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51 pages 1 hour read

Grace D. Li

Portrait of a Thief

Fiction | Novel | Adult | Published in 2022

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Part 3, Chapters 59-69Chapter Summaries & Analyses

Part 3: “Act Three”

Part 3, Chapter 59 Summary: “Alex”

During Alex’s interrogation, she tells Daniel’s father that he already knows why she was at the Met. Yaoxian’s phone rings, and she suggests he take the call. When he hangs up and Alex asks what the call was about, he says she knows.

Part 3, Chapter 60 Summary: “Will”

While Will’s still in handcuffs, a news story breaks about museums trafficking stolen art. A New York Times article contains evidence of museum complicity based on internal documents from the Met, as well as emails between the Met and other major museums. Will denies involvement, but knows Daniel’s father sees the truth—that the article’s evidence was stolen from the Met that day. Being in FBI custody when the story breaks is the crew’s alibi. Yaoxian releases Will, saying trespassing doesn’t warrant FBI involvement.

Part 3, Chapter 61 Summary: “Lily”

A flashback of the heist is told from Lily and Daniel’s shared perspective. While Will, Irene, and Alex are “caught” by the FBI in the Chinese art gallery, Lily and Daniel break into a Met office and steal a computer’s hard drive. During the others’ interrogations, Lily uploads the data to her computer and sends it to Zhao Min and Liu Siqi, who forward it to news stations.

Part 3, Chapter 62 Summary: “Will”

Yuling calls Will and congratulates him, saying the three museums that still have zodiac fountainheads made public apologies and acknowledged China’s right to its art; the zodiac fountainheads will be returned. It’s revealed Will wrote the New York Times article ahead of time; Min and Siqi added Lily’s stolen evidence to the article before sending it out. Yuling admits she hadn’t expected the crew to complete the heists, but says she’s glad to be wrong. Will thanks her and thinks about the things for which he wants to be remembered.

Part 3, Chapter 63 Summary: “Daniel”

Daniel talks to his father, who says he had an idea of what the crew was up to, but would have come home at his request no matter what. Yaoxian tells Daniel that he’s done something all of China will remember, and museums are already starting to make changes to how they treat artifacts. Daniel feels they’ve started to repair their relationship.

Part 3, Chapter 64 Summary: “Alex”

After they’re released from FBI custody, Alex tells Irene that she needed to believe in the heists, because she felt like she was drowning. She admits she hated Irene and her success for a while. When Irene asks if she still hates her, Alex kisses her.

Part 3, Chapter 65 Summary: “Lily”

Six months pass, and Lily is back in Durham, about to graduate. Her cut of the $50 million is in an offshore bank account, set up to make steady payments of her loans. After her Microsoft summer internship, she’ll spend two weeks in Changsha, China with her parents before joining the crew in Beijing and then Paris. Daniel was accepted to medical school, and Irene was elected student body president at Duke. Lily thinks about taking Will to see Galveston someday, their relationship continuing to blossom after the heists.

Part 3, Chapter 66 Summary: “Alex”

Alex finishes packing up her apartment in Silicon Valley, ready to leave for good. She’ll visit her family in New York first, then return to MIT to finish her degree. She knows she doesn’t need it, but wants it anyway. Alex realizes working for a corporate giant was never her dream, that she wasted too much time trying to mold herself to this idea of success.

Part 3, Chapter 67 Summary: “Daniel”

Daniel’s at the airport, headed to Boston for Will’s graduation, when his father sends a text saying he loves him. He hesitates, but responds “Love you too” (361); this is the first time he’s voiced such to his father. Daniel will graduate in a few weeks and spend the summer in Beijing with his father, as always. He plans to see Liu Siqi while he’s there. In the fall he’ll go to Stanford for medical school.

Part 3, Chapter 68 Summary: “Irene”

Tired of always doing what’s expected of her, Irene opts out of her summer internship at the consulting firm. She’ll work for a political campaign in Washington, DC, instead; she’ll be close enough to New York to see Alex often. Daniel invites Irene to spend the summer in China, but she decides America is hers just as much as China, and she has things she wants to do in the US. Alone with Alex, she says she never hated her and that her time is Alex’s.

Part 3, Chapter 69 Summary: “Will”

Will graduates, surrounded by loved ones. He takes his crew to the Sackler Museum and shows them a new exhibit of his art: It’s called “Reclaiming History” and consists of portraits he did of his friends in the style of the old masters, Michelangelo, Raphael, and Botticelli. He reflects on all he’s accomplished in the past year, and for the first time, it’s enough.

Part 3, Chapters 59-69 Analysis

Part 3’s epigraph, “The role of the artist is to make the revolution irresistible” (273), finds meaning in the novel’s climax. Leading up to the Met heist, the crew’s intent appears to match that of their previous robberies—to steal a zodiac head. However, in a plot twist, the crew steals internal communications proving museum complicity in the trafficking of stolen art. Sharing this evidence with the world, thereby putting public pressure on museums, is how the crew makes their revolution irresistible. They come to realize change is incited by “museums and shattered glass, history stolen back, but also the eyes of the world, the weight of expectation” (347). This twist leads to a resolution in which the crew not only brings about the return of all five zodiac heads, but fosters a new culture of transparency in Art Colonization and Repatriation. Museums begin to return other looted artifacts and acknowledge the true history of their art.

As for arcs, Lily learns to claim both Texas and China as parts of her identity, resolving the gap between Diaspora and Belonging. Alex is able to finish college and imagine a future that isn’t limited to The Weight of the American Dream on the Children of Immigrants—the needs and legacy of her family. Daniel’s wounds, which have festered since he lost his homeland and mother, finally begin to heal, allowing him to forgive his father. Irene lets go of perfection, her fear of failure, and embraces honesty and vulnerability while forging her own career path. Finally, Will finds in Lily a relationship that he wants to last and pursues his own art once he breaks away from the conventions of art history. With all he and his crew have done for China, against all odds, he embraces his dreams.

Throughout the novel, the five main characters seek to define and understand their identity as Chinese Americans, as part of a complex diaspora. Their relationships with this heritage vary, demonstrating there’s no singular experience of Chinese American identity. The lessons they learn end their searching and isolation in lieu of understanding and connection. Before their heists, their paths were based on their parents or grandparents’ vision of the American Dream. While intended to inspire, this dream confines the crew. Embracing their Chinese American identities requires allowing themselves to chase their own dreams. For Will, this means being an artist rather than a curator with a secure income. The character’s decisions differ, but their support of each other is what gives them the confidence to embrace who they are.

Overall, the novel argues that cultural artifacts acquired by conquest, theft, or colonialism should be returned, and that museums should stop profiting from unethical practices. On a deeper level, it explores how social institutions like museums propagate distorted versions of history, false narratives which frame certain cultures as better than others. As Will realizes, his article is about more than the West: It’s also about “[a]rt and empire, how those in power always took from those without” (347). Museum practices have far-reaching consequences for a world fractured by cultural warfare.

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