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61 pages 2 hours read

Stephen King

'Salem's Lot

Fiction | Novel | Adult | Published in 1975

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Part 2, Chapters 8-10Chapter Summaries & Analyses

Part 2: “The Emperor of Ice Cream”

Part 2, Chapter 8 Summary

Matt telephones Ben at four a.m. and asks him to come over immediately—and to bring a crucifix or a Saint Christopher’s medal. Ben arrives at Matt’s house armed with a silver crucifix borrowed from his property owner. Matt tells Ben about Mike Ryerson upstairs, dead, in the spare room. Only he may not be dead at all. He called Ben because after their conversation about Danny Glick dying of pernicious anemia, he thinks Ben might be the only person in town who would believe his story about the voices and the sucking sounds.

They go upstairs together. Mike looks like he is sleeping peacefully. Matt points to the open window. He knows it was closed and locked before he left the room that night. Ben shakes the body, but Mike does not stir. He does not have a pulse. The scratch that looked like twin puncture wounds has disappeared.

Matt and Ben discuss what to do. They cannot stake the body; it would be impossible to explain to a coroner. They cannot tell anyone what Matt witnessed or heard; people would think he was crazy. Ben is sure that Matt is not crazy. He once had an inexplicable experience in the Marsten House. He proposes Matt call Doctor Cody, who told him about Danny Glick’s death by pernicious anemia. He would be able to make sure that Mike is dead. A coroner will rule out (or identify) a natural cause. If that fails, Ben and Matt can always spend the night at the cemetery, and if Mike rises from his grave, they can stake him then.

The doctor, Jimmy Cody, examines the body and declares Mike dead. When everyone else has left, Ben confirms with Matt that they are still planning to go to the Marsten House that evening.

Ben goes home to bed. By the time he wakes around nine a.m., he is almost convinced Matt’s ideas about vampires are fantasy. He resolves to share the story with Susan and get her reaction before they go to the Marsten House.

When Ben leaves the boardinghouse, Floyd Tibbits, covered in hats, an overcoat, and heavy rubber gloves, assaults him, snarling that Ben has stolen his girl.

Part 2, Chapter 9 Summary

Eva Miller telephones Susan from the boardinghouse and tells her Floyd Tibbits has just beaten Ben up. At the hospital, Susan sees Ben’s unconscious face and wishes he would finish his book quickly so that he can get out of the Lot and take her with him. Ben regains consciousness long enough to tell Susan to see Matt and find out whether Matt knows Father Callahan.

Susan goes to Matt, who promises to tell her what he and Ben have been up to, but first he asks whether Susan has been to Straker and Barlow’s antiques shop and what she thinks of it, specifically of Straker himself.

Susan had found him sexually attractive in a sophisticated-older-man kind of way, but she did not really like him. She had detected a layer of contempt and cruelty under the surface. He charmed all the ladies in the town. Susan’s mother was completely taken by him. Susan thinks how ironic that is, considering her mother’s dislike of Ben.

Matt gives Susan the whole story about Mike Ryerson. Susan agrees that there is something funny going on, but it obviously is not what Matt thinks. She suggests a couple of rational explanations. None of her theories explain how Mike wound up dead.

She tells Matt about Ben’s childhood experience in the Marsten House. In her opinion, Ben, a highly imaginative child, traumatized himself in the house, and he just happens to have come back to ’salem’s Lot at a bad time. The coincidences of Ralphie and Danny Glick and the Marsten being reoccupied have triggered his imagination. He and Matt should get out of town for a while.

Matt hears a sound upstairs; someone is in the guest bedroom. He goes upstairs to investigate. He opens the door of the spare bedroom and sees Mike lying on the bed just as he was the night before. Mike sits up and tries to hypnotize Matt with his gaze. Matt raises the crucifix in his hand. The vampire recoils, and Matt forces him back and out through the open window. Just before vampire Mike escapes, he says, “I will see you sleep like the dead, teacher” (317).

The shock and fear are too much, and Matt has a heart attack. Susan calls Doctor Cody, then stays with Matt to await the ambulance. She had completely disbelieved Matt and Ben’s explanation for their experiences. Then she had heard Mike’s inhuman voice upstairs. At this moment, she believes it all—and the phone falls from her numb fingers.

Part 2, Chapter 10 Summary

The narrator explores the town, its false fronts, its secrets, its familiarity and intimacy, the way the land owns the people, and the people own the land. The narrator tells the secrets the people themselves do not know—the murders, the arsons, the private shames, obsessions and addictions that riddle the people. The town is dead, the narrator tells us, and that is why the coming of evil seems almost preordained, as if the town knew it was coming.

Things are happening in the Lot. Danny Glick slips into the McDougal trailer and kills baby Randy. Margie Glick collapses in her living room and tells her husband she dreams that Danny comes to her every night. She cannot stand the sunlight. It burns her and makes her feel faint.

