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51 pages 1 hour read

Joan Didion

Play It As It Lays

Fiction | Novel | Adult | Published in 1970

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Chapters 51-60Chapter Summaries & Analyses

Chapter 51 Summary

Les meets Maria in a motel in Oxnard, and they plan a romantic weekend on the coast. Les excuses himself to call his wife, and Maria leaves the room. When Maria returns, she sees him dressed and knows they will not be able to fulfill their plans. Both of them are ashamed; Les for lying to his wife and Maria for believing in a fantasy.

As they drive back to Los Angeles, they try to convince each other that “it would be all right another time, idyllic later” (134). The one thing they did not talk about was the abortion. 

Chapter 52 Summary

Maria thinks about things she would never do. Most of those things involve putting herself in dangerous situations, such as walking “through the Sands or Caesar’s alone after midnight” (136). 

Chapter 53 Summary

Carter visits Maria to tell her that he is going to Cannes. After he leaves, Maria imagines the family that she, Carter, and Kate might have been: “The images would flash at Maria like slides in a dark room. On film they might have seemed a family” (137). 

Chapter 54 Summary

Freddy is not available for an appointment, so Maria talks to a younger agent in the parking lot about a role Freddy has landed for Maria. Maria thinks the director wants her for the lead role, but the agent informs her that it was for the part of the high school teacher.

Maria hurries to her car and drives away, sobbing: “She had deliberately not counted the months but she must have been counting them unawares […] because this was the day, the day the baby would have been born” (141). 

Chapter 55 Summary

Maria flashes back to a conversation she once had with Ivan, who told her he did not want to work at having a relationship or a family. When Maria told him later that if she had gotten pregnant, she would at least have a baby, he said, “No you wouldn’t” (142), implying that he does not think she could raise a child on her own.

Chapter 56 Summary

Maria leaves the hypnotist’s office and tells him that she is not coming back. He says that her “failure […] doesn’t prove anything” (143), referring to her inability to access her past. After Maria leaves, she drives to a club and calls Ivan.

Chapter 57 Summary

Ivan is drunk when he answers the phone, and their conversation devolves into an argument. Maria realizes that he cannot be a source of emotional support. The next day, instead of calling Ivan back, she calls Larry. 

Chapter 58 Summary

To meet Larry, Maria goes to the Flamingo in Las Vegas, the same place she had dinner with her parents and Benny before she returned to New York. Unexpectedly, Maria runs into Benny, who orders them Cuba Libres, his signature drink. Maria flees from the meeting, unable to reconcile the reminder of her innocent past with her shameful present. 

Chapter 59 Summary

Maria feels badly about leaving Benny and calls him from Larry’s hotel room, telling him she was ill. She tells Benny to call her next time he is in Los Angeles, which she knows will be never. When a comedian in Larry’s room asks if Maria is “new talent,” Larry answers, “‘She’s not talent’” (151).

Chapter 60 Summary

In May, Maria finds herself at a party with an actor she does not know. He mistakenly introduces her as “Myra” to his friends, and she realizes that she likes the anonymity. He pressures her into having sex with him, and that night, still high and wearing “the silver vinyl dress she bought to make herself feel better” (152), Maria takes the actor’s Ferrari and drives to Tonopah, Nevada, to visit her parents’ graves, though she realizes later that they are buried in what used to be Silver Wells. Cops pull her over for speeding and discover the car has been reported stolen.

Chapter 51-60 Analysis

Chapters 51-60 chart Maria’s downward emotional spiral, which features a continuing series of failed emotional connections. Maria meets Les but is unable to have a meaningful conversation with him, both about the state of their relationship and about the abortion. The same thing happens with Carter before he goes to Cannes and with Ivan Costello when Maria calls him in New York. The hypnotist tells Maria that her resistance means she doesn’t really want to know what she might uncover in her past. Maria’s imagined reel of family footage in Chapter 53 demonstrates how Maria sees their lives as a film, acknowledging only selected scenes.

Several key events in this section signal that Maria’s inner conflicts are outpacing her ability to cope. One is Maria’s recognition of the baby’s birthday. Didion creates dramatic irony by layering this moment with Maria’s recognition that she has been downgraded from lead to schoolteacher. Once again, Maria’s career is at odds with her personal life. Even though she successfully completed her previous television project, Freddy has deprioritized her, and now Maria has to talk to an agent who will not even turn his car’s engine off during their conversation. Maria’s call to Larry signals her growing desperation.

Maria continues to slide into invisibility, both as a public figure and as a person who declares her own needs. Even her night with Larry goes unconsummated. When Maria meets the unknown actor, he does not even know her name, emphasizing her loss of identity. Maria’s decision to wear the silver vinyl dress that she bought in Chapter 41 represents her final attempt to recover her former status. In Chapter 52, Maria’s list of things she won’t do includes a reference to Las Vegas casinos, an ironic foreshadowing of the dangerous situations that await her there. 

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