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81 pages 2 hours read

Tayeb Salih

Season of Migration to the North

Fiction | Novel | Adult | Published in 1966

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Themes

The Legacy of Colonialism

The narrator and Mustafa Sa’eed both travel to London, the heart of colonial power, to pursue higher education. While the narrator is always eager to return home, he does not seem to have active disdain for the nation where he studies poetry. Mustafa Sa’eed, on the other hand, is deeply enmeshed in the legacy of colonialism. As an economist, he studies the effect of colonialism on colonial nations. In his personal life, he actively embraces racist stereotypes against Africans to seduce women. When four of these women have died and he is on trial for murder, he suddenly sees himself as the colonist, the intruder. His violence becomes a form of reverse-colonial revenge.

After hearing Mustafa’s tale, the narrator must wrestle with his understanding of colonialism once again. He begins to wonder if he could have easily fallen down the same path as Mustafa Sa’eed—and as the events of the novel unfold, it appears that the answer to this question is a resounding yes. When he returns to life in the Sudan, he finds it difficult to reconcile his Westernized perspective with the realities of the village.

The legacy of colonialism also appears in characters’ debates over the enduring results of colonialism and in stories of government corruption. When the narrator runs into men who knew Mustafa Sa’eed, they often debate whether he worked against his own people on behalf of the British. The narrator does not wish to enter into these debates, but he observes them, just as he observes the heads of African nations who decry colonialism while wearing expensive clothes and vacationing in Europe.

The Value of Education

The narrator and Mustafa Sa’eed both pursue higher education, but it does not necessarily equip them to live happy lives. The narrator describes his friend Mahjoub as more intelligent than himself, and he stops school once he has learned to read and write, convinced that this is adequate knowledge for a farmer. Despite the narrator’s higher level of education, he feels that his friend has a role of more importance in Wad Hamid and in their nation, as he is involved in affairs that directly affect people. Although the narrator works for the Ministry of Education, he seems to find his work somewhat meaningless and futile.

Similarly, Mustafa Sa’eed is described by the judge at his own trial as stupid despite all his learning. Later, he tells the narrator that Western schools were developed to “teach us how to say Yes in their language” (79). He argues that Western education only exists to further exploit colonized people. Although he rises to prominence as a British economist, he dies in obscurity in the Sudan. Nonetheless, his library suggests that he continues to find some value in education, even if it is not worldly success.

In this novel, the value of education is thus tested and interrogated. Once they have received an education, both the narrator and Mustafa struggle to find a place in the world, as they can tolerate neither a traditional way or life nor life in the West.

Misogyny and Violence Against Women

This novel pivots around both Mustafa Sa’eed’s murder of his wife Jean Morris, and the men of Wad Hamid’s exploitation of other women, including Hosna. Mustafa Sa’eed describes his violence as a result of colonialism: He states that Europeans brought the “germ” (79) of violence to Africa. Now, in Europe, he has simply been infected with its sickness. 

However, violence against women is also indigenous to the Sudan. In the debate between Bakri, Bint Majzoub, and Wad Rayyes, Bakri calls female circumcision “one of the conditions of Islam” (68). His friends disagree with him, but it is clear that this practice—considered genital mutilation is most of the world—is standard in their village, as is the forcible marriage (and consequent rape) of women. 

Although the value of Western ideas is unclear in this novel, it does suggest that women’s rights must be promoted and embraced to end cycles of violence. While Mahjoub calls Hosna “crazy” for killing Wad Rayyes, the narrator, as well as Wad Rayyes’s other wives, know that the act makes perfect sense in a culture that denies women freedom.

The Impact of Storytelling

This novel contains two main narrative voices, that of the narrator, and that of Mustafa Sa’eed. At times, other characters’ voices are included via dialogue or letters. Although the reader primarily relies on the narrator’s account of events, his inclusion of these other voices suggests that storytelling is of great importance in the novel.

Mustafa Sa’eed’s lengthy confession, spread out across the narrative and incomplete until Chapter 9, is of particular interest. The story has a significant impact on the narrator: Although he initially denies that it had any importance in his life, he gradually finds himself following Mustafa’s path. This suggests that the stories we hear shape our decisions and actions. 

The fact that the narrator does not reveal the full confession until the end of the novel also suggests that he is actively obscuring some of his motivations and actions from the reader in the re-telling of his own story. This raises the question of whether one should ever fully trust someone else’s story, knowing the impact it may have if they do.

Passivity and Action

After Mustafa Sa’eed’s death, the narrator endeavors to rejoin the “caravan” (51) of humanity and to let himself be swept along in its forward momentum without worrying overmuch about the significance of the man’s death. Throughout the novel, he describes his own passivity, especially his political passivity. When others debate the truth of colonialism, or the value of Mustafa Sa’eed’s life and work, he generally chooses not to enter into the debate, as he does not see the point in arguing. Likewise, he does not act to marry Hosna and protect her from forced marriage to Wad Rayyes.

When he finally enters Mustafa’s office, the narrator realizes that, in his passiveness, he has found himself taking up where Mustafa left off. However, he notes that Mustafa’s reactions were the results of a choice. In the final pages of the novel, still following the man’s path as he nearly drowns in the Nile, the narrator endeavors to make a choice and stop living passively. That choice is to live, and to cry out for help.

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By Tayeb Salih