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21 pages 42 minutes read

Charles W. Chesnutt

Po' Sandy

Fiction | Short Story | Adult | Published in 1899

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Themes

The Humanity of the Enslaved

The story of “Po’ Sandy” illustrates both Sandy’s humanity and the cost of being denied human rights. The story is driven by his desire to stay close to his second “wife.” Julius says that when Sandy was working at another plantation his master sold his wife and, “Wen Sandy come back, Mars Marrabo gin ’im a dollar en ’lowed he wuz monst’us sorry fer ter break up the fambly” (42). While enslaved people generally did not have marriage rights in the US, many slaveholders recognized the importance of connecting with another human being in an intimate way. Sandy’s master knew that he was taking such a person away from Sandy for financial reasons. He attempts to make reparation for his action by giving Sandy money.

Sandy’s new “wife,” Tenie, is the younger woman that Mars Marrabo purchased in exchange for Sandy’s first “wife.” When Sandy expresses his desire to stay with Tenie, she offers to “goopher” him into a tree. Enslaved, Sandy cannot satisfy the basic human need to be close to another person without changing into something that is not human, not even sentient.

Chesnutt uses Tenie to illustrate the human experience of grief. She tries to save Sandy several times when he is attacked while in the form of a tree, but once she knows he is sawed into boards, all she wants to do is to tell him how hard she tried to save him. Tenie is finally considered irrational by Black and white characters alike. Regardless, her grief reinforces the humanity of all the characters.

African American Intellect

Chesnutt uses Julius to present an intelligent African American character. He does this using traditional short story conventions, the genre of the plantation story, and phonetic spelling of Julius’s speech. A depiction of Julius as an intelligent person runs contrary to the rhetoric of slavery and Jim Crow. Yet he controls the action of the story. He does almost all the talking while the white people in the frame narrative listen to him. And in the end, he gets what he wants: use of the schoolhouse. While Julius, a formerly enslaved man in the Jim Crow South, has little formal power. He skillfully controls the people around him to achieve his goals.

The Role of Women

There are four female characters in “Po’ Sandy,” and the story offers a pervasive message about the role of women. Women get things done. Annie starts the action of the story by asking for an outdoor kitchen. This request leads to the inner story about the building that was made with the tree Sandy had become. In this story, the wife of Mars Marrabo, who is unnamed, asks for an outdoor kitchen. This leads to the cutting of the tree that is Sandy. Tenie, the wife that Sandy did not want to leave, conjured the tree. The story gives only one reason that might explain why Sandy is so desperate to stay near Tenie that he would become a tree. He was not able to say goodbye to his first wife whom “Mars Marrabo” sold while Sandy was traveling. All the action in the story is initiated or motivated by a woman.

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