’s endless hope and is inspired, devising a plan to pick up Chapel and together leave for Los Angeles. Before that, Blade wants to help with Storm’s party. The party has everything: DJs, bartenders, famous performers, and dancers. Blade tries to move away when a classmate flirts with him, but she persists and kisses him. They are interrupted by Van DeWish shouting into a microphone. Van has been bullying Storm on social media ever since Storm’s album flopped, and he’s also Chapel’s ex-boyfriend. Van mocks Storm’s song and humiliates her in front of everyone. Storm runs out and Blade grabs the mic, screaming that the party is over, but Van winds up the crowd with a chant. As Blade ends the party, he sees Rutherford pull up in a limo with two young girls. Rutherford is high, saying that he left rehab because of its poor food quality. Crying, Storm explains what just happened. Rutherford turns on Blade and accuses him of not defending Storm. Stunned, Blade walks away, but Rutherford keeps insulting him, calling him weak, soft and selfish. Blade replies: “Weak? Weak is YOU [...], you’re right, I’M. NOT. LIKE. YOU! […] I’m not like / any of you (121). Storm takes offense and says to Blade, “You have no idea / how right you are” (123).

Rutherford tries to stop Storm from saying any more, but she is drunk and angry. Storm confuses Blade by accusing him of benefitting from their lifestyle but then “pissing” on them. She reminds Blade of all the times Rutherford helped him out, to which Blade replies, “Well, thank you for doing what fathers are supposed to / do” (123). Storm asks Blade why he thinks he has curly hair and has a darker skin tone than the rest of the family. Rutherford screams at Storm to stop, but she continues: “You don’t want to be a Morrison, little brother? Well, here’s / the kicker, you’re not. You never were one of us, and you / never will be...You’re adopted!” (124).

In shock, Blade gets in his car and drives, ignoring repeated calls and apologetic texts from Storm and Rutherford begging him to come home and stressing that he is family. Storm tells Chapel what happened, so she tells Blade to come to her house. Blade takes a taxi to Chapel’s house, getting out a block away so he won’t be noticed by Chapel’s parents. Chapel is waiting for him outside. Held tight in her arms, Blade gives in to his emotions. Chapel reassures Blade that he is loved, and, as they kiss, Blade hears a thunderous “THIS. IS. IT.” (137) and feels Chapel’s father pulling them apart. Blade tries to explain to Chapel’s father that he loves her. Chapel doesn’t say that she loves him back, but she squeezes his hand. Blade continues, telling Chapel’s father that when they both go to college, he and Chapel will be together. Chapel’s father replies that he will no longer pay for Chapel’s college, and Chapel screams.

Looking for comfort, Blade goes to Santa Monica. He tells Robert the news about being adopted and Robert puts it in perspective: “Some people don’t even get one parent, you got four” (147). When that doesn’t cheer Blade up, Robert shares his story about climbing Kilimanjaro when he was young, ending with the message that life is like climbing a mountain. Blade’s misery is compounded by the paparazzi who have found out that he is adopted and hound him when he tries to go to a guitar shop. Depressed, Blade hides out in his room for a week.

Part 1, Pages 153-205 Summary

On the first day of his isolation, Blade texts Chapel but gets no reply. He writes Chapel a love song. The next day, Blade refuses to eat and shouts at Storm to stop pestering him. The third day, Blade thinks about his mom. That night he has another dream about her: He is in a field of fire, being chased by a big red spider. His mom whispers “run” and he runs toward her, but never reaches her. On the fourth day, he wonders who his biological parents are and why they gave him up. He throws a drawing of his mom and a teddy bear Rutherford gave him in the trash. Storm pounds on his door, begging him to open it. Blade writes another love song to Chapel entitled, “I miss you” (160). Rutherford slips an envelope under Blade’s door on the fifth day, with an apology note and a manila envelope. A note is enclosed with the name, “Lucy Pearl November, Hammond, Louisiana” (164), and another sealed envelope with his mom’s writing on the front: “To Blade, our son, / in the event / you should want / to know more. // Love, / Mom” (164). Blade decides to find out more about Lucy Pearl November, his biological mother. He discovers that she was a preschool teacher. Blade doesn’t open the letter from his mom. He tracks down Lucy’s parents’ number and, after much deliberation, calls and asks to speak to Lucy. Lucy’s mother tells Blade that Lucy has been in Ghana, building a school, for 10 years and gives him the name of her organization. On the last day of hiding in his room, Blade decides to find his biological mother. He texts Chapel, telling her to meet him at the park the next day, at 7:30 pm. She doesn’t text back.

Blade leaves his room and tells Storm he is going to Africa. Storm is skeptical and worried. She tries to dissuade him and tells him not to give up on her and Rutherford, who love him. Blade finds Rutherford playing the song he played at Blade’s mom’s funeral, “Sunny,” on his guitar. Blade tells Rutherford that he found Lucy and that he’s leaving tomorrow. Rutherford looks defeated and apologizes again.

