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68 pages 2 hours read

Deborah Harkness

Shadow of Night

Fiction | Novel | Adult | Published in 2012

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Parts 5-6Chapter Summaries & Analyses

Part 5: “London: The Blackfriars”

Part 5, Chapter 34 Summary

Back in London, Queen Elizabeth is distressed about the diplomatic incident Matthew’s behavior caused, as well as the fact he did not fetch Kelley for her. Together, they smooth things over with Rudolf’s ambassador. Matthew talks to Elizabeth alone, while Diana returns to their rooms, where she sees Kit. He invites her to tour the tilting yard.

Matthew’s sister Louisa de Clermont is at the tilting yard; Diana realizes Kit tricked her and wants her dead. Kit and Louisa think that Diana has enchanted Matthew. They compete over who gets to kill Diana.

Part 5, Chapter 35 Summary

Kit and Louisa tie Diana to a stake. She feels her firedrake familiar stirring in her chest and remembers when she was young, and she told her father about a “dragon” that lived inside of her. They begin to tilt, using Diana as a target, but her magic frees her and cows them. Annie, Pierre, Walter, and Matthew arrive. Matthew says he is not enchanted; Diana is his mate and is pregnant with his child. Louisa tries to persuade Matthew that Diana is a witch foretold in prophecy, whose child will bring about the end of the de Clermonts. Matthew orders Louisa and Kit to be imprisoned.

Part 5, Chapter 36 Summary

Later, Diana and Annie spot Hubbard while doing errands; he has heard rumors that Diana is pregnant with Matthew’s child. He says that Matthew is at Bedlam, where he’s detained Kit and Louisa and is torturing them for information. Diana goes to Bedlam, observing with horror the conditions in which inmates are kept. She enters Kit and Louisa’s cell; Matthew is in a blood rage and is torturing them. He’s been drinking Kit’s blood, and since Kit takes opiates, Matthew experiences their effects.

Diana talks Matthew down from his rage and convinces him to turn Kit over to Hubbard and Louisa to Gallowglass. They realize they need to go back to their own time, and they begin preparing. When walking through St. Paul’s Churchyard one day, Diana sees a man who looks like her father.

Part 5, Chapter 37 Summary

Stephen timewalked from a different point in the future, when Diana was a young girl in 1980. He tells Matthew and Diana he’s “just hanging out” in the past (519) but she suspects he’s looking for the Ashmole manuscript. Over the following days, Stephen stays with them. Diana is distressed that Stephan acts awkwardly around her, but Matthew says he’s just overwhelmed.

Later, when Stephen is looking at the Ashmole manuscript, he asks Diana to tell him what happened when she found it in the Bodleian. With his weaver’s ability, he can see tangled threads connecting her and the book. She tells him about the events included in A Discovery of Witches and explains why she and Matthew need the book: Creatures are disappearing, witches have trouble reproducing, and vampires have failed resurrections. They hope the genetic information in the book can help them.

She tells her father she’s pregnant, but he already knows. Diana’s mother, Rebecca, saw Diana’s future with her “uncanny sight” (523). Later, when Stephen talks to Matthew and Diana, he gently scolds them for leaving so many marks on the past. He says they cannot take Ashmole 782 back to the future, as they’ve already made a “mess” that will follow them back to their own time.

Diana takes her father to meet Goody Alsop and the gathering. Stephen lets out his familiar, a heron named Bennu, and urges Diana not to fear her own power. Stephen coaches Diana on how to call on her elements like he calls on water. Her firedrake frees itself and finally introduces herself as Corra.

Part 5, Chapter 38 Summary

After two weeks in the past, Stephen plans to leave after the Midsummer holiday. He leaves Diana and Matthew to visit Shakespeare and the local witches. Diana and Matthew walk to parts of the city Diana hasn’t seen. They climb to the top of All Hallows the Great, from which they can see the entire city. Diana reflects on all the things she has done since traveling back in time.

When Diana wakes up the next morning, Stephen is already gone. Diana is hurt he didn’t say goodbye, but Matthew sympathizes with a parent not wanting to say a “final goodbye” to their child. Gallowglass gives Diana a note her father left her. It is a heartfelt note about how he will live on through her children.

