54 pages • 1 hour read
LeAnne HoweA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Yanàbi Town, Eastern District of the Choctaws
September 22, 1738
Autumnal Equinox
This first chapter is written in first-person, narrated by “Shakbatina, a Shell Shaker” and “an Inholahta woman, born into the tradition of [their] grandmother, the first Shell Shaker of our people,” the “peacemakers for the Choctaws” (loc 74). According to tradition, before the Spanish explorers arrived in the 16th century, there were no wars, hunger, or disease. Men played stickball, and women “tended their children and drank from gourds filled with sweet peach juice. Life was a series of games and dances” (loc 82). One night, they receive word that “a very different kind of Osano, bloodsucker” has “arrived on our shores with weapons of fire” (loc 82). This Osano is the conquistador Hispano de Soto. The village leader, Tuscalusa or Black Warrior, prepares to fight and his woman, Grandmother, dances a ritual dance, wearing “the empty shells of turtles around each ankle” (loc 94). Grandmother is also the name the Choctaw use for Earth itself.
Grandmother dances for four days without stopping, and her prayers are observed with fascination by Miko Luak, “fire’s spirit,” who carried her prayers to Itilauichi, “the Autumnal Equinox,” who, impressed by her sacrifice and dedication, gives her a prayer to sing whenever she needs his help: “Itilauichi, Autumnal Equinox, on your day when I sing this song you will make things even” (loc 94). After this, the rest of the community prepares for war. Tuscalusa gives Grandmother “a tiny black stone” that “represented his spirit” (loc 106), and Grandmother swallows it. She gives him “a feathered shawl with locks of her hair woven through it,” and, as long as he wears it, “they [will] never be parted” (loc 106).
Tuscalusa and his men allow themselves to be captured to trap de Soto, and when de Soto and his men meet with the Mabilians, Tuscalusa’s “clever cousins” join forces and attack. However, de Soto’s forces overwhelm them, and they are killed. The “Hispanos” then “fell into a barbaric blood lust and cut off the heads and hands of the stickball players,” which they would then display “wherever they went as souvenirs of their courage” (loc 116). Grandmother immediately knows that something has gone wrong, and with Itilauichi’s help, she and the other women transform into birds and escape de Soto, flying to a new homeland where they “built […] seven original Choctaw towns” including Shakbatina’s home, Yanàbi Town. There, Grandmother and the other women became peacemakers, Shell Shakers, skilled in “the art of negotiation” (loc 127) and known as Inholahta.
Shakbatina is also a Shell Shaker and is preparing to offer herself as a sacrifice to the Red Fox village to prevent war between the communities. Her daughter, Anoleta, was visiting the Red Fox village of the Chickasaws, where another woman assaulted her, accusing her “of stealing the affections of her husband” (loc 148). However, Anoleta and this other woman had long known they were married to the same man, as it is “not unusual for warriors to marry women from different towns as long as they can provide meat for both families” (loc 148). Their husband, Red Shoes, was a “renegade warrior” and “had grown into a giant Osano in the tradition of Hispano de Soto” (loc 272), often spying on the communities for the Inkilish okla. The day after the assault, the Red Fox woman is found murdered in her home, and the community blames Anoleta.
Shakbatina offers to be executed in her place, out of a desire to preserve peace and rescue her daughter. Shakbatina knows that the Red Fox people have been manipulated by the Inkilish okla, who are trying to provoke a war to claim the lands of both the Choctaws and the Chickasaws. Furthermore, Shakbatina is still dealing with the aftereffects of a recent illness, which Shakbatina thinks of as “the Inkilish okla disease” (loc 172). Shakbatina prepares for her death by dressing herself in white, the color of peace, but painting her face red, the color of battle. Indeed, war and fighting have attracted Shakbatina since she was a child. Her appearance tells her “people […] that we must fight to survive” (loc 339).
Right before she is executed, Shakbatina sings a song that calls on Itilauichi as her ancestors once did. As Shakbatina dies, executed by one of the relatives of the dead Red Fox victim, she has visions of her daughters grieving and “the Seven Grandmothers dancing in the distance” before “Big Mother porcupine” greets her, takes her by the hand, and leads her away (loc 362).
