55 pages • 1 hour read
Rebecca RossA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Background
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
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Content Warning: This section discusses wartime violence, the death of a loved one, grief, and post-traumatic stress disorder.
The goddess Enva enters a café on Broad Street in the city of Oath and searches for “the door.” Enva has always been aware that her music would not keep the god Dacre asleep forever, but she does not have the same worries about the other gods (Alva, Mir, and Luz, which Divine Rivals revealed Enva likewise placed in an enchanted sleep): She has killed them to prevent Dacre from absorbing their magic. There is an ache in Enva’s bones from absorbing the magic herself.
Two weeks after the attack on Avalon Bluff, Iris Elizabeth Winnow walks down Broad Street in her home city of Oath and ignores the eerie feeling that someone is trailing her. She arrives at her workplace, the Inkridden Tribune, and speaks with Thea “Attie” Attwood about Roman Carver Kitt, Iris’s husband and their fellow war correspondent, who was declared missing after Dacre’s attack on Avalon. During the attack, Iris’s brother, Forest, dragged her forcefully away from the chaos, leaving a badly injured Roman behind. Iris reads the most recent letter from her and Attie’s hostess in Avalon, Marisol, who has survived the attack and escaped to the town of River Down, where she stays with her sister.
Chancellor Verlice, the ruler of Oath, visits the Inkridden Tribune to speak with the boss, Helena Hammond, about censoring the paper’s recently published articles detailing Dacre’s attacks on Avalon Bluff and Clover Hill. Helena asks Attie and Iris to become war correspondents once again and report on the war from the front. Helena believes that their articles will better prepare the people of Oath for Dacre’s impending arrival. When Iris returns home after work, she’s confronted by Roman’s father, who asks about his son’s whereabouts.
Roman’s father has never liked Iris, who he believes is far beneath him, and is especially unsupportive of her recent romance with Roman, which led Roman to flee the city, quit his prestigious job as a columnist at the Oath Gazette, and break off his engagement to a wealthy young woman. Iris admits that Roman was left behind in Avalon Bluff. Roman’s father accuses Iris of selfishly leaving Roman behind to save herself and leaves the premises.
Forest returns home and tells Iris that he’s been interviewing in hopes of finding a job. Iris reveals that Helena has asked her and Attie to return to the front, which Forest is resistant to. Forest’s anger exacerbates the pain of his former abdominal wounds, which has begun to return since he left Dacre’s employ: Dacre’s magic steals a person’s memories and heals their wounds just enough to keep them compliant, but once the memories return, the wounds’ effects come creeping back. Forest is aware that Iris worries for Roman, but having experienced Dacre’s machinations himself, Forest reminds Iris that Dacre has likely healed Roman and stripped him of his memories too.
Later that night, Iris is awoken by violin music. She slips out of bed and goes to the living room. There, she finds her mother, Aster, who encourages Iris to listen to the notes. It is not until Forest wakes her that Iris realizes the music and her mother were a dream. Iris arrives late to work, where Helena offers her a copy of the Oath Gazette. The first page contains a headline article written by Roman Kitt that praises Dacre for saving many wounded individuals in Avalon Bluff.
In the days since waking up after being healed by Dacre, Roman has struggled to recover his missing memories. He remembers someone “with him, holding his hand” during the attack on Avalon (33), but no particular details. He first woke in an empty chamber with no door in the under realm (Dacre’s doman) and was retrieved and brought to Dacre by a lieutenant named Gregory Shane. Dacre presented him with two Alouette typewriters: magical typewriters that once belonged to Iris and Roman’s grandmothers and their friend Alouette and that came into the possession of Roman and Iris in Divine Rivals. Dacre asked Roman to identify which was his. Roman could not remember but felt a familiar pull toward one that he believed to be his own. Dacre recruited Roman to report for him—to tell Oath Dacre’s side of the story. Upon returning to his room, Roman discovered that Dacre had destroyed the typewriter he identified as his own and given him the other one instead.
