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64 pages 2 hours read

Patric Gagne

Sociopath: A Memoir

Nonfiction | Autobiography / Memoir | Adult | Published in 2024

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Part 3-EpilogueChapter Summaries & Analyses

Part 3, Chapter 18 Summary: “Rebel Tell”

A year and a half later, Patric is in her second year of a graduate program and still working as a music manager. For years, she has vowed to buy a cottage off Mulholland Drive, where she often saw an elderly couple together in the rose garden. As the old couple has moved to a home, the cottage is now empty and will shortly be for sale. Patric takes her friend Everly to the house, which has a hole in the roof and a grand piano in the living room. Everly compares the building’s dilapidated state to Miss Havisham’s home in Great Expectations.

David still works long hours, and Patric’s relationship with him is tense. She feels that he is increasingly critical of her sociopathic behaviors and no longer loves her unconditionally. Meanwhile, Patric increasingly views her sociopathic traits in a more positive light. She believes her limited emotions make her better suited to making objective decisions than David, who likes to please people. She also sees freedom in her lack of guilt, having observed its restrictive effects upon both David and Everly. A kind and emotional individual, Everly envies Patric’s lack of guilt and makes her feel wholly accepted.

Everly is the lead singer of a band, and Patric goes to her show that night. She meets Dale, an obnoxious friend of Everly’s boyfriend, who proudly declares he has a Nissan Z. Patric is angry when she receives a text message from David saying he is stuck at work and reminding her to “be good.” Enraged by David’s advice, she steals Dale’s keys and finds his car.

Part 3, Chapter 19 Summary: “Anonymous”

After stealing Dale’s car, Patric leaves the Statue of Liberty keychain on the hall table. David is disapproving when he learns what Patric did. Patric says she stole the car to rebel against him and no longer intends to confess and seek absolution from him. She complains that while she accepts him unconditionally, the dynamic is not reciprocal.

Patric receives an anonymous email demanding $50,000. The sender claims to have compromising photographs of her father with young women. Patric believes the email is from Ginny Krusi—the notoriously unstable mother of a talented singer named Oliver. Ginny was furious when Patric’s father failed to make her other son, Liam, a star. She bombarded the office with threatening calls and visits until Patric’s father threatened her with legal action.

When a private investigator confirms that Ginny sent the email, Patric begins to spy on Ginny’s home at night. She progresses from watching the building from her car to climbing into Ginny’s backyard. Meanwhile, Ginny continues her extortion demands and makes anonymous threatening phone calls to Patric. Patric is unsure if she should go to the authorities about Ginny. She knows Ginny’s claims are likely true, as she once found compromising photos in the attic of her father with young women. However, she cannot decide if his behavior is morally wrong. Furthermore, she enjoys stalking Ginny.

One night, Ginny makes one of her anonymous calls as Patric is standing in her yard. Patric adopts a fake voice when she answers, and Ginny assumes that she is Harlowe, threatening to hurt her if her sister does not pay up. When Ginny steps outside for a cigarette, Patric anticipates the release she will experience if she jumps out and attacks her. However, as Patric prepares to pounce, Ginny’s son Liam appears. Ginny affectionately greets her son and puts her arm around him as they walk back toward the house. Patric remains frozen to the spot as they go inside, and Ginny draws the blinds.

Part 3, Chapter 20 Summary: “Smoke and Mirrors”

Patric has not seen Dr. Carlin for weeks, because her stalking of Ginny breaches their contract. She fears her self-control and mental health are disintegrating and that she needs serious medical intervention. Patric searches online for a psychiatric service for sociopathy but cannot find one.

Patric meets famous singer Max Magus at a music studio. Max is confident and flirtatious, and Patric finally agrees to have lunch with him. When Max reveals he sometimes thinks he’s “crazy,” Patric admits she is a sociopath and spent the morning seeking psychiatric treatment. She tells him about her impulses and her close encounter with Ginny the night before. Max is delighted by the story and invites Patric and David to be his guests at the Hollywood Bowl the following evening. Patric tells David about the invitation, but he reminds her he must attend a work party.

Part 3, Chapter 21 Summary: “Exposition”

A month later, Patric is still friends with Max, but her relationship with David has deteriorated. When she finally tells David about stalking Ginny, he is horrified.

Max holds a dinner party and proudly introduces Patric as a sociopath. His guests are fascinated, and Patric enjoys discussing her condition and research. Knowing David will be away on business, Max asks Patric to fly to New York the next day. Patric knows David would not want her to go and turns down the invitation. However, she feels resentful about missing out. She realizes that now her relationship with David is strained, she is suffering from “stuck stress” and has no healthy outlet for it, just as Dr. Carlin predicted.