After Blade purchases his ticket to Africa, Storm punches his arm, hugs him, reminds him about medication he might need for Ghana, and tells him to stay in touch. Blade asks Storm to call Chapel’s home phone and remind her to meet him in the park since Chapel has not answered Blade’s calls. Blade tells Storm that he is going to give Chapel a gift to let her know that “she’ll always be / with [him], on [his] mind, / and deep inside / [his] skin” (181). Blade packs and leaves to “honor Chapel” by getting her name tattooed on his bicep. Blade wants to say goodbye to Robert and to let him know that he loves him, but he misses him, filling Blade with regret that he never expressed his feelings before.

As Blade waits in the park, he thinks about how he’ll say goodbye to Chapel, and imagines that she might say she’ll join him in Africa. Chapel is late, and when Blade texts Storm to confirm that she reminded Chapel, Storm replies that she did, but she begs Blade to come home so she can talk to him. Ignoring Storm, Blade drives to Chapel’s house, fantasizing about Chapel jumping into his arms and kissing him. Blade hears laughter behind Chapel’s house, so he follows it. He sees Chapel kissing Van DeWish. Chapel and Van turn to look at him and Van brings up Blade’s kiss at Storm’s party. Blade goes to hit Van but Chapel steps in front of him. She sees Blade’s new tattoo and starts crying. Chapel apologizes and asks Blade to say something, so he says “You’re the spider” (193).

Blade composes a song for Chapel, detailing all the negative things about her. For himself, he writes a poem about the heart as “her” country in which he no longer lives. Blade decides that music only brings him pain, so he destroys his guitar as Storm tries to stop him. Blade stares at the destruction until Storm grabs his hand. As Storm drives Blade to the airport, they joke with each other to cover the sadness they feel at saying goodbye. Storm gives Blade a CD to take with him, says she loves him, and wishes him luck.

Part 1, Pages 101-205 Analysis

Blade’s feelings of melancholy caused by embarrassment about his father emphasize his experience Searching for Identity and Belonging. The first revelation about his adoption is foreshadowed by Blade himself when he confronts Rutherford at Storm’s party. When Blade yells at Rutherford that he is not like him, that he is “not like any” (122) of his family, he unintentionally speaks the truth before Storm confirms his outburst. That Blade is confirmed as a kind of outsider in his own view propels him to seek his identity and sense of belonging even more. As Blade is set on the path to learning about his birth mother, Storm’s revelation highlights both Storm’s and Rutherford’s characters. Despite being high and angry with Blade, Rutherford repeatedly begs Storm to stop, underscoring Rutherford’s desire for harmony and love for Blade. Storm’s defense of Rutherford and her accusations of Blade’s ungratefulness show the simmering resentment Storm feels toward Blade, while revealing her love for him: She has loved Blade as a biological brother for 17 years.

Ironically, Storm and Rutherford’s immediate response after Blade drives off confirms that his journey of Searching for Identity and Belonging is an internal struggle, as his sister and father identify them as a central part of their family. Their panic and apologies highlight their love and concern for Blade, who responds in anger as he masks his hurt while his resentment toward Rutherford is bolstered further. Already believing that he has nowhere he belongs, Blade dwells on the negatives. Even after Robert offers about Blade being lucky enough to have four parents, Blade twists it back, arguing, “Yeah, but two of ‘em gave me away, one of ‘em doesn’t / care about me, and one of ‘em’s dead” (147). Blade acts out the rejection he feels in a literal sense as he locks himself in his room, processing the information of his origins. In his reflection, Blade experiences various stages of grief regarding his perceived identity and the identities of those he thought he was related to. The pain is compounded by his grief of his adoptive mother’s absence as he thinks of her while trying to grasp his new reality. He clings to his memories of Sunny as a metaphorical buoy in the sea of confusion and anxiety in which he swims. Blade’s memories of Sunny, persistent concern from Storm, and his guitar give him the inspiration and motivation to move forward and find Lucy, supporting the novel’s theme of The Power of Love Through Music and Poetry. His use of his guitar as a kind of therapy and the love he feels for his sister and adoptive mother empower him to pursue a relationship with his biological mother.

Chapel’s infidelity expands Blade’s Searching for Identity and Belonging as well as The Power of Love Through Music and Poetry, as Blade loses his identity in Chapel and rejects his music because of her betrayal. Blade’s blind devotion inspired poetry and music for Chapel and gave him a relationship he deemed steady amid his inability to rely on his father. Chapel breaks her commitment to Blade, reopening wounds created by his father’s lack of commitment to sobriety, fanning his anger and rejection of music—and love. That Blade discovers Chapel kissing her ex-boyfriend and his sister’s bully adds insult to injury, as Van’s actions led to Storm’s adoption revelation. However, despite claiming the opposite, Blade still loves Chapel, shown by his poem “The Heart”: “The heart is […] a country her eyes hold the river I used to swim […] she is a country I no longer live in” (197). That Blade continues to process Chapel’s betrayal through his poetry emphasizes the theme, as while he rejects music, he still needs it, manifesting in his poetry. After learning of his adoption and Chapel’s unfaithfulness, Blade, unable to take in the events, smashes his beloved guitar—inspiring his journey for clarity.

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