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47 pages 1 hour read

Tia Williams

Seven Days in June

Fiction | Novel | Adult | Published in 2021

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Part 8-EpilogueChapter Summaries & Analyses

Part 8: “Sunday”

Part 8, Chapter 25 Summary: “DNA Ain’t No Joke”

The next day, Eva and Audre wait for Shane at brunch. He never shows, and even though Eva texts him, he doesn’t respond. Trying to keep it together for her daughter, she makes an excuse for him, but eventually, Eva inwardly decides that Shane must be gone—that he’s left again because he couldn’t handle commitment or giving up his sexual freedom. She’s angry at herself for ever trusting him.

However, Shane is in Rhode Island because he received a 7:00am call that Ty had been shot and was in intensive care. Shane remembered how scary it was to be in the hospital alone, and he bought a flight to see Ty, ensuring he would be back in time for the awards tonight. Mid-flight, he remembered that he was supposed to be meeting Eva and Audre. He’d forgotten the brunch date because he wasn’t used to being needed and loved—he wasn’t used to things like brunch dates where people like family were waiting to see you—but he knew he had messed up.

After brunch, Eva sends Audre off to her father’s in California and returns home to work on her draft for the 15th volume in her Cursed series. Instead, however, she pulls out journals from her mother, grandmother, and great-grandmother. Then Eva calls her mother, asking her to email some pictures from her old albums, no matter how faded. Once the images come through, she sees that all the women in her family have worn the cameo ring, and immediately she knows what she must write.

Part 8, Chapter 26 Summary: “Seven Days in June”

The Lettie Awards have finally arrived, and Eva attends with no sign or word from Shane. Cece texts Eva that a caterer from last night had seen Shane and Eva together and posted that they were a couple who had once been together in high school and were the inspiration for Sebastian. Eva can hardly focus as a migraine is coming on. Sitting with other authors she knows, she begins to excuse herself using her usual excuse that she needs to call her daughter—but then she stops and, instead, shares about her disability, explaining that her head feels like it’s going to explode and she needs to use one of her injectable painkillers. Her fellow authors are shocked, but she feels liberated. While walking to the bathroom, she sees fans dressed up as Gia, and on a whim, she hugs them and thanks them for sticking with her all these years.

Then, she sees Shane in the lobby. He explains what happened with Ty being shot; Ty didn’t make it, and Shane feels responsible; he was too busy being happy, too busy thinking he had a family and someone to love, and he didn’t pick up Ty’s calls. Eva tells him repeatedly that it is not his fault, but he admits what they both know, that he can’t be with her and won’t be able to go to Louisiana with her. She understands; their promises never stick. The couple separates, and Eva is announced the Best Erotic Romance Book winner. In her speech, she explains that she has been hiding behind these characters instead of being who she is, and now it is time to be that person. She announces that the series will not continue; instead, she will write what she knows about herself—that she comes from a long line of tragic, beautiful, and misunderstood women. She needs to write their story, which is also her story.

Shane also wins his Langston Hughes Lifetime Achievement Award and doesn’t say anything except, “This is for the misfits” (306). Cursed fans have merged with Eight fans, and by the end of the night, they are calling themselves the #MisfitHive.

Epilogue Summary

While Eva is in Belle Fleur, she and Shane begin to talk again. Hesitant to get too close, they also cannot resist. Shane’s rent is up, and Eva tells him he can stay at her place for the summer since it’s empty. Eva tracks down her family, learning the real stories about the women in her family at that time; racism and misogyny have distorted their history. She loves Louisiana and feels at home. Shane feels at home in Eva’s house, and as much as he tries to take care of her plants, they all die. But slowly, he starts to feel better, and Eva begins to write.

Audre has just talked to her mother on the phone, and she feels worried over how Eva’s voice sounded—distant and heavy. Feeling something is off, Audre knows there’s only one person who can help her mother feel better: Shane. After she calls Cece for help, Cece calls in a favor with Shane, asking him to be the guest on a panel at the last minute in Atlanta. She then invites Eva to Atlanta under the pretense of it being for Cece’s husband’s birthday party. When Shane and Eva arrive, they realize they have been tricked into getting together, as a romantic dinner for two has been set up. However, they both know that loving each other never ends, and they want to be together. They kiss and restart together.

Part 8-Epilogue Analysis

The pattern repeats, and each character must be tested. Shane takes off, flying to see Ty and forgetting his brunch date with Eva and Audre. He isn’t used to being needed and is scared that he might lose it all. Eva is worried Shane has left and abandoned her again. However, the characters have developed so far that instead of running away, they can face it. Shane's character development is processing his grief and pain through sobriety. He must learn how to handle everything without turning to his vices. Eva must face that she has been hiding behind stories of her family she fabricated, her disability, and the characters she wrote. Because of the novel's structure—paralleling the characters’ teenage narrative with their adulthood—we can see how these characters have developed through the narrative and how they have learned to navigate their pain, with or without each other.

Now that they face what they need to face—Shane, his grief, and Eva, the truth about her family’s history—they can begin to find their way back again.

The development of their relationship mimics that of a character, and in the end, the stakes are high, but their relationship develops to support them as adults. This is ironic, considering Eva thinks the Mercier women are under a curse so that men won’t stay with them. Ultimately, Eva can find out the truth about her family, which gives her power—power to have pride in herself and her story and pass that pride along to her daughter with the cameo ring.

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