logo

60 pages 2 hours read

Sarah J. Maas

Queen of Shadows

Fiction | Novel | YA | Published in 2015

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Background

Series Context: Throne of Glass

Throne of Glass is an eight-novel epic fantasy series set in a world infested by parasitic demons called Valg. Duke Perrington and the King of Adarlan ally with the Valg to seek the three Wyrdkeys, which contain enough power to conquer the world.

The series mainly takes place on the continent of Erilea, which consists of the Western Wastes and Deserted Land as well as the kingdoms of Terrasen, Adarlan, Melisande, Fenharrow, and Eyllwe. Adarlan has been secretly under Valg control for over a decade and has systematically conquered its surrounding nations. Most significant among these are Eyllwe, whose inhabitants have been cruelly slaughtered and enslaved, and Terrasen, which has been nearly entirely dismantled due to its high population of Fae and magical beings. After Adarlan outlaws magic, those with powers abandoned the continent or went into hiding.

The Assassin’s Blade, a prequel to the series, provides context for the series. Its five novellas describe Aelin’s past as an assassin under the mentorship of Arobynn Hamel and her rivalry with Lysandra. In Throne of Glass, we meet Aelin as Celaena Sardothien, an infamous Adarlan assassin—an identity that conceals the fact that she is the presumed-dead heir to Terrasen. After being enslaved, Celaena is chosen by Prince Dorian Havilliard and Captain of the Guard Chaol Westfall to compete to become the King of Adarlan’s assassin. During the contest, Celaena befriends Nehemiah and falls in love with Chaol, while uncovering the sinister plot of the Valg demons inhabiting her world. In Crown of Midnight, as Dorian discovers his latent magic despite the obsidian towers blocking all magic on the continent, Celaena sails to the eastern Fae continent to train her magic and prepare to confront and defeat the Valg. In Heir of Fire, series antagonists Duke Perrington and the King of Adarlan build a Valg army in Erilea, which includes Ironteeth witches riding dragon-like creatures called wyverns. Meanwhile, Celaena—now Aelin—amasses allies, including Rowan and his Cadre.

Genre Context: New Adult

New adult—an off-shoot of the young adult genre—is a still-developing subgenre of fiction that is growing increasingly popular. The term was coined by St. Martin’s Press, which used it for marketing purposes in 2009. The category targets readers between the ages of 18 and 25; updating the coming-of-age themes popular amongst teens, it focuses on slightly older characters emerging from their teen years. Its slight diversion from young adult fiction results in slightly longer novels, steamier romantic content, graphic language, and darker themes. In contemporary fiction, the genre focuses on settings such as college campuses, beginner workplaces, or new hometowns. In fantasy, the genre focuses more on coming into great power and responsibility, heavier plot content such as violence or war, and romance containing explicit scenes. The older demographic of new adult allows fantasy authors to explore more complex worldbuilding and sexual desire without having to meet the standards of complexity or seriousness of adult fantasy.

Throne of Glass was originally a young adult series, as it followed 17-year-old protagonist Celaena Sardothien/Aelin Galathynius and her similarly aged companions, Dorian Havilliard and Chaol Westfall. As the series progresses, however, its narrators include characters of all ages, including the 117-year-old Manon, the centuries-old Cadre, and the 20-something Aedion. Aelin eventually turns 19 and ventures slightly into more adult situations. For example, as her relationship with Rowan deepens, they become explicitly sexually intimate on-page. Aside from its newfound sexual explicitness of the series and its older protagonists, Throne of Glass also contains graphic violence and torture; deep exploration of PTSD and depression; and physical and psychological abuse—topics that have resulted in this rebranding of Maas’s work.

blurred text
blurred text
blurred text
blurred text