Part 3, Chapter 22 Summary: “Company”

Patric decides that she will devise her own treatment, as no other help is available. She applies the ABC model of Rational Emotive Behavioral Therapy (REBT) to her situation. REBT seeks to address destructive behavior and emotions by identifying “the ‘activating event’ (A), the ‘belief system’ related to that event (B), and the ‘consequence’ that results from that belief (C)” (264). Patric realizes that stuck stress activates her belief that she needs to misbehave, and her destructive behavior is the consequence.

Beginning the third year of her doctorate, Patric begins a dissertation on “Sociopathy: Its Relationship to Anxiety and Response to Treatment Intervention” (265). She continues to work as a music manager, as she feels her sociopathic traits are an advantage in this world. However, she is aware that her “good side” is enhanced by studying and her relationship with David.

When Ginny resumes her threatening calls, Patric considers going to the police, but Max claims to have a better idea. They climb into Ginny’s yard together and observe her smoking from their hiding places. Afterward, Patric again concludes she should go to the police, but Max argues that the police will let Ginny off with a warning. Patric tries to make Max understand that the situation is dangerous and unhealthy for her. Max disagrees, arguing that Patric should embrace her sociopathic traits. He suggests they turn the tables on Ginny by plaguing her with anonymous calls or blackmailing her.

Part 3, Chapter 23 Summary: “Transparency”

Patric confides in Everly, recounting the incident with Ginny and Max and admitting she fears for her sanity. Everly points out that Patric’s attraction to Max may be an exciting distraction, but it will not solve her issues. She suggests that Patric is conflicted because she is leading a “double life,” playing different roles with different people. She needs to work out who she really is and consistently be her authentic self.

Patric tells David that she wants to help other sociopaths and plans to reveal her diagnosis in her dissertation. However, David argues that her research will be considered unreliable if she does so. He is annoyed when Patric insists she has already made up her mind and points out they are always in conflict about the same issues. Patric is furious when David expresses the desire to “have normal problems” (282) like other couples. She asserts that he always knew she was not “normal” but has now decided he doesn’t like it. David implies that he wants Patric to be the “good” self he knows exists inside her. They reach an impasse as Patric insists she is not prepared to suppress certain sides of herself, while David feels that Patric does not care about his feelings.

Part 3, Chapter 24 Summary: “Killer Queen”

David moves out, and although Patric knows she is upset, she cannot feel it. She is also unhappy when she learns she must work 500 hours as an intern therapist to complete her PhD. Patric reminds her tutor that she is a sociopath with no empathy for others. However, he responds that this may be an advantage as “emotional attachments” will not cloud her professional judgment.

Since their breakup, Patric and David spend hours talking on the phone. They both express the wish that they could meet each other for the first time and start their relationship anew. Learning about the internship, David points out that Patric is not apathetic about people; she is profoundly interested in them.

Patric concludes that the chaos of the music industry is unhealthy for her and that she wants to dedicate herself to psychology. However, she has not yet told Everly that she plans to quit. Everly wants Patric to be her manager.

Patric’s internship is at the Aloe Center, and she sees a diverse range of patients. Many clients have no clear diagnosis and describe symptoms similar to Patric’s—destructive compulsions, apathy, and a tendency toward impulsive violence. While some have committed crimes, none of her patients have criminal records. Although many exhibit traits from the psychopathy checklist, they also display compassion, a capacity for love and affection, and a desire to stop their destructive behavior. Some of Patric’s patients are aware they may be sociopaths but are scared of what that means.

One day, Patric’s regular client, Teri, cancels her appointment. Teri’s symptoms include apathy, violent fantasies, and destructive behavior focused on the stalking and threatening of parking enforcement officers. Patric calls Teri and insists on knowing where she is. Teri refuses to tell her but promises she is leaving. Patric talks to her for an hour and feels assured that she has prevented a parking enforcement officer from being harmed.

Max arrives at Patric’s office unexpectedly and asks her to listen to his new track. Patric takes him to the still-abandoned cottage near Mulholland Drive, now for sale. Max plays “Killer Queen” on the grand piano and follows it with a love song dedicated to a sociopath. Max tells Patric he loves her, and she is briefly tempted by the life she could have with him. However, when he kisses her, she pushes him away. Max is surprised at this rejection and becomes angry. Patric realizes that Max likes the idea that she is incapable of love, believing she would never be judgmental or jealous. He storms out, leaving Patric to fall asleep on the four-poster bed upstairs.

Part 3, Chapter 25 Summary: “Rorschach”

Instead of going home to change, Patric picks a dress from the cottage’s wardrobe and wears it with men’s shoes. After a day’s counseling, her father picks her up and takes her to Everly’s show at the Roxy. Patric decides to confide everything to her father, recounting Ginny Krusi’s threats, her subsequent stalking of Ginny, and her decision to go to the police. Patric’s father praises her bravery, saying he will accompany her to the police station. However, when Patric says she will not admit to stalking Ginny, her father suggests that it would be simpler to claim the compromising photos were of Patric. Mr. Gagne points out that he knows his daughter does not mind lying. Patric is stunned by the request.

