44 pages • 1 hour read
Jennifer JacobsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The protagonist of Small as an Elephant, Jack is 11 years old when his mother abandons him while camping on Mount Desert Island, Maine, in Acadia National Park. Understandably, Jack initially reacts to the problem at hand with shock but then demonstrates immense strength, bravery, and clarity as he looks for his mother rather than panicking. Jack’s biggest mistake along the way is never stopping to tell anyone about his situation or reaching out for help, but he does this because he fears being separated from his mother. Jack is deeply perceptive, particularly of his mother and her way of thinking, and is also intelligent and resourceful. He demonstrates a keen ability to survive despite not knowing where he is or having anyone with him. Although Jack is wise, he’s still a child, and his thoughts illustrate his naivete at times. For instance, Jack wonders whether his mother will go to jail, and he takes the risk of sleeping in the woods without a tent. Nevertheless, he keeps himself fed and relatively safe, but much of his safety results from luck. Jack’s thoughts make up most of the narrative, so the story is like a journey through his psyche. Sentences repeat, ramble, and often reflect the state of panic he feels deep down:
Maybe he could find a way to get to the Bahamas, too. Maybe they could live there, where people wouldn’t know anything about them and wouldn’t even consider taking him away from her. They could live in a hut on the beach. Catch fish (156-57).
Most of all, Jack loves two things: his mother and elephants. Jack has loved elephants ever since he can remember, and one of his earliest memories is of meeting an elephant and feeling a deep sense of safety and comfort. He knows endless facts about elephants: what they’re capable of, how they behave, and what they like. Jack is like an elephant himself at times, sneaking into gardens, reacting with joy upon reuniting with his grandmother, and carrying the world on his shoulders. He’s still a child, but his thoughts and actions are far more mature than his small body would suggest. One of his goals for the vacation was to meet Lydia, an elephant who lives in a zoo in York, but Jack’s mother refused, not wanting to support this request because she considers zoos cruel. The resulting argument is what Jack believes led his mother to leave him. Jack gets to see Lydia anyway, because of his persistence, and that is also where he reunites with his grandmother.
Jack and his mother have a complicated relationship. He regularly imagines scenes with her playing out, such as her returning and him being both relieved and angry to see her. Memories of times with her, both good and bad, often flood his consciousness. He knows that she has an illness and can’t always take care of him properly, but he longs for the life other children have. Jack believes that he has no choice but to take care of himself, because his mother tells him not to trust anyone and reminds him often that he must only rely on himself: “I can’t do everything for you, Jack. I know you didn’t get the mother of your dreams. So what? That’s why you have to be smarter than most boys. More independent” (127). Despite her flaws, Jack loves his mother more than anything, and when he meets Lydia, he honors his mother by refusing to ride the elephant. He comes to realize just how much his mother has shaped the person he’s growing up to be: “He wasn’t just Jack, the boy who had traveled all this way to be with an elephant. He was, and would always be, his mother’s son” (272).
Jack’s mom, Becky Martel, isn’t physically present in the story and is instead defined primarily by her absence in the wake of her abandoning her son at a national park in Maine. Despite her absence, Becky is a dynamic character because more is revealed about her through Jack’s memories. He describes her as having a “tall, willowy” (13) appearance and cropped blonde hair. The mysterious air about her is largely a result of her unique outlook on life and her having a severe mental illness.
As Jack describes his mother, she functions in two basic modes: high and low. He compares these to a pinwheel, which is still without wind but spins wildly when a strong breeze hits it, as though Becky goes with the flow of life and her moods: Rather than resisting her whims, she indulges them fully. Jack knows his mother to be flighty and unreliable: “He doubted she’d be able to reason, to stay put, to wait patiently as he had” (42). He often has to be the bigger, more mature person in their relationship and resents his mother for this yet loves her deeply. He’s drawn to his mother’s vibrant spirit when she’s in her “manic” (high) state, but knows that it can easily go too far, like when Becky harassed strangers in the subway, or more recently, when she abandoned him to go to the Bahamas with a man she just met. Becky is “drawn to anything that promise[s] a story” (59). When she has “depressive” (low) periods, she often becomes irritable and angry, and it may be either a high mood or a low mood that leads to her leaving Jack, sometimes for days or weeks.