Part 5, Chapter 39 Summary

Diana visits Goody Alsop to say goodbye. She tells her that Matthew convinced the Congregation to intervene and save the witches being persecuted in Scotland. She has Goody Alsop check the magical knots she wove to return them to the future. Goody Alsop wants to teach Diana a final knot. Though neither she nor her own teacher could make the knot, they passed its knowledge down, waiting for one who could. It is an endless knot, symbolizing the power of eternity, life, and death.

Diana then goes to Hubbard, offering him money to take care of Annie and Jack. He already sees Annie as his ward but won’t agree to look after Jack unless Diana gives him her blood. Since vampires can use blood to read people’s memories, Diana agrees to give him one drop.

Back at home, Diana overhears Thomas Harriot muse about what would become of the telescope. She knows that Thomas would never publish his ideas, and the credit for subsequent inventions and discoveries would go elsewhere. She offers to help him find a long gun barrel to create the body of his telescope. 

On her errands, Diana sees a little girl who looks like a combination of her mother and her aunt Sarah. When she hears the girl and her mother’s name, she knows from her family grimoire that the girl will be the grandmother of the first Bishop witch, Bridget Bishop. Diana thinks about the objects she used to go back in time. One was Ysabeau’s old earring, hidden in Bridget Bishop’s poppet. Diana takes off one of the earrings, which she is wearing, and gives it to the girl, Rebecca.

At home, Diana gives the gun barrel to Thomas. She had it engraved with his name and the year he invented it. The School of Night gathers to look at the moon. Afterward, they all disperse, Annie leaving with Susanna and Goody Alsop, and Jack leaving with Henry and Thomas. Diana and Matthew get their final affairs in order and timewalk to the future.

Part 5, Chapter 40 Summary

In the present day, Ysabeau reads a news article about a discovery of a spyglass invented by Thomas Harriot. The discovery is so massive that history books will “have to be rewritten” (555). Marcus tries to buy it, but its owners won’t sell it. Marcus has started dating Phoebe, the woman he bought the miniatures from. She now knows about Matthew, Diana, and the existence of creatures. 

Marcus has started a “Conventicle”: a mixture of humans, vampires, witches, and daemons who want to live integrated lives. They have many new residents at Sept-Tours, including Sarah, whose partner, Emily, was killed while saving the witch daughter of two daemons, Diana’s friends Sophie and Nathaniel.

Part 6, Chapter 41 Summary

Diana and Matthew land in the Bishop house. It is empty, and the calendar displays November of last year. Diana thinks something is wrong, but they can’t use the phones, which are likely tapped by the Congregation. They find their passports in Sarah’s car and begin the journey to Sept-Tours.

Sarah, Ysabeau, and Sophie are waiting for them when they arrive. Diana is introduced to Sophie’s baby, Margaret. Diana asks where Emily is, but Sarah avoids her question. Ysabeau hears two heart beats in Diana’s womb and begins crying, both because Diana and Matthew have conceived, and because she is pregnant with twins.

Part 6, Chapter 42 Summary

In May 1593, after Kit’s death, Annie brings a chess piece belonging to Kit to Hubbard. Diana originally used the piece to go back in time. Kit won the piece from her in a game and gave it to Annie in his last will. Hubbard lets her keep it. Hubbard is also in possession of one of the three pages Kelly took from the Ashmole manuscript. Hubbard says he’s found Annie a new employer, Will Shakespeare.

At Shakespeare’s, a paper Kit hid in the chess piece slips out, and Shakespeare reads it. It is a three-line poem about lost love and the “Shadow of Night,” which Shakespeare does not know is Matthew. Shakespeare edits the lines into something about the “School of Night,” lines that would eventually become famous in Love’s Labour’s Lost.

Part 6 Analysis

These final two parts deal with two primary ethical issues that Matthew and Diana encounter. The first involves the treatment of their perceived enemies once they have power over them, especially if that enemy has wronged Matthew or Diana, and the second involves The Complex Nature of Time—the ethics of meddling with time, and questions about whether meddling with time is even possible, or if all of Matthew and Diana’s actions in the past were already influencing the 21st century.

Kit, who thinks that Diana has “bewitched” Matthew (504), enlists the help of Matthew’s sister Louisa to kill Diana. Louisa died long before Diana was born, but Diana has heard stories of her severe blood rage. She observes Louisa drinking blood from Kit after Kit uses opiates, which make Louisa experience their effects as well. Louisa and Kit’s plans are thwarted when Annie finds help in time to save Diana—as well as Diana’s use of her own powers in fighting them off—but Matthew takes them to Bedlam, where he tortures them brutally for their actions.

