51 pages • 1 hour read
Grace D. LiA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Police approach the Chinese Pavilion, but then veer toward distant smoke. Daniel smashes the glass doors of the pavilion and then the showcase holding the snake zodiac fountainhead. Through earpieces, Alex alerts Daniel, Will, and Irene when their six minutes are up. The three escape via the lake behind the castle, where Lily waits with a speedboat.
Back at the hotel, the crew celebrates with room service and champagne. In a game of “Never Have I Ever,” each reveals a time when they broke the law. Irene’s story involves a Black Lives Matter protest, leading the crew to recall how the unrest of 2020 sparked change. Irene, drunk, kisses Daniel, but he knows she’ll never love him. He tells her that he’s going to let her go.
Before the heist, Will researched the Chinese Pavilion’s collection to ensure they only took items from the Old Summer Palace, so they’re “not stealing but returning” (143). As he lists the items they stole, he realizes some aren’t included in the official catalog. He knows collectors and museums aren’t always transparent about their acquisitions, which means some cultural artifacts can never be found and reclaimed. Will sees the heists as justice, and though he’s always been motivated by a desire to make his parents proud, his role in the heists is his own way to make a mark on history.
The morning after the heist, Irene apologizes to Daniel for kissing him. His response, “I’m not stupid, Irene. We’ve been to Pride together” (147), suggests he knows she’s only attracted to women; however, he’s still hurt. Later, Irene carries the snake zodiac fountainhead in her suitcase through airport security. Agents pull her bag for additional screening. They open it and find the zodiac fountainhead, but it’s accompanied by documents proving she had it when she entered the country. The agents apologize for the inconvenience and let Irene go.
Will made a replica of the zodiac fountainhead, which was claimed at customs upon entering Sweden, then disposed of once the crew got the real artifact. He’s not surprised Irene made the deception work, but is proud nevertheless. On the flight back to the US, Will again sketches Lily. She reveals she’s looking for a feeling of home, a sense of belonging. Will shares that he sometimes feels he’ll break under the weight of his family’s dreams and expectations.
A flashback to the heist shows Alex creating a police diversion by setting fire to a row of cars owned by leaders of Sweden’s white power movement. After the heist, her job at Google feels meaningless. She looks at a flash drive on her desk. It prompts a memory that reveals Alex did hack Daniel’s father’s computer the night she joined them for dinner. From the flash drive, she uploaded her own code onto his laptop, which will give her access to his FBI files. She told Lily about her decision, but no one else.
People in Irene’s public policy class are talking about the Drottningholm Palace theft. One student suggests the theft wasn’t ordered by the Chinese government, as Irene tries to hint, but “private entities within China vying for power” (163). This comment makes Irene realize the crew might have competition for the remaining zodiac fountainheads. Later, she calls Alex and demands to know the progress of the FBI investigation of the theft. Alex admits to hacking Daniel’s father’s computer, and Irene learns they didn’t leave any DNA or usable footprints. The conversation is laced with hostility.
The crew discuss their heist over Zoom, and how much attention it’s getting in the press. Later, Will sends Lily a photo of the sketch he did of her. Her feelings toward him become complicated, but she tells Irene that she knows better than the girls who break themselves for his affection.
The crew flies to Paris. In need of a getaway vehicle, they buy a cheap used car and have a nitrous oxide tank installed. While waiting at the mechanic’s, Lily and Daniel bond over their pasts. Daniel says he and his father go to Beijing every summer and invites Lily to join them next time. He says she should see where her parents grew up. She encourages him to work on his relationship with his father.
That night, Lily enters a street race mentioned by the mechanic. She wins a Bugatti driven by the only other Asian racer. When he hands her the keys, he also gives her his number, saying he’d like a rematch if she’s interested.
The crew’s target in Paris is the Chinese Museum at the Château de Fontainebleau. Will joins a guided tour and asks the guide, who speaks flawless Chinese, about the artifacts in the collection that weren’t gifts. She acknowledges they were taken during the destruction of the Old Summer Palace, but shrugs it off. Will tries to argue, but then regrets calling attention to himself.
The crew spends the rest of the day sightseeing. At dinner, they agree to return to Paris together after the heists are over, to experience it as real tourists. Will feels that in the midst of everything temporary in his life, the friendships they’re creating might last.