Iris believes that Roman’s writings in the Oath Gazette are his attempt at staying alive among Dacre’s army. Roman mentions a museum in his article, which gives Iris the idea to sneak into Oath’s museum and steal the third and final Alouette typewriter; she can then contact him through its magical letter-transmission capabilities. Iris calls the Oath Gazette and speaks with her former coworker Sarah Prindle, who agrees to meet Iris at Gould’s Café. Iris questions Prindle about how the article was delivered and learns that a man hand-delivered it to the Gazette’s editor-in-chief, Zeb Autry, along with a demand that Autry publish everything the mystery man would deliver going forward. Prindle agrees to help Iris break into the museum and steal the third Alouette.
Roman dreams of his sister, Del, who calls him by his middle name, Carver. The dream turns into a nightmare when he relives the memories of her drowning. Jarred awake, Roman goes downstairs for a glass of milk and finds Dacre studying a table of maps. Dacre asks if Roman’s memories have begun to reemerge, and Roman becomes suspicious that Dacre switched out the typewriters because he was afraid that Roman’s old typewriter might trigger his lost memories. Dacre reveals that Roman’s latest article has been published in the Oath Gazette, explaining that Oath is 600 kilometers east. He also reveals that he’s bringing his army to the city to reunite with his wife, the goddess Enva. Dacre speaks of Enva’s betrayal of their marriage but tells Roman that he “do[esn’t] expect [him] to understand, given that [Roman is] mortal and unmarried” (53). Roman wants to argue with that statement but doesn’t understand why.
Roman shares the details of his nightmare, and Dacre tells Roman of his own sister, Alva, who he believes is still sleeping in the south (long before the events of the duology, humans placed the five remaining Skyward and Underling gods in an enchanted sleep, though Divine Rivals suggests that it was actually Enva who did so). Alva has the power to traverse dreams and nightmares. Dacre attempts to convince Roman that his dream did not involve real events but was an expression of his longing for a family. Roman doesn’t quite believe this: The article Dacre shows him from the Oath Gazette was written by Roman C. Kitt, and Roman is now certain that the “C” stands for Carver.
Prindle provides Iris with information on the museum’s security measures, which Iris and Attie use to sneak into the museum through an unguarded window. Iris breaks the Alouette’s glass case with a baseball bat while Attie retrieves Prindle, who was tasked with restraining the guard on duty. Iris returns home with the Alouette and writes a letter to Roman—using vague language in case it lands in the wrong hands. She then slides it under her wardrobe door, which is how the Alouette typewriters communicate with one another. While the letter disappears, she does not receive a reply.
Roman wakes to find a letter waiting near his wardrobe door. It asks the recipient to answer questions about the author: the name of their pet snail, their middle name, and their favorite season. Roman is confounded by the letter; he doesn’t know who it’s from or the answers to the questions, but he feels as though he should.
Dacre gives the order to leave Avalon Bluff and move east toward Oath. The following day, Iris says goodbye to Forest as she prepares to head to the front as a war correspondent once again.
Iris is trailed on her way to work by the same mysterious gentleman as before. When she confronts him, he presents an offer from Roman’s father, Mr. Kitt. He offers her a thick envelope of money in exchange for her signing a document to annul her marriage with Roman, which Iris refuses. Iris meets Helena and Attie outside the Inkridden Tribune, where she also meets Tobias Bexley. Tobias is “one of the most prestigious post runners in Cambria” and will be driving them to the western warfront by roadster and delivering their articles to Helena (76). Helena plans to station them with Marisol in a town called River Down first; they will then go to Lonnie Fielding in Bitteryne. After a few hours on the road, Iris and Attie reunite with Marisol and meet her sister, Lucy.
Iris agonizes over whether to send Roman another letter since her first has gone unanswered, but she ultimately decides not to endanger him with another attempt. Meanwhile, Roman decides to keep his mysterious letter secret from Dacre and types out a response that he slides beneath his wardrobe door.