In the end, Jack no longer resents his mother and instead wants to go see Lydia to, in a way, reset his relationship with his mother and bring back the feeling of a time when life was simpler and warmer. Becky used to surprise Jack with elephant-related objects, take him on whirlwind adventures (such as to the hardware store to find the rarest color), and joke with him. All of this seemed to be absent lately, and Jack wanted to get it back. Ultimately, he realizes that he must live with his grandmother while his mother gets the help she needs, and he comes to accept that his life, as it was, has ended.
A mentor figure that Jack meets at a bar while looking for his mother, Big Jack can see himself in Jack and suspects that Jack may not be telling the truth about why he’s looking for Becky. He teaches Jack that “mudo” means thank you in Ewe, which Jack uses to name his plastic elephant later on. Big Jack is the one who catches Jack while Jack is trying to evade the police. He grabs Jack and calms him down, hugging him and allowing him to feel a moment of safety. Big Jack agrees to take Jack to see Lydia but also tells Jack that he’ll have to report him when they arrive him York. When Jack sees his grandmother sitting by Lydia’s pen, he panics, but Big Jack talks him through it again. Big Jack brings Jack immense clarity when he explains that he was in foster care and knows what it’s like to feel rejected or neglected by his own parents. He helps Jack see the truth: that his grandmother is only trying to help and that she doesn’t hate Becky at all. All of this allows Jack to feel grateful for the support he received from others and to accept that his life will change. Big Jack and Jack share a name, symbolizing their similarities.
Near the end of his journey, Jack meets Sylvie and then her cousin, Wyatt. Both are dynamic characters in that the novel introduces each of them as one type of person and later reveals them as another. Sylvie appears when she recognizes Jack as the missing boy in Searsport and bravely chases him into the bookstore vault, where they both become trapped. Sylvie is a couple years older than Jack but listens empathetically to his story and his desire to meet Lydia. While she initially states that she has no choice but to come forward with Jack, she changes her mind and helps him escape. Sylvie shows concern for Jack after he’s gone, asking her cousin Wyatt to go after him and help him reach his destination safely. She feels a responsibility for Jack since she was the one who discovered him and then let him go again. While Wyatt seems to be on Jack’s side like Sylvie at first, he soon starts asking Jack questions about his grandmother’s wealth and then reports Jack to the police. In reality, this was the right thing to do, but Jack views Wyatt as untrustworthy and runs away from him. Sylvie turns out to be an unlikely ally for Jack, and in the story’s conclusion, he asks Big Jack to give her the plastic elephant as a token of gratitude. Jack knows that without Sylvie’s help he may never have made it to Lydia in time.
Jack’s maternal grandmother is a static, round character who is only introduced in person in the novel’s conclusion. Until then, she’s a distant memory in Jack’s mind and a person whom Jack’s mother led him to believe is ill-intentioned and spiteful. Because of his mother’s illness, she believed that her own mother was trying to take Jack from her and warned him never to tell her anything about his life. Jack learned not to trust his grandmother and believed that her only goal was to separate him from his mother. Only when Jack talks to Big Jack, who explains Jack’s grandmother’s real intentions, can Jack open up to her and embrace her as family. In doing so, Jack releases his fear of losing his mother and accepts that significant changes are on the way for the family. Jack’s grandmother watches Jack as he has his precious moment with Lydia, who brought them together. Jack’s grandmother knew him so well that she went to that animal park and waited every day for a week, hoping that Jack would eventually make his way there.
Action & Adventure
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Childhood & Youth
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Community
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Family
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Fear
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Juvenile Literature
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Mental Illness
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Mothers
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Safety & Danger
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Trust & Doubt
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