107 pages • 3 hours read
Adrian Nicole LeBlancA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
It is December. Coco and Frankie are back together, but rarely having sex. Frankie is stopped by the police on a seat belt violation, and his name comes up on an arrest warrant for a murder charge. He is quickly cleared, but Coco knows all too well about men swept into the system on crimes they didn’t commit. She is spooked, and considers moving back to the Bronx, where Frankie will not attract as much police attention, and her problems will not be as conspicuous.
Cesar writes Coco a searing letter, accusing her of duplicating the mistakes of his own mother by being a “ho” and having too many children by different men. She writes a letter back, in which she defends herself and indicts Cesar for his role in her troubles. But shealso goes to Planned Parenthood in search of a tubal ligation and birth control. Her requests for a tubal ligation are bureaucratically dismissed, and the Depo Provera shot she opts for makes her very ill. Between her constant battles with Frankie and Pearl’s medical care, she never makes it back to Planned Parenthood.
Like Jessica, who clings to Serena as a lifeline, Cesar clings to Mercedes and her affections as a means of surviving. He feels that Nautica and Justine are lost to him, as they do not treat him as their father. He has been extorting people to finance his increasing drug usebut earns many stints in solitary confinement for the ensuing fights with fellow inmates. He and Jessica exchange up to three letters per week. He tells her that he feels abandoned by their familyand confesses that he has a hardened attitude because he hardened himself early in life in order to insulate himself from the pain of feeling neglected. He states that he cannot let his enemies in prison see him vulnerable, because they will kill him. He also asks Jessica to write the DA on his behalf.
Jessica hooks Cesar up with Lovely, one of her more well-connected co-inmates. Lovely’s mother begins contributing to Cesar’s commissary. Jessica’s cause is also taken up by an activist prison clinic at Yale, although they cannot help Cesar. Jessica is also initially hesitant to tell Cesar about her lesbian relationships in prison, but he quickly assures her that he does not judge her for them.
The legal clinic chooses Jessica to represent, among hundreds of other prospective clients. Her looks, along with her resistance to calling herself a victim, ingratiate her to them. The clinic pursues several cases against the prison, on Jessica’s behalf. One is for their failure to protect her from Torres, another regards her fall down a flight of stairs while she was pregnant, and another seeks redress for the fact that the prison made Jessica wait fourteen months for a laparoscopy that her doctor had ordered following the birth of her twins—a laparoscopy that discovered a substantial cyst on her ovary. Medical negligence on the part of the prison is hard to prove, however.
The Yale students become disturbed by what they learn about prison life—they are concerned and appalled by the neglect and mistreatment that Jessica has resignedly accepted as her lot in life. Jessica is also one out of only three women who volunteer to testify about prison conditions when a UN rapporteur visits Danbury to investigate violence against women, for a report that is eventually presented to the Commission on Human Rights.
By the spring of 1997, Coco and Frankie are spending so much time in the Bronx that their life in Albany’s Corliss Park is disintegrating. Mercedes, at seven, has grown haggard enough to be mistaken for a grown woman when Frankie’s friends catch a glimpse of her on the patio. Coco is also distressed by the attention that Mercedes is garnering from men, which borders on lascivious.
Foxy is in the frame-of-mind of a “mercenary,” as she has taken a job as a scout for an immigration marriage broker. She gets paid for every sham marriage she sets up, and even tries to get Coco involved in her schemes.
Wishman comes to call on Coco, and Coco hopes that he will finally step in as Pearl’s father, but all he really wants is sex. They spend a day together in a hotel room that Coco believes is beautiful, but his affections amount to nothing.
Frankie’s car breaks down, which moors the family in Corliss Park. Coco’s mounting impatience boils over into rage, which she expresses by occasionally hitting her children. Mercedes, in turn, acts out against her siblings, and gets into fights with other neighborhood children daily. Eventually, a white woman calls the police on Mercedes, accusing the child of harassment. Coco, floored and furious, goes to see the woman to confront her about calling the police on a seven-year-old child.
By the end of the summer, Coco accepts that there is nothing for her in the Bronx: her mother cannot be stopped from running around, and Wishman is committed to his girlfriend. Coco decides to throw herself into her small-city life. She accepts Frankie’s flaws, because he is ultimately there for her and her girls. As Milagros is enrolled in a GED course and preparing to go back to work, Coco must enroll Pearl in Head Start day care, and Pearl thrives there. Subsequently, Coco also decides to pursue a GED. On her academic assessment test, she scores at a fifth-grade level in reading, and sixth-grade level in math. She also stands up to Cesar, who mandates that Nikki and Pearl be left out of the photographs of the children that she sends to him. She specifies that he must accept all of her, and that each of her children are a part of her. To her surprise, Cesar does not fight her on that count, and he encourages her academic pursuits.