At the Roxy, Patric feels a sense of rising pressure and an impulse to harm someone. She is relieved to see David and throws her arms around him, but controls the desire to tell him how much she loves him. Patric reminds herself that David is a “good person” and feels that she does not deserve him. David senses her distress, but Patric fakes casual indifference, claiming she skipped work and has been drinking all day. Noticing Max staring at her from across the room, she storms over to confront him. Max accuses Patric of deliberately exploiting and feeding off other people’s emotions. Suddenly, Patric experiences a sensation she knows must be remorse and apologizes to Max.

After the show, Patric goes to the cliffside home of one of Everly’s bandmates. In the infinity pool, she tells Everly she is quitting the music business and is worried that she will no longer want to be her friend. Patric asserts that most people use her like a Rorschach test, projecting their issues onto her. Everly assures Patric that she and David love her for who she is. Patric reflects on the life of “invisibility” she must surrender as she submerges herself in the pool.

Epilogue Summary: “Modern Love”

A few weeks later, Patric is annoyed when someone buys the Mulholland cottage with no intention of restoring it. Tempted to break into her neighbors’ home when they go on vacation, she goes to see Dr. Carlin and says she no longer wants to resort to old unhealthy behaviors. Dr. Carlin draws up a new contract, and this time, Patric is happy to commit to it.

In their following appointments, they devise a treatment plan combining Patric’s research on sociopathy and Dr. Carlin’s expertise. Patric uses cognitive behavioral techniques to reduce her unhealthy behaviors in combination with Dr. Carlin’s exploration of her unconscious motivations. Patric realizes that she first experienced anxiety in kindergarten when emotional responses were expected of her, and that pattern has continued throughout her life. She starts to use exposure therapy, visiting places connected with her compulsions while resisting the associated behavior. Revisiting Ginny’s house, Patric sits in the car and notices that her bodily responses, such as rapid breathing, are those of arousal. She forces herself to remain there for an hour, resisting the urge to go to Ginny’s yard. After repeated visits, the compulsion eases.

Patric recognizes that her attempts to avoid apathy are related to how negatively society views those with limited emotions. Sociopathy is frequently linked to evil in popular culture. Meanwhile, in a work meeting, a fellow intern declares she would prefer her child had cancer than sociopathy. Patric says nothing but goes to her colleague’s home that night and burns “T-A-I-N-T” into her lawn with salt.

Working on recontextualizing her thoughts, Patric learns to enjoy apathy as a relaxing state. She is also certain she wants to spend her life with David but is still concerned that her desire to please him will become a source of anxiety. Dr. Carlin encourages her to confront this issue. Patric goes to David’s house and, when he opens the door, introduces herself as if they are meeting for the first time. She tells him she is a sociopath and that she hopes he can love her as she is. David confirms that he does but is distracted by the sight of a strange car parked outside his house. Patric claims that she stole it, enjoying David’s shock before she admits that the new car belongs to her.

David and Patric go to couples therapy with Dr. Carlin and establish their relationship’s primary source of conflict. Patric believes that David’s love is conditional on her being “good,” while David believes that Patric doesn’t care about his feelings. David works hard to understand sociopathy and learns to take Patric’s sociopathic traits less personally. At the same time, Patric works on recognizing David’s need for affection. Patric’s prejudices against non-sociopaths are exposed, including her belief that they use kindness and affection as a form of transactional manipulation.

Patric and David marry and have their first child. Patric is angry and disappointed when she does not feel the overwhelming love she has been led to expect when her son is born. However, she learns to love him intensely, and they have a second son.

After gaining her PhD, Patric becomes a therapist specializing in sociopathy. She also has an essay published in The New York Times describing her family life as a sociopath. She and David go to Harlowe’s house for Thanksgiving, and her family commends her for her article’s impact. Patric’s mother suggests she should write a self-help book for sociopaths. However, her brother-in-law, Gibson, insists she must write a memoir, and Harlowe agrees. No one but David knows that Patric has already done so. Harlowe guesses that her sister has already written the memoir. She asks Patric to name her Harlowe in the book and include this request in the narrative. When Harlowe praises her sister for helping other people, Patric reminds her, “Captain Apathy doesn’t care!” (344). Harlowe assures her that she cares “when it matters” (344).

