75 pages • 2 hours read
Patricia McCormickA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Lakshmi’s stepfather brings her to the trader, Bajai Sita, explaining that Lakshmi wants to go work in the city. Bajai Sita fetches the city woman from the festival who previously offered to be Lakshmi’s “auntie.” Lakshmi’s stepfather says he wants 1,000 rupees for her, which shocks Lakshmi because she has not yet done any work to have earned such a huge sum of money. The woman says that because Lakshmi’s hips are too narrow and her looks are too plain, she will only give him 500 rupees. They argue until they finally settle on a price of 800 rupees, one half of which is paid now, and the other half of which will be withheld until Lakshmi proves herself. Auntie warns that Lakshmi’s family will not receive the rest of the money if Lakshmi disobeys at all. Immediately, her stepfather starts purchasing unnecessary items from Bajai Sita’s store like cigarettes, candy, wine, and more hats for himself. Lakshmi adds baby clothes, a coat for Ama, and a Coca-Cola.
Lakshmi parts ways with her stepfather, and the city woman, “Auntie,” leads her out of the village on foot toward the city. On the way, Lakshmi sees Krishna and wants to tell him where she’s going and ask him to wait for her, but Auntie does not allow it. They travel through three different villages on the first day, and already Lakshmi sees new things such as mail runners and gold teeth. She tries to memorize the path so she can visit home next year, but it is too much to remember. Lakshmi’s only possessions are some clothes, a few grooming items, her bedroll, and a notebook that her teacher gave her for being the best in the class. They walk for two more days and pass seven villages. Lakshmi recalls that while in school, she heard that the city has roofs made of gold, and she looks forward to seeing this when they arrive. Auntie tells Lakshmi what movies and movie stars are. Lakshmi asks if Auntie is a movie star, because she seems glamorous and scary. Auntie doesn’t answer, apparently becoming annoyed by Lakshmi’s questions.
At the ninth village, Auntie says they can ride the bus rather than walk the rest of the way; it is the first time that Lakshmi has ever seen a car or bus. They arrive in a city, where Lakshmi sees luxurious things like fruits, jewelry, and popcorn for sale, amidst crowds of people who don’t speak to each other. She learns that this is because they don’t know each other, not because they are angry. She searches for her friend Gita but learns that there is more than one city in the world, and they have not reached their final destination. The bus passes through six more cities. They stop in one place, and Auntie gives Lakshmi a fancy pink dress and shoes to wear. Lakshmi doesn’t understand how she will be able to do chores in this outfit. Lakshmi and Auntie meet up with a man who speaks to Auntie in a different language. He then asks Lakshmi in her own language how old she is, and when she replies that she is 13, he slaps Auntie, who apparently just said that Lakshmi is 12. The adults switch back to the other language and appear to be haggling. Finally, they settle on a price, and the man gives Auntie enough rupees to purchase a water buffalo.
Auntie leaves, and Lakshmi is alone with the stranger, which makes her nervous because of the rules her mother taught her. She hides under her shawl, but he offers her a sweet, so she takes it, not wanting to get slapped like Auntie, whose real name is Bimla, just did. The man says that Auntie will come back after he and Lakshmi cross the border together. He tells her that he will be like her uncle, but that she must pretend to be married to him when they reach the border, or otherwise, bad men with guns will hurt them both. Lakshmi does not like this man, whom she calls “Uncle Husband,” but is thankful to be protected from the supposedly evil border guards with guns. He gives Lakshmi more sweets on the way to the border, and Lakshmi tells the guard that this man is indeed her husband, so he lets them through. As a reward for lying, Uncle Husband gives her even more sweets. Lakshmi saves them and plans to mail them home to her mother.
Lakshmi and Uncle Husband get on a train. While he naps, she writes in her notebook about the strange new things she has seen, such as cell phones, the purpose of which she does not understand. They are now in India, and Uncle Husband warns Lakshmi not to speak to anyone, lest they find out that she is from the mountains and try to take advantage of her. She has been listening to conversations in the other language and writing down words that stick out to her, although she doesn’t know their meaning yet. Uncle Husband buys Lakshmi a roti (flatbread) from a man with a cart. The train stops so that the passengers can take a bathroom break outside, which no one except Lakshmi finds embarrassing. One girl tries to run away and is publicly shamed; her head is shaven so that if she runs away again, people will know where to bring her right back to. Uncle Husband warns that the same thing will happen to Lakshmi if she ever tries to escape.
When the train reaches its destination, Lakshmi is disappointed to see no golden roofs, no movie stars, and lots of people sleeping in the streets. Uncle Husband takes her to a building called “Happiness House,” where a bunch of girls in brightly-colored dresses, makeup, and jewelry are sleeping in late. Uncle Husband claims that Auntie Bimla will be here later, and that in the meantime, Auntie Mumtaz will explain things. Lakshmi hopes that this is a place for movie stars.