Frankie finds a job laying cement slabs for a sidewalk construction crew—his first almost-legal job. The chapter closes with an image of the family sharing a tender time as they all dance together in celebration.
Jessica has taken up with a new girlfriend, Nilda, who is more significant than the other women that she has been involved with in prison. Because Nilda is enrolled in DAP, and wishes for Jessica to enroll as well, so that they can live in the same unit, Jessica does so. Jessica enrolls despite her fears of failing the program again. Nilda treats Jessica very kindly, refusing to hit her when Jessica baits her to, although she does grow jealous when Jessica is caught kissing Lovely, the girl whom Jessica hooked up with Cesar. Miranda, Jessica’s old rival who’d managed Boy George’s table, is also in the prison, and she and Jessica become friends.
Serena remains the foremost child in Jessica’s mind, as she essentially lets Milagros take over as mother for her younger children. Jessica, at twelve, is flaunting her body in skimpy clothing while courting the attention of boys. Most of Serena’s letters to Jessica are about boys. Kevin is fifteen, and growing into a man. He is on probation for stealing a bicycle, and he often gets into fights at school. He picks up the younger children from school, but babysitting duties often fall to Serena: Milagros is working full-time as a home aide.
Coco receives another eviction notice, and is actually relieved by it, as she believes there is too much “come–and-go” at Corliss Park (303). The apartment that he relocates to, however, immediately fills up with cast-offs from Foxy’s: Coco’s nineteen-year-old brother, Hector; Iris, Hector’s wife; Iris’s friend Platinum and her son; and Foxy’s old neighbor Sheila, who is hiding from her crack-addicted son (303). Foxy has been hauled in during a drug raid and needs to lay low.
Life in Coco’s overcrowded apartment is difficult, and Sheila and Platinum’s cigarette habit aggravates Pearl’s asthma. Mercedes wars with Hector in the same way she had with Frankie. Coco matter-of-factly beats Mercedes, and Mercedes takes the hits, stone-faced. Head Start expels Pearl, because they are understaffed and unable to care for the young girl’s health maladies: she still has seizures and vomits whenever she eats. Pearl’s removal from Head Start jeopardizes her benefits, and Coco must prove to SSI that Coco wasn’t responsible for keeping Pearl out of school. Pearl’s teacher therefore writes a letter which details Pearl’s condition, which Coco brings to Pearl’s doctor. The doctor finally hears what Coco has been trying to tell various medical professionals for years, and diagnoses the girl with reflux, which is cured by a simple operation.
Upsetting rumors reach Coco about Giselle, Cesar’s wife. Word is that Giselle owns a car, is studying law, that she was in Elaine’s wedding (Elaine remarried Angel), that she took her son (who looked distressingly like Cesar) to Disney World, and (most hurtful to Coco) that she was corresponding with Jessica.
As it turns out, the rumors about Giselle are only half true. In truth, Giselle had never responded to Jessica’s letter. The car she drove belonged to her godmother, and she borrowed it in exchange for repairs and gas. She had taken her son, Gabriel, to Disney Land, but was still paying for the trip on installment. She was enrolled in community collegebut had to borrow from a loan shark in order to pay for her tuition. She and Gabriel do, however, enjoy trailer visits with Cesar, although Cesar has not yet told her that he has received an additional 1-3 years for possessing a shank, nor that he is actively using heroin.
In the spring of 1998, Cesar asks Giselle to make arrangements to bring Mercedes and Nautica along on the next trailer visit. Mercedes and Nautica cannot stop talking about the planned visit, and their bags are packed days ahead of time. However, the trip is abruptly canceled when Cesar is attacked: he is jumped by three men following a fight with the men’s friend, and Cesar is forced into protective custody with thirty-two stitches. Cesar fears making his daughters easy targets for further attack.
When Lourdes and the girls visit Jessica, Jessica is in a reflective mood; she has been analyzing her relationship with her family and mulling over her patterns with men. Jessica does, however, badger Lourdes about Jessica’s own father. She also expertly grooms and braids her daughter’s hair, and promises Serena that, upon her release, she will take the girl clubbing and pretend that they are sisters. (When Jessica was young, she would make Lourdes pretend they were sisters. By this time, however, Lourdes has settled into being a matronly older woman). Also, without any other housing options, Jessica tells her mother that she is awaiting state approval to come back and live with her upon her release. She makes it clear, however, that she disapproves of Lourdes’s boyfriend. Jessica eyes a young man at the vending machine, pointing out how cute he is to Serena. Serena, pleased but demure, replies to Jessica with “You so bad” (310).
