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62 pages 2 hours read

Thomas Keneally

Schindler's List

Fiction | Novel | Adult | Published in 1982

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Character Analysis

Oskar Schindler

Born on April 28, 1908, to a middle class Sudetenland German family in Zwittau, Austria-Hungary, Oskar Schindler died on October 9, 1974, at age 66. Schindler joined the Abwehr at age 28, in 1936, and joined the Nazi party in 1939, shortly after the Nazis invaded Poland. Thomas Keneally portrays Schindler as an extremely affable man, able to befriend anyone and convince anyone on matters of business. Keneally portrays Schindler as completely unashamed of his vices of excessive drinking and adultery, as “childlike” and incapable of understanding how his adultery affects others, and as a reckless gambler who survives on guts and audacity alone, carried through by his extreme likeability. Throughout the novel, he often takes literal or metaphorical gambles, such as when he tells bold lies to save his workers or gambles for Helen Hirsch’s fate with Goeth.

Keneally presents Schindler as an “apolitical” figure who chooses to do what’s right at the most simple, uncomplicated level. The author’s use of “apolitical” simplifies Schindler’s behavior to the actions of an everyman hero, which contrasts with the overtly political monstrosity of the Nazi regime and coincides with Emilie’s description of her husband as “unexceptional.” The rhetorical device of apoliticism allows Keneally to avoid glorifying Schindler as a larger-than-life figure. Coupled with his vices, the “unexceptional” Schindler exemplifies the murky, human virtue that Keneally wishes to write about. The notion that Schindler’s actions are apolitical also highlight his original desire to become a capitalist profiteer: When Germany invades Cracow, it seizes the means of production (factories, mills, etc.) in the city and places them in the hands of Nazi party members like Schindler. Many such war profiteers, like Alfried Krupp and the Farben company, entered Cracow for the same reasons and treated enslaved laborers terribly. Schindler’s initial intentions in both joining the Nazi party and coming to Cracow contradict his later behavior.

Schindler’s behavior becomes increasingly erratic and brazen as the war drags on. The Nazi terrors that he witnesses—the mass executions of the ghetto liquidation, the human ash rain in Płaszów, etc.—wear him down. He frequently seeks emotional support from the very people who suffer through these events. Schindler’s desire to confide in people like Stern and Pfefferberg suggests that he can trust no one except the prisoners. Schindler’s lack of interparty confidants reflects the Nazi party’s paranoia and authoritarianism. As Schindler becomes more disillusioned and upset, his actions become more reckless. At times, he openly defies SS members and the Nazi party line right in front of them, such as when he hoses down the cattle cars full of people. Schindler’s behavior suggests the lonely desperation of an everyman trying to do the right thing while having no true allies on the inside.

Amon Goeth

Born on December 11, 1908, in Vienna, Austria-Hungary, Amon Leopold Goeth (sometimes spelled Göth) was executed on September 13, 1946, for crimes he committed against humanity in Lublin and Płaszów. Goeth is a vicious, volatile man who treats the prisoners of Płaszów like personal property to dispose of at a whim. Keneally imagines Goeth as Schindler’s “dark brother,” an evil reflection that Schindler could have easily become. Both men joined far-right, Nazi-adjacent parties relatively young, both set out to profit from the German pillaging of Poland, and both were liberal in their vices of adultery, alcohol, and black-market dealings. Keneally often compares both men, through the literary device of juxtaposition, as separated only by an “unhappy reversal.” This juxtaposition humanizes the evil of the Nazis: If Schindler is an unexceptional man and could have turned out like Goeth, then Goeth could have become like Schindler. The equivalence between the two men makes their respective heroic and evil actions the result of everyday people, not larger-than-life characters.

Goeth begins as the novel’s main antagonist and ends as a powerless man mocked by his former prisoners. Schindler lives out his postwar days on the generosity of the prisoners he saved. Goeth, like Schindler, is investigated by the SS bureaucracy. Unlike Schindler, he can’t escape their investigation unscathed. This is likely because of the breadth of Schindler’s contacts and his gregariousness compared to Goeth. Goeth runs Płaszów solely for his own personal profit: Inspections of the camp by higher-ups are frequently tampered with to give the camp an inflated reputation for producing goods. Schindler runs his camp by bankrupting himself. The relationship each man has to the camp and wealth under his authority symbolizes the difference in their morality. Keneally’s frequent characterization of Schindler as a capitalist is tongue-in-cheek, making the description more apt for Goeth, whose sole concern is personal gain.