Part 3-Epilogue Analysis

In Part 3, Patric continues to lead a “double life,” alternating between The Pursuit of Normalcy and Assimilation and the desire to embrace her sociopathic traits. Dr. Carlin’s predictions are realized as Patric’s antisocial compulsions become increasingly extreme once the honeymoon period with David is over. Ginny Krusi’s attempts at blackmail provide Patric with the opportunity to use her “as a sociopathic pressure valve” (273). Ginny’s immoral actions give Patric the excuse to act out her antisocial urges while justifying this behavior. Ultimately, her urge to attack Ginny only dissipates when she sees her affectionate behavior with her son, Liam. This glimpse of Ginny’s softer side reminds Patric that all humans have good and bad characteristics. Ginny is no more a monster than she is.

The deterioration of her relationship with David and her simultaneous friendship with Max embodies Patric’s ongoing inner dichotomy. She reaches a crossroads as her choice between two contrasting love interests brings her identity crisis to a climax. David represents “the path of most resistance,” as he encourages Patric to fight her antisocial urges and “be good” (304)—advice that makes her feel judged and reminds Patric of the dynamic with her mother. Meanwhile, Max, who accepts and celebrates Patric’s sociopathic traits, symbolizes the opportunity to surrender to “the existence [her] dark side preferred” (296). The conflict between two opposing lifestyles is echoed in Patric’s realization that she must also choose between the music business and academia. While Patric’s amorality is viewed as a positive quality in the music industry, the job encourages her to lean into her more dangerous sociopathic traits. By contrast, her psychology studies provide an opportunity for greater self-understanding as well as the chance to help other sociopaths.

Ultimately, Patric realizes she has been seeking a sense of selfhood through other people. She has alternately tried to be good to please her mother and David and sought acceptance of her darker traits through Max. Gagne figuratively compares the crucial difference between choosing one’s identity and allowing others to define it through clothing imagery: When Patric wears clothes from the wardrobe in the old cottage, resembling “a 1950s housewife,” she reflects, “It’s one thing to wear a disguise I create […] and something else to be assigned a costume” (300). In the end, she resolves to “make healthy choices because [she] see[s] the benefit in making them, not because someone else is pushing [her] to” (314).

Patric’s determination to gain more control of her destructive sociopathic impulses is illustrated in her relationship to the cottage she fixates on off Mulholland Drive. Everly compares the building to Miss Havisham’s home in Great Expectations, and, in Dickens’s novel, the dilapidated state of Satis House represents the inability of its owner to move on from the past. Thus, despite setting her heart on living there for years, Patric’s decision not to buy the cottage indicates she does not intend to continue repeating behavioral patterns developed in childhood. Her immersion in the infinity pool at the end of Part 3 deliberately evokes imagery of baptism, suggesting a new start.

The concluding section of the memoir continues to highlight the medical profession’s neglect of sociopaths and to advocate for The Reframing of Sociopathy. Unable to find a clinic that treats sociopaths during a mental health crisis, Patric considers pretending to be schizophrenic to access the help she needs. Ultimately, she is forced to devise her own treatment plan, drawing on her academic research. However, Gagne emphasizes that her case is exceptional, and few sociopaths would have the opportunity to study for a PhD in order to help themselves.

Patric’s internship as a therapist provides further evidence of the marginalization of sociopathy, as she encounters numerous clients who share her symptoms but have no diagnosis. Gagne implies that the medical profession’s dereliction of responsibility for sociopathy is linked to societal prejudices against the disorder. As well as the generalized belief that sociopathy is untreatable, there exists an unspoken moral distaste for the condition. This is illustrated in her account of a fellow intern who asserts they would rather their child had cancer than sociopathy. This stigmatization is internalized by many of Patric’s patients, who fear a diagnosis that suggests they are monsters.

The memoir’s attempts to reframe sociopathy culminate in the corroborating evidence of Gagne’s lived experience. Her personal and professional achievements contradict the notion that sociopaths are incapable of maintaining long-term relationships or following a life plan. Patric’s use of her own experience to help her clients demonstrates that sociopaths are capable of contributing positively to society. The value of her lived experience is illustrated in her interactions with Teri, the client who cancels her therapy appointment. Patric’s instinct that Teri is about to give in to destructive impulses is gleaned from her own past patterns of behavior, enabling her to make an effective intervention.

Furthermore, Patric’s achievements prove her theory that sociopaths may be capable of learning social emotions. While fearing that her lack of compassion will be a barrier to becoming a therapist, Patric realizes that she has developed empathy for her clients, feeling angry on their behalf. The writing of her memoir is also motivated by empathy, aiming to address the marginalization of sociopaths in society. While convicted criminals were Patric’s sole visible role models, she aims to provide a more positive example of the disorder to other sociopaths. Her revelation that the ability to love her family is “now as natural as breathing” (339) offers the hope of a fulfilling life to those neglected by the medical profession and feared by society.

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