Coco is holding on for dear life, overwhelmed by the demands of school and Pearl’s onerous healthcare. After Frankie hits her during a dispute, she throws him out. To make up for his financial contributions, she takes up babysitting, adding three children to her own four. She receives $40 per week for 35 hours of babysitting. She sometimes walks down the hill to Fallon, the garden apartments where her sister Iris lives. Iris is studying to become the owner of a funeral home. Coco, on the other hand, is forced to drop out of school to manage her family.
Frankie is rumored to be seeing a fourteen-year-old girl, which makes Coco feel like her own girls are in danger whenever he is around. She instructs them to wear shorts under their nightgowns when Frankie resumes visiting the apartment. Kevin, Milagros’s oldest, impregnates his fourteen-year-old girlfriend, Donna. While the two break up by Donna’s third month, Serena and Donna become fast friends. Coco hopes that Serena, who is thirteen, will learn from Donna’s mistakes by witnessing the pregnancy firsthand. The pregnancy, however, only makes Donna more beautiful. Serena continues to receive lascivious attention from men, and Coco observes that Jessica’s impending release emboldens the girl.
When Coco’s apartment becomes unbearably flea-infested due to the landlord’s persistent negligence, Coco calls the Department of Health. However, instead of sending an exterminator, they send a housing inspector, who condemns the place. Con Ed shuts off the power and sends Coco a bill for $900. Under threat of receiving a visit from the Bureau of Child Welfare unless she vacates the apartment, Coco finds herself homelessfor the second time in a year. Frankie, who also finds himself homeless, promises to help while, in truth, he waits for Coco to make arrangements for them both. When Coco confides in Jessica, Jessica surprises her by telling her not to brook Frankie’s empty insincerity. Coco longs to call Lourdes, whose phone line has been long disconnected, to ask for advice, as Lourdes herself has somehow always managed to scrape by under similar circumstances.
Lourdes is forty-eight, and still managing to “cobble together an existence, as she always had” (317). She has coupled up with a 6’3 Marine veteran named Emilio, who’d lived with Maria, the neighbor with cancer, and with whom Lourdes had briefly lived. Emilio’s veteran status qualifies him for rent subsidies, and the pair find an apartment on “a leafy residential street at the end of one of the Bronx subway lines” (317). Lourdes, believing that she has left the Bronx behind, celebrates the clean and “civilized” nature of her new block (317). She also earns extra money babysitting Justine (Roxanne and Cesar’s daughter), as well as Roxanne’s other child. Lourdes also rents her couch to Angel, her soon-to-be ex son-in-law. Elaine has left Angel for Yonkers, where she lives with her two sons in a working-class neighborhood. Lourdes, however, still has to hustle to get by, relying on extra money and produce given to her by her ex-boyfriend Domingo, and emergency food stamps in the absence of SSI, from which she was rejected. Lourdes no longer parties or stays up all night, and is on Ambien, which prevents her anxiety attacks by putting her to sleep.
LeBlanc depicts the intimate details of Lourdes preparing a batch of pasteles for her family.Cooking has always been one of her greatest joys.
Christmas is approaching, and Cesar has been transferred to a facility only ninety miles away, while Jessica will be home for the holidays.
Coco, fresh from her eviction, shuffles herself and her children between the homes of her siblings, Hector and Iris. She feels that she is imposing, especially upon Iris, whose husband Armando is short with both the children and herself. Galvanized by her struggle, Coco gets a job in the deli at the Price Chopper. She is a meat-slicer. She is paid $5.14 an hour. She hastily rents a run-down tenement apartment at the intersection of River and 101st Streets, at the heart of Troy’s growing ghetto. The neighborhood is composed of “the working and unemployed poor, who [are] white, Puerto Rican, and black” (321).
Meanwhile, Cesar settles into his latest prison: Shawangunk. He has come out of a five-month stint in solitary: “weakened, enraged, and somewhat dazed” (322). His relationship with Giselle is precariously mending itself, after a period of estrangement. Coco’s letters fill him with anxiety, as they usually document Mercedes’s troubles at school or the way she upsets Coco with her talk of boys. He also is granted a cell without a roommate, due to his prison classification as a “violent-suicidal type” (323). Instead of posting up his photographs, as he had in the past in order to flaunt his sexy girlfriends and beautiful children, he now keeps them in a box, as the photographs give him anxiety about all of the time with his loved ones that he has lost.
On River Street, Mercedes places her father’s picture in a place of honor in her roomand puts up a set of rules for anyone who might enter her room. She has her own room because she is the eldest, and also because Coco does not entirely trust the girl around her sisters; she fights Nikki and Nautica not as if they are her family, but as if they are strangers on the street, and sometimes shakes Pearl so hard that it appears she is trying to truly hurt her.