Durant, Oklahoma
Sunday, September 22, 1991
Autumnal Equinox
Auda Billy, a member of the Choctaw nation, descendent of Shakbatina, and a former professor of Choctaw history, has a vision of a Shell Shaker. Although Auda is familiar with the ritual and has even danced herself, “this Shell Shaker’s song is different” and “stirs an older memory coming to life inside her” (loc 393). In the vision, Auda is with many Shell Shakers around a fire and watches as they burn a warrior to death. After her vision, she allows herself to remember the previous day’s events, when “Redford McAlester, seventh Chief of the Oklahoma Choctaws” raped her (loc 416). McAlester was infuriated that Auda had not worn the dress he bought for her and raped her to remind her that he controls her.
During the assault, Auda realizes that Redford is “a true Osano, what Choctaws abhorred most. A predator of his own people” (loc 505). Her ancestors protect her mind and spirit during the assault, though they cannot protect her body. Auda regrets most her own involvement with making Redford chief, knowing that he is corrupt, in league with the mob, and taking advantage of his own people, not just Auda. After reliving the assault, Auda hears a voice telling her that they “have returned” and that she “can use any fire” (loc 529). Auda puts on the dress that Redford bought her with “red stiletto pumps” (loc 563) to match the “fresh blood color” (loc 540) of the dress. She is now, she thinks, “Auda the Redeemer” remembering that “[r]ed is the Choctaw color for war” (loc 563). She drives to Redford’s office and is found standing over his dead body. After Auda is arrested for the murder, her mother, Susan, confesses to killing Redford.
These two chapters introduce the central plot of the novel: two parallel stories, both of which involve sacrifice, an Osano, and the intersection of the Indigenous people of the Americas and the culture of white colonizers and settlers. Shakbatina, a Choctaw woman in the 18th century, relays the origin story of the Choctaw people. The Choctaws were originally a large group of Indigenous people living in what is now Alabama, Florida, Mississippi, and Louisiana, believed to have descended from Tuscalusa, a chief of the Mississippian culture, which flourished from 800 CE through 1600 CE.
Shakbatina tells of Tuscalusa’s encounter with Hispano de Soto, a Spanish conquistador, one of the first Europeans to explore North America in depth. De Soto and his men treated the Indigenous people they encountered on their expedition as savage inferiors, often provoking battles and fights, including Tuscalusa and his people. Unfortunately, the Indigenous tribes were often unable to withstand attacks from De Soto’s mounted soldiers. Furthermore, de Soto and his men infected the Indigenous people with a series of illnesses—chicken pox, smallpox, and measles, for example—that decimated their populations.
Shakbatina explains that Tuscalusa’s woman, Grandmother, danced to implore Itilauichi, the spirit of the Autumnal Equinox, the time when the equator passes through the center of the sun, to help her people. Itilauichi takes pity on her, and after Tuscalusa has been defeated, he changes all the women to birds, who fly to a new land. This is the beginning of the Choctaw people. Over 200 years later, the Choctaw are facing both inner and outer disturbances. The English and the French have made inroads into their lands, aided by one of their own, Red Shoes. Shakbatina sacrifices herself to preserve peace, but she knows she cannot hold off war for long.
In the second chapter, Auda Billy, a 20th-century Choctaw woman, is also dealing with inner and outer disturbances. The mafia has taken an interest in the Choctaw’s work with casinos, aided by the chief himself, Redford McAlester. Redford, like Red Shoes, is corrupt and greedy, and he must be stopped. After Redford rapes her, Auda decides she must sacrifice herself to stop Redford. Shakbatina sacrifices her life literally, and Auda gives up her freedom, shooting Redford to keep him from further harming the Choctaw people.
Both sections explore how the past and the present intertwine. For Shakbatina, Grandmother’s dance to protect her people is still occurring, and for Auda, Shakbatina’s sacrifice is happening simultaneously as well. Here, Howe explores the spiritual beliefs of the Choctaw people and how the past affects the present. In this first section, it is clear when Auda goes into and out of visions of the past, but this line will become more fluid throughout the text. Here, Howe also uses the Autumnal Equinox, one of the two times in a year when the earth and the sun are perfectly balanced, to symbolize as well how past and present are linked but out of balance until a sacrifice has been made.