Diana observes prisoners in Bedlam who are unclothed or lightly clothed, chained to floors and walls in their own filth, and kept in nearly unlivable squalor that Diana finds “obscene” (509). Almost all the prisoners are creatures. Previously, Diana seemed skeptical about Hubbard’s adoption of lost creatures of all species, who were put under his protection in exchange for fealty. Here, Diana sees the fate of those who aren’t given that sort of protection. Matthew has no purpose for his torture of Kit and Louisa other than revenge, letting his blood rage run free. Diana thinks he is “punishing himself” by purposefully enacting brutality to prove to himself he is “just another madman” (512). She talks him through his blood rage by emphasizing that they do not have to carry out similar violence on their enemies that their enemies enact on them. Diana eventually convinces him to have mercy; this mercy represents a growth in his character, as he is usually quicker to vengeance. It also demonstrates Diana’s continued influence on Matthew, further emphasizing the fated nature of their union.

This ethical question segues with a second ethical question: that of the characters’ responsibility to the past. Diana’s father, Stephen, has strict rules for how he interacts with the past. He stays a maximum of two weeks so he cannot get too settled in a period that is not his own. By contrast, Matthew and Diana have stayed for months, conceived a child, enraged Rudolf and stolen property he considers his, and are caring for two orphans. Diana thinks this means she and Matthew “screwed up”—that they are leaving too many marks on the past that will affect their future.

Stephen thinks they should try not to affect the future, but his last message to Diana reveals that he also thinks she should be at peace with the future she’ll end up with. Meeting Stephen distressed Diana because they didn’t forge the connection she thought they should. Matthew, who has lost children of his own, is more sympathetic with Stephen’s behavior. Stephen’s last note to Diana assures her that “It will be because of your children, and your children’s children, that I will live forever” (538). She cannot change the future to bring Stephen back to life, but she can “change” the future by carrying on his legacy through her children. This encounter also provides some closure for Diana, as well as the unleashing of her firedrake familiar. Further, this meeting means that both Diana and Matthew have met their late father figures, Stephen and Philippe, as a couple, and both father figures have blessed their union, predicted their future children, and helped to reunify Matthew and Diana.

Throughout the novel, Matthew and Diana clearly believe that things they do in the past will change the 21st century. Matthew also seems to have memories of the “first” time he lived through some of the events they experience in the 21st century. However, The Complex Nature of Time makes it unclear to what extent the pair are changing anything. For instance, they use three early modern objects to travel back in time, two of which are a chess piece and Ysabeau’s earring, contained in a poppet once owned by Diana’s ancestor, Bridget Bishop. In A Discovery of Witches, the chess piece is given to her by Sophie Norman. Early in Shadow of Night, Diana loses it to Kit in a game. Kit keeps it until his death, whereupon it’s claimed by Annie. Hubbard tells her to “give this to your aunt, Mistress Norman” (574). When Matthew and Diana met Susanna Norman, they knew she must be Sophie’s ancestor. Though Sophie is a daemon, her ancestors were all witches. Diana thus received the piece from Sophie in the 21st century, lost it to Kit in the 16th century, where it was inherited by Annie, who gave it to Susanna for safekeeping. It likely will pass through the Norman family until it reaches Sophie, who will give it to Diana, so the cycle repeats.

Likewise, Diana meets a child who she knows to be the one-day grandmother of Bridget Bishop, whose poppet contained Ysabeau’s earring. She gives the girl the earring and tells her to “keep it close” (550). The girl, Rebecca, will likely pass the earring down to Bridget, who will place it in a poppet for safe keeping, which will one day be used for Diana’s timewalking. Thus, certain consequences of Matthew and Diana’s actions in the past—like how they receive the chess piece and earring—already came to pass before they began their time walk. This brings up complex and unanswered questions about whether Diana and Matthew are really changing events, or whether everything was fated to be this way all along.

This point is further emphasized by the last chapter’s focus on William Shakespeare. Though he’s likely the most famous historical person from 16th-century England, besides Queen Elizabeth, he does not feature in the book until the last chapter, where Annie becomes his servant. Shakespeare appropriates a verse of Kit’s and alters it unto his famous lines about the “School of Night.” By changing Kit’s words into his own, he “altered the past, thereby changing the future” (577). This emphasizes how people’s actions and the way they affect the world will always have consequences that will lead to certain historical outcomes, whether or not they walk through time to do so.

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