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Hollis remembers that this drawing is still “folded carefully in my backpack” (97). It shows Izzy bringing out a cake that reads: “WELCOME TO THE FAMILY, HOLLY” (97). Steven is happy because Hollis has drawn a catalogue of animal tracks for him, though when he teases Hollis, the Old Man is annoyed with him, which Hollis worries has been happening all week. Earlier, she directly asked Steven if it’s her fault they have been fighting, but he brushed it off and handed her a holly branch. As they prepare to eat the cake, Steven mentions they might walk up the mountain soon, which again makes the Old Man annoyed. Hollis feels guilty, partly for making them argue again and also because she really wants to go up the mountain alone to symbolically say goodbye to the old Hollis.
Hollis and Josie settle into the Branches’ house. Hollis spends time exploring the whole place, and she and Josie dance joyfully in the snow outside, though they have to come back inside when Josie gets disoriented and forgets why they aren’t at home.
The next morning, Hollis hears a buzzing noise outdoors that sounds a bit like a faraway snowmobile. She worries a bit that their footprints are visible in the show. At breakfast, Josie continues to carve Hollis’s wooden statue and mentions that a holly branch has blown onto the back porch. Unbeknownst to Holly until near the end of the novel, this is an offering from Steven; the snowmobile she heard was him leaving after putting it there, and some of the footprints were his. Hollis retrieves the branch along with some sandpaper for Josie’s carving. She thinks about the Christmas she and Josie will have and wonders what it would be like with the Regans.
Hollis decides to go fishing in the river for their dinner. While she’s at the riverbank, she hears something move and suddenly realizes there’s a person hiding behind the trees (this is also Steven). She runs back to the house in fear, worried that person, whom she assumes was another fisherman, will tell the authorities about them.
In this short picture, Hollis describes a drawing she made of herself looking like an “angel” (110) with purple wings in a feverishly happy mood after the Regans decide to adopt her. When she decides to climb the mountain all by herself, she asks, “Does it make sense that I wasn’t thinking?” (110).
A blizzard arrives at the house in Branches. It relieves Hollis to think that there’s no way anyone can get to them in this weather, though she still wonders what the Regans would think of everything. Hollis decides that today she’ll paint a portrait of Josie and Beatrice to give to Josie as a Christmas present. Josie comes downstairs and is excited for Christmas, but also indicates that she misses the ocean and Beatrice. They wish they had other things, like a radio. Josie says Santa Claus will “bring it all to us on his…” (116), and Hollis assumes Josie has forgotten the word for sleigh, but Josie says no, now Santa comes on “one of those snow things” (116). She is referring to Steven, who is coming on his snowmobile and passing gifts on to Josie. Because of her bad memory, this is as close as she gets to telling Hollis about him. Hollis searches around the house and finds an old radio. They listen to Christmas music while Hollis begins Josie’s portrait. She notices Josie looks sad.
The ninth picture shows the final intensification of Hollis’s worry that she’s driving the Old Man and Steven apart. Even as the family celebrates Hollis’s adoption with Izzy’s cake, Hollis mostly focuses on her guilt, and she doesn’t believe Steven when he tries to reassure her that the father-son arguments have nothing to do with her. Establishing the depth of this fear in a happy scene is important to the plot: the author is cementing Hollis’s motivation to run away from the Regans while simultaneously demonstrating how genuinely they want her as part of the family.
When Steven starts to follow Hollis around the Branches house, the novel begins to operate in part as a mystery story. To a certain extent, the novel has already relied on the reader’s desire to solve the mystery of the past timeline—at this point in the novel, we know there was an accident, but we don’t know what it was, and we know Hollis ran away from the Regans, but we don’t know why. However, the question of who is coming to the Branches house is the first mystery unfolding for the reader at the same time that it’s unfolding for Hollis. Now there are two levels of tension driving the plot forward: our desire to find out what past incidents Hollis has been alluding to, and our desire to learn how her escape with Josie will turn out and whether they are safe in the woods.