69 pages • 2 hours read
Alex HaleyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section contains graphic depictions of enslavement, including violence, sexual assault, and death associated with slavery. The source material contains frequent use of racial slurs and racist language, which are reproduced in this guide only through quoted material.
Kunta Kinte is the initial protagonist of the novel. He is the son of Omoro and Binta, growing up in the village of Juffure in The Gambia, West Africa. The novel follows Kinta through his childhood into adolescence, at which point he is kidnapped and shipped to America as an enslaved person. Kunta’s character develops as he endures the hardships of slavery, making him a dynamic character. His perspectives on what it means to be a Black man change as he is forced to adapt to the Black American way of living, but he retains much of his Mandinka culture as he ages. Other characters commonly refer to Kunta as “The African” because he maintains his Muslim traditions and African mannerisms. Kunta displays traits of calm thoughtfulness and stubbornness as he tries to bring more of his Black American friends and family members into his African cultural heritage. Ultimately, it is because Kunta maintains his culture that his stories and life are transferred from generation to generation, culminating in the writing of the novel.
Kunta experiences struggle, but he embodies the concept of freedom in his thoughts and actions. His repeated attempts at escape, as well as his later feelings of self-loathing as he settles into life as an enslaved person, depict a combination of determination and strength, pitting his identity as a free, independent Black man against the reality of his status as an enslaved person. His injuries, such as his half-foot and intense scarring, highlight the force needed to keep such a person restrained, and even though Kunta acquiesces in some ways to slavery, his rage is representative of generations of enslaved and oppressed Black Americans.
Kunta is intended to serve as a representative of a plurality of African ancestors for the myriad African Americans who do not have Haley’s kind of oral history in their families. The forced diaspora of African peoples perpetrated by the slave trade severed ties with Africa for many families, and Haley’s attempt to reconnect those ties for his own family is meant to be emblematic of all African peoples. Kunta’s initial hatred for Black reflects the difficulty in resolving this disconnect, as Kunta provides a purely African perspective on the American phenomenon of racial discrimination.
Kizzy Waller, or Kizzy Kinte, is the daughter of Kunta and Bell, and she serves as a kind of interim protagonist between the more fully developed arcs of Kunta and Chicken George. Nonetheless, Kizzy shows the opposite progression from Kunta, who came to America by force and slowly adapted to life as an enslaved person; Kizzy begins her life with more privilege than most Black Americans of the time. Malizy is astonished to find that Kizzy knows both of her parents, and Kizzy’s close relationship emphasizes the weight of her sale to Lea. Kizzy can both read and write, though she tries to give up both skills as she ages to avoid conflict with white people. As such, Kizzy is forced from a privileged position among Black Americans into a more typical experience of slavery, contrasting her father’s transition from intense violence into quiet rage.
Much as Kizzy is a transitional character within the novel in the literal, generational sense, as the mother of Chicken George and the daughter of Kunta Kinte, she is also a transitional figure for the oral history that builds the novel. Her experiences with Kunta as a child shape the later narrative passed down in the Kinte family, including her mistakes, such as thinking Kunta called a river in Virginia “Kamby Bolongo,” when he was discussing his homeland. Such errors show how each generation impacts the oral history of the family with their own unique contributions. Kizzy’s last words to her family before they are moved to the Murray plantation insist that each generation tell the next about Kunta, Bell, herself, and themselves, explicitly establishing the chain of narratives that would lead to Haley.
It is notable that Kizzy’s is the only feminine perspective given directly in the novel, even if only for a short time. When Lea sexually assaults her, she exemplifies the fundamental differences between how men and women suffered under slavery.
Chicken George is Kizzy’s son with Tom Lea, the enslaver who purchased Kizzy from William Waller. He is the third protagonist of the novel, replacing Kizzy shortly before he begins working with Uncle Mingo. George is, in many ways, a foil to Kunta, depicted as boisterous, funny, and generally carefree. He also lacks the intense moral fortitude that Kunta displays, with George having frequent affairs with women, even while married to Matilda, and showing less interest in his family. Nonetheless, George builds a reputation for gamecock training, which becomes his occupation as he ages and leads to his freedom. George is the first in the American Kinte family to achieve freedom and is the only family member to do so prior to the Civil War.
George’s character aligns with the period’s social expectations of masculinity outside of the near-aristocracy of men like the Wallers and Murray, emulating the type of poor white masculinity that Lea also expresses. His penchant for drinking, women, and gambling is entirely acceptable among white men of the time, including Lea, but as time progresses, George encounters trouble for being “uppity”: It is acceptable for a white man to dress with a hat and scarf like George’s, but white people see his fashion as a sign that George is acting above his station. George’s flamboyant personality and dress likely capture Cates’s attention in North Carolina, leading to George’s second departure from the family.
George’s role in the family, unlike Kunta or Tom, is to be a charismatic leader for the Black community. When George returns after the Civil War, he incites the wagon train to Tennessee. One can draw a close comparison between George and his perception of the roosters he raises: Both are inherently free-spirited and defiant. This defiance is tempered only under slavery, where George frequently notes that he has no control over his life in the face of Lea’s orders, but after the Civil War, George channels that defiance into the determination and leadership needed to bring his family west. George is also the first American Kinte to have multiple children, as Kunta and Kizzy each had only one child, while George ultimately has eight.
Tom is the final protagonist of the novel, not including Haley himself, and is an analog for Kunta Kinte. Tom and Kunta share personality traits, such as their quiet thoughtfulness and insistence on certain behaviors or traditions. Tom’s rejection of Elizabeth’s boyfriend because he is too light skinned, for example, mirrors Kunta’s hatred of sasso borro children. Tom takes over leadership of the family after Chicken George leaves for England, and his even temperament helps the family succeed within the confines of the Murray plantation and in Tennessee. Like George, Tom has eight children, and he forms a patriarchal role in the family, providing financial support through his trade as a blacksmith and guidance in family decisions.
Tom is essentially an embodiment of the Kinte family, itself, as he mirrors both Kunta and the ancestral Kinte clan. The Kintes in Old Mali were blacksmiths, and Tom has an instinctive talent for blacksmithing, linking him to the oldest reaches of the family history. His dedication to his craft is reminiscent of the professions Kunta encounters in Africa, such as marabouts and griots, who train their entire lives to perfect their arts. Critical actions, such as crafting an iron rose for Irene as his first direct expression of love, mirror Kunta’s, who carved a mortar and pestle for Bell, establishing Tom as a kind of reincarnation of the strength and power of the Kinte family. In Tennessee, Tom overcomes the oppression of white laws by making a portable forge, which establishes Tom as the first Kinte to open a legitimate business, and Tom implicitly sustains the Kinte family in Tennessee as everyone works to build their homes and farms.
Tom plays a transitional role in the conception of the Black American in Roots, as he is an enslaved person by birth and a successful, free businessman and blacksmith by the end of his life. This transition is representative of the transitions occurring across the country after the Civil War among Black families, as freedom allowed the expression of interest and talent in ways that were not possible under slavery. Tom’s affinity for blacksmithing, which predates his freedom, becomes the avenue by which he can achieve success as a free man. Notably, Tom’s work as a blacksmith made him a central figure in town, helping others sustain their own businesses and lives and establishing himself as a leader in both his family and his community.
By Alex Haley