Floyd is in jail after his attack on Ben the previous day. Deputy Nolly finds him sound asleep and cannot wake him. He is not breathing. Constable Gillespie sees the body and recognizes Floyd’s condition as the same as that of Mike Ryerson—Mike whose body is missing, as is the coroner who performed the autopsy and then died. Dud Rogers, the dump manager, is missing too.

Floyd Tibbits’s attack changes all Matt and Ben’s plans. It prevents the vampire hunters from going to check out the Marsten House.

Matt is in the hospital, recovering well from his heart attack, and Ben is awake when Susan comes to see him. Susan still cannot believe in vampires. “Can’t” is the problem, Ben tells her: If she takes away the fact that vampires cannot exist, then nothing else explains all the facts. Later that night, Susan telephones Ben to tell him that Floyd Tibbits is dead. She tells him about all the other deaths and disappearances. Ben asks her if there is any way she can get her hands on a crucifix.

Mark Petrie awakens to the sound of scratching at his second-floor window. He rolls over to see Danny Glick staring at him through the glass and whispering for Mark to let him in. As Mark struggles against the hypnotic lure of the vampire, his eyes fall on his model monster display, and he snatches up a graveyard monument in the shape of a cross.

Mark sweeps up the cross, holds it up between himself and Danny, and invites Danny in. Danny opens the window and slithers in. Mark swipes the cross across Danny’s cheek. The vampire boy screams as smoke erupts from his flesh. Danny throws himself back out the window, seems to turn to smoke, and disappears. For a moment, the cross burns with a fierce light in Mark’s hand; then it goes dark.

Part 2, Chapters 8-10 Analysis

Part 2 contains the rising action of the story. In the first half of Part 2, the characters confront the question of what the rational response is to an irrational situation. Barlow, the agent of chaos, is overturning everything they know to be real. Every piece of evidence they encounter screams “vampire,” but they know that vampires cannot be real.

Ben’s proposal that he and Matt take a scientific approach to solving the puzzle of Mike’s death is consistent with the Gothic motif of science versus superstition. When confronted with the supernatural, the rational protagonist tests assumptions and gathers evidence. Rather than Matt announcing to a rational world that Mike was killed by vampires, they will let the machinery of law and medicine do their work for them.

Matt and Ben are both persuaded easily of the possibility that vampires might be plaguing the town. Both are imaginative people heavily influenced by literature. Both had encounters with haunted houses in childhood at about the same age. Ben was nine when he went into the Marsten , and Matt was eight when he had to walk past the shambles of the old Methodist church. King suggests that with imagination comes fear, and with fear comes belief.

Mark lives at the furthest point in the superstition end of the spectrum. His imagination is the most powerful, not ossified by experience of the predictability of the world. Fear is his strength. He fears because he believes. When he finds the cross in his models, an adult would have stopped for thought or consideration, but Mark’s belief enables him to react instantly and correctly where an adult would have to convince themselves of what they are seeing or persuade themselves that they were not seeing it.

Mark’s confrontation with the vampire Danny also introduces the idea of faith represented by the cross. Mark fears because he believes, and his belief gives supernatural power to the cheap plastic cross that burns with impossible inner fire. After his confrontation with the vampire, Mark is able to go back to sleep, comforted by his faith in the symbol in his hand.

Jimmy Cody is also surprisingly quick to accept the possibility of vampires, but he comes at his belief from the opposite end of the science-versus-superstition spectrum. He is fully aware of the limits of scientific knowledge. In his mind, the line from Hamlet that “there are more things in heaven and earth […] than are dreamt of in your philosophy” is a daily reality.

Susan is the sticking point in all their plans. She has lived a peacefully sheltered life untroubled by much imagination or existential fear. Her focus is still on getting out of ’salem’s Lot. The sooner she can convince Ben there is nothing supernatural going on, the sooner she can get free.

Ben’s debate with Susan about the word “can’t” is central to the tension between science and superstition. It speaks to Sherlock Holmes’s adage that when you have eliminated the impossible, whatever remains, however improbable, must be the truth. Ben and Matt have ruled out all the rational explanations they can think of, and they are left with the improbable truth that vampires must be infesting the Lot. Susan has not tested her conviction that vampires are impossible. A genuine rationalism would demand that she evaluate that assumption.

Susan is struggling with a delayed coming-of-age. She is younger than her age. At 25, she could be living on her own. One of the common elements of a coming-of-age story is a devouring mother and naive, ineffectual, or absent father. Ann Norton is a classic devouring mother. She wants to keep her daughter close, safely confined and contained in the stereotyped role of wife and mother. Mrs. Norton sees Ben as an active threat, dragging Susan away from the life Ann wants for her. Floyd Tibbits is Mrs. Norton’s preferred son-in-law; he would keep Susan in the role that her mother wants for her. This is the forced-marriage motif that Gothic heroines typically resist.

Mrs. Norton’s easy captivation by Straker suggests that she has a superficial set of values. She measures people by image, assumptions, and stereotypes, and it bothers her that her daughter refuses to be jammed into a stereotypical role that feels comfortable to her mother.

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