Mumtaz emerges and argues with Uncle Husband about money—he wants 15,000 rupees, but they settle on 10,000. Mumtaz then orders another woman named Shilpa to take Lakshmi to her bed. Lakshmi speaks to Shilpa, who does not respond, bringing her silently to a room and locking her inside. There is an electric light, a bed, a ceiling fan, and windows with iron bars across them. The room also has a hole in the floor for the privy, and one corner curtained off. Alone in the room, Lakshmi falls asleep.
Later, two other girls, Shahanna and Anita, come and let Lakshmi out, bringing her to a room with various other women and a few young children. Everyone is watching TV, something that Lakshmi has only heard about. Mumtaz appears and asks everyone questions in the other language, pinching Lakshmi. She leaves and the other girls start brushing Lakshmi’s hair and applying makeup to her, which Lakshmi has also never seen and doesn’t know how to do herself. Mumtaz asks if Lakshmi is ready to work, then brings her to a hallway lined with rooms. Lakshmi hears grunting from one room, then sees a man emerge and zip his pants. Mumtaz leads Lakshmi to an old man on a bed and tries to hold her down while the man kisses her. Lakshmi struggles to get away and finally succeeds, running back to her bedroom.
This section primarily covers Lakshmi’s discovery of the world beyond her village; after her journey to the city, she remains locked away in the brothel for the remainder of the novel until she is finally rescued on the last page. At this point in the story, Lakshmi still doesn’t know where she’s headed or what type of work she’ll do until she gets there, so she’s confused but also full of wonder and hope, and McCormick’s choice to use poetry conveys these emotions with much greater intensity than a plain prose passage would have been able to do. Thus, instead of simply naming the objects she sees, Lakshmi describes new things using vivid metaphors and fresh imagery in an attempt to fit these wonders into her as-yet-limited framework for understanding reality; the more she describes, the more clear it becomes that her simple village life has ill-prepared her for the complexities and dangers of the wider world around her. For example, she thinks of a ceiling fan as “a palm frond machine that stirs the air” (95) and describes a bus as a cart that can hold a village full of people. These details show the massive amount of information she is attempting to process in this new world, all while receiving a wealth of misinformation from Auntie Bimla and Uncle Husband, whose plans for her are anything but kind.
Thus, this section of the novel also develops the opposing themes of Deception and Truth. Lakshmi’s ignorance of the world beyond her village renders her extremely vulnerable to deception, especially since she is dependent upon adults whom she has been ordered to trust and obey no matter what. Her go-to behavior of nodding in agreement to whatever the adults tell her, despite her lack of understanding, underscores this social norm of unquestioning obedience. The true depths of Lakshmi’s lack of experience are brought home full-force when she comes to the sudden realization that the world does in fact contain more than one city, and this stark contrast between what little she knows of life and how much she has yet to realize serves to explain her utter helplessness as she is led more deeply into an illicit world of horrors and abuses that she cannot yet imagine. In the tension that arises between the reader’s understanding of Lakshmi’s desperate situation and her own trusting obedience to her captors, the story effectively recreates a real-world situation that ensnares thousands of children each year, thus bringing a harsh new awareness to this ongoing and horribly insidious criminal underworld. Compounding this dynamic is the implication that Lakshmi’s friend Gita may already have met a fate very similar to the one that Lakshmi is about to endure.
This theme of Deception and Truth is further explored when Uncle Husband and Lakshmi deceive the border guards in order to gain passage into India. This action shows deception to have a web effect, for Lakshmi never would have lied to the border guards if she herself had not been lied to. She has never been to a border and doesn’t have experience with soldiers or guns; because of this, Uncle Husband easily convinces her that the border guards are evil and that he can protect her only if she lies for him. This new social dynamic is doubly confusing to Lakshmi, who just recently witnessed Uncle Husband slapping Auntie Bimla for lying about Lakshmi’s age. Because the subtler nuances of how adults use deception to serve hidden agendas remain invisible to Lakshmi’s straightforward, childish view of the world, she therefore acquiesces to the lies required of her, not understanding that her own compliance is dooming her to a future of horrific servitude, sexual abuse, and captivity.
The importance of various types of literacy is also made clear in this section in two ways. For example, Lakshmi’s inability to speak the city languages clearly prevents her from discovering the true nature of her situation. Because she cannot understand what the adults are saying to each other each time one person sells her to the next, she cannot perceive the danger and does not think to attempt an escape. Although Lakshmi is illiterate in the context of this new culture, she is nonetheless fluent in reading body language and facial expressions, which allows her to glean some information about events as they occur. This more instinctual type of “literacy” transcends spoken language and provides her with a reliable tool to learning the truth and eventually taking appropriate action. At the very least, she understands that she is being sold and resold for inappropriate amounts of money, considering that she has done no work to earn it. The oddness of this repeated occurrence makes her suspicious enough to pay extra attention to every detail around her. Because of her heightened attention, she begins writing down city words in her notebook even though she does not yet understand them, and such awareness foreshadows the presence of mind she will later display in her attempts to engineer an escape from the brothel.
By Patricia McCormick