Alex monitors the second heist from the hotel room, directing the others via earpiece. After the first shattering of glass at the museum, she hacks into the police station’s vehicle tracker and realizes police are already heading for the Château de Fontainebleau. She has no idea what went wrong, but tells the crew to get out.
As Daniel hears Alex’s warning, he sees the rooster zodiac fountainhead and other artifacts from the Old Summer Palace are already gone. Daniel, Will, and Irene leave empty-handed before the police arrive. Back at the hotel, Irene says their competition beat them to the artifacts. Will blames her for not sharing her suspicion and accuses her of being set on the heist failing. Daniel pulls Will aside and makes him realize he’s being unfair to Irene. Will apologizes, then begins making a plan for damage control.
To delete footage of their break-in, Alex needs access to the museum’s internal server. She thinks it’s impossible, but Irene reveals the coffee shop next door uses the museum’s Wi-Fi. This allows Alex to delete the incriminating footage and every backup she can find. She and Irene remain antagonistic, but begin to develop a begrudging respect for each other.
Alex shows the crew footage of the museum being robbed before they arrived. Will says he’ll explain the situation to Yuling, but the crew suspects their chance to earn $50 million is already gone. In the footage, Lily recognizes the rival crew’s yellow Lamborghini: It was acquired by the other Asian racer when she won the Bugatti. She remembers she has his phone number and tells the crew that she knows how to find the other thieves.
Chapters 22-34 continue to build tension. The conflict between the crew and law enforcement takes the lead, with the airport security scene and Paris heist being particularly suspenseful. A plot twist disrupts the Paris heist, when the crew finds another crew has already stolen the Old Summer Palace artifacts. This twist is an additional obstacle for the characters, testing their resolve as a team.
Li also adds suspense through unreliable narration. When Alex had dinner with Daniel and his father, she happened upon Yaoxian’s FBI computer. The reader is made to think Alex left it alone due to Daniel’s request, but it is later revealed that she did hack the laptop; this detail was originally omitted. This omission mimics her sense of secrecy and betrayal of Daniel’s trust.
Each character’s motivations, for agreeing to the heist and other life choices, are further developed in these chapters. Will feels weighed down by the expectations of his family, his own dreams, and a crippling awareness of everything he’s not. Daniel’s life is divided into the time before his mother died, “those years before everything went wrong” (178), and after, making it impossible for him to let go of China or feel at home anywhere else. He and Irene would rather choose their futures over a heist that threatens all they’ve worked for, but their loyalty to Will proves stronger than their pragmatism. Alex wants a chance to do more with her talents than her current career path allows, and Lily searches for belonging, for an identity and a place that feel like hers. These motivations continue to reinforce the themes of Diaspora and Belonging and The Weight of the American Dream on the Children of Immigrants.
Will and Irene’s siblinghood begins to transform, as more evidence emerges of their competition and underlying resentment. When Irene looks at Will, her older brother and best friend, she sees “everything that she could never be” (167). Ironically, Will sees his own inadequacy in Irene, all the perfection he can never claim. This conflict comes to the surface after the Paris heist goes wrong and Will accuses Irene of expecting or wanting them to fail. What he sees as her lack of faith is his own projection of inadequacy.
Setting contributes to the theme of Art Colonization and Repatriation at the Château de Fontainebleau. Napoleon Bonaparte, a historical conqueror, called it “the true residence of kings” (186), tying the artifacts in the château to a historical narrative defined by conquest. Descriptions of the château create a critical tone:
And yet it was another thing entirely to be here, surrounded by all that had been taken years ago, as the tour guide spoke of diplomatic gifts and priceless treasures as if this country had not promised China a truce and then burned the Old Summer Palace to the ground (187).
This tone bolsters the characters’ sense of injustice, their technically criminal acts being guided by their own brand of justice. In another example, Alex justifies setting fire to a row of cars as a diversion by choosing a street where leaders of Sweden’s white power movement live. References to Black Lives Matter protests in the US add historical context to the narrative, with Alex remembering the police response to protests-turned-riots and saying, “For all that people in power claim to care about looting, it doesn’t seem to matter when it’s museums doing it” (138). This statement illuminates the hypocrisy of societies that either condemn or condone looting depending on what benefits those in power.
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