Coco puts her Christmas tree up well before Thanksgiving. When she and Frankie have a severe fight in November, she lets the children open their Christmas gifts early, and then worries about how she will replace the presents. Luckily, a haul of presents arrives from Cesar, who has gotten money from Rocco.
Rocco keeps Cesar informed about the movement of the streets. He is married to Marlene, and half-heartedly attempting to reform. However, he cannot resist the call of criminal activity, and soon assembles a group of younger men, with whom he successfully robs a stash house. They come away with $50,000 each.
In these chapters, LeBlanc further parses her depiction of her chosen subjects, as they struggle to survive, using their intelligence, grit, intimate connections with each other, and their distinct values and personalities. LeBlanc’s outside research supports her depiction of the manner in which political, economic, and legislative realities strictly circumscribe the paths that can and must be taken, both behind bars and on the outside. Coco, having somewhat successfully extricated herself from her block in the Bronx, finally emotionally commits herself to getting by in Corliss Park. However, her ever-present battles with slum lords and social services, in addition to the responsibilities that her children and the men in her life place on her, continue to dictate her life’s path. LeBlanc sensitively and understatedly depicts the absurdity and injustice of the bureaucratic worlds that Coco must navigate, including the manner in which a plea for help from the Department of Health is, grotesquely, met with an eviction. Also of note is Coco’s attempt to take charge of her reproductive health, which also meets with bureaucratic red tape and the necessity of time and resources which she simply does not have. LeBlanc’s depiction is not heavy-handed with placing blame, however, as she continues to simply depict the complexities that the young woman must navigate.
Too, the siren call of the street is a persistent theme, especially for Rocco and Frankie. In what seems to be a mixture of both the will to survive and a desire for the uninhibited exercise of impulses and the desire for instantgratification, we see Rocco and Frankie gravitating toward illegal activities. While LeBlanc’s careful parsing of economic and political contexts never veers into paternalistic moralizing about criminality, she also refuses to depict these men as wholly or simply victims: Rocco and Frankie both, undoubtedly, find pleasure in their illegal dealings. That pleasure coexists, as a factor that contributes to their criminal activities, alongside economic necessity.
It is also worth noting that Jessica and Boy George’s high-rolling days of luxury, extravagant spending, and spectacular violence—fodder for an outsider’s fetishized gaze of “thug” or “street” life—truly only takes up a minor fraction of the narrative: most of the book is engaged with carefully and slowly depicting both peoples’ protracted and tedious time behind bars. This flies in the face of dominant perceptions and depictions of “the hood,” which are more interested in glamorizing the more salacious aspects of criminal activity and its occasionally enormous payoffs. Simultaneously, however, LeBlanc’s depiction of incarcerated life is never simple or one-dimensional depictions of victimization or abject suffering: she is careful to attune her detail-selection so that it demonstrates the distinct individuality and psychology of both characters. Indeed, it is telling that LeBlanc openly depicts Jessica’s self-declared resistance to seeing herself as a victimof both Boy George and the carceral system. It is also a particularly poignant point that both Jessica and Cesar, while struggling with their own gendered experiences of prison, both cling to the hope that their firstborn children provide.
The brutality that both Cesar and Boy George experience within the legislative and carceral systems speak to the gendered and racialized violence that the state exercises against men of color. Jessica’s prison experience, even within maximum-security facilities, does not compare to the manner in which George is perceived to be an extremely dangerous criminal, and Cesar is made to endure a traumatic and violently repressive experience in solitary confinement. It is worth noting that Cesar must turn to illegal drugs, which he never touched before his incarceration, in order to deal with the violence of the state. And this detail also holds a kernel of irony: what is the efficacy of state-devised means of punishment, if it ends up producing the very behavior that the state itself criminalizes through incarceration?
The ruthless and almost faceless bureaucratic violence that attends to the criminalization of men of color, in particular, is certainly a vector that contributes to this discrepancy, although LeBlanc, herself, in her typically matter-of-fact depictions, never pushes the reader toward histrionic or one-dimensional caricatures of the men as victims of state systems.
As Serena nears the age that Jessica was at the beginning of the narrative, we also see the ways in which sexual and gender mores exercise their influence on her life: the “sleepy beauty” that she inherited from Jessica begins to attract the sexual attention of both men and boys, and the consternation of certain women. It is intriguing to see the manner in which Jessica cultivates and encourages her young daughter to express and exert the sexuality that others are projecting on her; at this stage, it is a projection, as Serena herself expresses shyness and hesitance to embrace the role of a sexual object and/or sexual agent. This could be due to the sexual trauma that Serena endured at a young age. It is interesting, too, to note the differences between Serena and her mother, as Jessica also endured sexual abuse as a child. While Jessica embraced and harvested her sexuality during her adolescence, while simultaneously never fully addressing the trauma she endured as a child, Serena’s timidity belies a different response to her trauma.