Itzhak Stern

Born January 25, 1901, in Cracow, Itzhak Stern died on January 30, 1969. In the novel, Stern initially works as an accountant for a Jewish textile company, which is placed in the hands of Abwehr agent and Treuhänder Sepp Aue. Stern is an educated, eloquent man and one of the first points of contact Schindler has with the Jewish community of Cracow. Stern often talks religion with Schindler, who initiates such conversations. Stern persuades Schindler to employ Jewish workers, which costs him less money than the Polish workers and saves the Jewish people from deportation to camps. In addition, Stern introduces Schindler to the Talmudic verse that states that saving the life of even one individual is enough to save the whole world. Keneally presents this Talmudic verse as “the right seed in the furrow” that convinces Schindler to sabotage the Nazis’ schemes (48).

Stern is one of many people responsible for nudging Schindler toward his radical actions against Nazi Germany. Emilie Schindler (Oskar Schindler’s wife) always believed that other people “summoned forth [Schindler’s] deeper talents” (397) during World War II. When Schindler and Stern first meet, Jewish people in Cracow have already been divested of all economic and political power. Schindler, as a Nazi party man, wears a prominent swastika. Despite the contextual situation of Cracow society, however, Schindler doesn’t treat Stern differently. When Stern tells Schindler that he’s Jewish (which Nazi law required Stern to declare to anyone German), Schindler responds in a tongue-in-cheek way that he’s German. Schindler’s response brushes off the weight placed on the mandate to declare Stern’s Jewishness. Schindler’s disposition toward Jewish people is evident in his first interactions with Stern, but only the community of people around him pushes him to risk his life and fortune to save the Jewish people of Cracow.

Stern quietly resists the Nazi atrocities in Cracow and takes it upon himself to work in tandem with other people to subvert, expose, and reduce the Nazis’ crimes. When the DEF subcamp is liquidated back into the main Płaszów camp, Stern works in Goeth’s offices. He uses this position to help Schindler’s accomplices gather information and illegal photographs of the camp. Stern exemplifies those who brought out Schindler’s “deeper talents.” Stern takes risks to save the other prisoners, both by trusting Schindler and by putting himself in the dangerous position of working in Goeth’s personal office. Stern’s efforts are, at least partly, the spark that sets off the events of Schindler’s List.

Poldek Pfefferberg

Born on March 20, 1913, in Cracow, Leopold Poldek Pfefferberg died on March 9, 2001. He served in the Polish Army for a short time prior to its resounding defeat by the invading German forces. In Cracow, Pfefferberg used stereotypes about “Aryan” features to pass as German and used forged documents to walk freely through the city. Throughout the novel, Pfefferberg is an excellent smuggler who takes risks repeatedly and is quick on his feet to escape danger. Pfefferberg almost kills Schindler the first time he meets him, believing that he has come as a Gestapo agent to harm his mother. Like Stern, Pfefferberg aids Schindler in his endeavors and pushes him to step up and take risks. Pfefferberg serves as Schindler’s contact for luxury black-market items, which become an invaluable currency in Schindler’s gambling for Jewish lives as the plot progresses.

Pfefferberg is the reason Schindler’s List was written. After the war ended, Pfefferberg and his wife ended up in Beverly Hills, where he ran a shop that sold briefcases and bags. Pfefferberg repeatedly tried to persuade Hollywood filmmakers and writers to create a film about Schindler’s life and exploits. When Keneally visited to purchase a briefcase and casually mentioned that he was a writer, Pfefferberg convinced him with stacks of documents and photographs to write the novel. Pfefferberg then used the novel’s success to convince Jewish-American director Steven Spielberg to create the wildly successful Schindler’s List film. Without Pfefferberg’s efforts, Schindler’s story may have remained an obscure factoid of World War II history.

In the novel, Pfefferberg believes that he’s meant to survive the war and act as a witness to the atrocities of the Nazis. When the Podgórze ghetto is liquidated, Pfefferberg witnesses vicious executions, people mauled to death by Nazi dogs, and a pile of the bodies of people he’d known his whole life. Pfefferberg copes with the trauma of the liquidation by finding purpose in surviving: to expose what happened in Cracow. Pfefferberg’s life, both in the novel and outside of it, is dedicated to bearing witness to Nazi crimes. Pfefferberg is one of many ordinary people who helped push Schindler to his full potential and his heroic actions.

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