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89 pages 2 hours read

Paul Fleischman

Seedfolks

Fiction | Novella | Middle Grade | Published in 1997

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Background

Literary Context: Multi-Perspective Narratives

Seedfolks is a multi-perspective mosaic novel, with the overarching story of the creation of a community garden told by 13 distinct characters. Each of these characters has their own arc and voice, providing a distinctive outlook on the garden and community. The result is a deeper exploration of the garden and what it represents to the diverse residents of Gibb Street. Through this technique, the garden takes on multiple meanings, illustrating its positive impact on an entire neighborhood.

Philosophically, multi-perspective narratives grapple with questions of objectivity versus subjectivity. Their form lends itself to the latter, asserting that a narrative can present multiple, sometimes conflicting, truths. In Seedfolks, the multiple perspectives also develop secondary themes regarding the United States as a country of diverse people and cultures working toward a common goal. Though each narrative perspective and voice is different, the garden creates unity not only for the larger story but also amongst the characters. This suggests a reconciliation between objectivity and subjectivity: The garden represents an objective truth—that building community with others leads to mutual flourishing—that each character accesses through subjective methods and motivations.

Literary Context: Instructive Narrative Styles

Young adult literature is often instructive, with narratives crafted to guide still-growing individuals. Instructive narrative forms, including the allegory, the parable, and the fable, have existed in Western culture since antiquity, and modern writers and filmmakers often repurpose older stories and forms to create instructive tales suitable for modern contexts. Examples include Lois Lowry’s The Giver and Lana and Lilly Wachowski’s The Matrix series, which both borrow from and repurpose Plato’s “Allegory of the Cave” for a modern audience.

Inspired by folklore, Fleischman often incorporates or reinvents older stories and narrative forms in his writing. Seedfolks repurposes elements of many agricultural parables from the New Testament, most notably the Parable of the Sower and the Parable of the Mustard Seed, as well as the Old Testament story of the Tower of Babel to create a story that guides the reader toward creating community. Though it breaks with the simple narrative structure of the traditional parable, Seedfolks retains the core elements of the genre. Like a parable, it features human characters whose story reveals a spiritual truth. In this case, the overarching story of the garden’s first year affirms the long-lasting and far-reaching benefits of community and inclusion. Also like the parable, the story uses symbolism to represent deeper ideas, with the garden representing the greater community and the characters standing in for the diversity and individuality from which a community must arise. The story is instructive and moral, though the ideal it promotes—of community and interconnectedness—is secular rather than religious.

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