Back at River Down, Iris, Attie, and Tobias enjoy dinner with Lucy and Marisol. The soft music from the radio is interrupted by a broadcast from Chancellor Verlice, who demands that all refugees arriving in Oath register their presence with the Commonwealth Ministry. Marisol’s wife, Keegan, has written to divulge that Enva’s army continues to retreat and that Dacre’s growing forces will soon make a hard press for Oath.
After dinner, Iris receives a letter from Roman via wardrobe door inquiring about her identity and the magic behind their communication. The letter reveals just what Iris feared—that Roman does not remember her. Iris explains the magic of the typewriters and discovers that Roman is using hers. Rather than reveal her identity and put him at risk, Iris tells him to refer to her by her middle name, Elizabeth, in further correspondence.
These opening chapters focus on delving into the politics of the duology’s fantasy world. The Letters of Enchantment duology features a “soft” magic system, meaning that Ross does not fully explain the rules and mechanics of the novels’ fantasy elements. However, the sequel does provide more historical and political depth to the fantasy elements that back the primary romantic plot. For example, as Iris returns to Oath, she takes notice of the leadership changes in the city. Not only is there censorship of the media, but the semi-corrupt Chancellor Verlice also seems to favor Dacre. Furthermore, as the war draws nearer to Oath, Enva begins appearing in Iris’s dreams (under the guise of Iris’s mother) and revealing more information about her past with Dacre. Meanwhile, Roman’s employment under Dacre reveals more about the inner workings of the Underling deity’s army and under realm. Much of this world building serves thematic purposes, building on ideas from the first installment. The censorship of media is an example, with Chancellor Verlice carefully monitoring what Helena and the Inkridden Tribune publish. The novel’s treatment of censorship dovetails with a broader exploration of the emotional impact of written words, which proves to be the driving factor behind the resurfacing of Roman’s lost memories.
The opening chapters also lay out new thematic preoccupations. The anger that Iris feels at Dacre for Forest’s painful scars establishes the theme of How Trauma Shapes Identity. While Iris first views the scars that she and others have in a negative light, Roman’s perspective highlights how important they are to a person’s life story. Dacre’s insistence at healing Roman’s wounds if they start to plague him again evidences how closely tied one’s scars are to their past; resurfacing wounds coincide with resurfacing memories, and Dacre does not want Roman to recall who he was before the battle. Meanwhile, the focus on Iris’s grief following the attack in which she was forced to leave Roman behind reveals her to be plagued with questions of “what if.” These questions introduce the theme of What Is Versus What Could Have Been. When she finally comes in contact with Roman, her biggest question is answered: She learns conclusively that he has lost his memories. Knowing this, Iris finally allows herself to “feel the pain and the anguish rather than bury them for another day. It [is] okay to feel sorrow, anger. It [is] okay for her to weep, in sadness, in relief” (91). Her mixed response to the discovery highlights the emotional toll of uncertainty and the value of facing reality directly.
These opening chapters also introduce new characters and further explore secondary characters from the first installment. Forest Winnow is given more depth in the sequel as he returns to Oath after months in service to Dacre. In particular, Forest’s love for his sister becomes clear. When she asks why he fought in the war, Forest says, “I was fighting for us. I was fighting for your future. For mine” (24). Forest’s character will continue to develop throughout the novel, and the emotional attachment Iris has to her older brother will become more apparent. His increased prominence in these chapters heightens the pathos of his death in the novel’s climactic action. Attie is also given more depth, as she’s able to share more of her violin talent with Iris. This talent becomes a major weapon against Dacre later in the novel. Attie’s storyline also develops with the introduction of her love interest, Tobias Bexley. With Iris and Roman separated and Roman unable even to remember Iris, the two provide a more conventional love story for readers to follow.
Mirroring the first book in the duology, Iris and Roman begin their one-sided anonymous communication via magical typewriters. However, this time around, Iris knows Roman’s identity, whereas he does not know who his mystery pen pal is. If their roles are reversed, however, their rivalry remains. Roman is without memories and is reporting for Dacre in the war while Iris is reporting for Enva. This echoes the rivalry both characters had in Divine Rivals when they were competing for a coveted promotion. The stakes are now much higher as the duology builds toward its climax.
By Rebecca Ross