47 pages • 1 hour read
Jonathan AuxierA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
As an infant, Peter Nimble is found floating on the open sea in a basket, his eyes pecked out by a crow. He is rescued by sailors, who deliver to the nearest port. The town magistrates name him and then abandon him to the streets. He lives under an alehouse with a cat until the alehouse manager discovers them, ties them in a sack, and throws them into the bay. Peter, however, is able to untie the knot and swim back to shore.
Left to own devices, young Peter survives by stealing food and other necessities. “By his third birthday, he was an expert in petty theft and a known menace to the vendors” (5). One day, Mr. Seamus, an abusive “beggarmonger” who recruits children to beg on the streets, witnesses Peter’s thievery skills, and woos Peter with tales of riches, a huge mansion, and a dog—all lies.
Seeing enormous potential in “blind Pete,” Seamus sells off all of his other orphans to the workhouse and focuses all of his time and effort on developing Peter’s thieving skills. He locks Peter in the basement and forces him to go out every night and steal from the townspeople. By age ten, Peter is the most skilled thief the town has ever seen. Peter, however, dreams of escaping Seamus’s basement, returning all the stolen goods, and living in a warm house with a proper family.
One rainy morning, sent out to steal food and valuables, Peter comes across a crowd of onlookers near the docks, who are watching a traveling Haberdasher hawk his wares. Taking advantage of the distracted townsfolk, Peter weaves through the crowd, picking pockets. Suddenly, the Haberdasher addresses Peter directly, seeming to read his thoughts and know his business. Peter sees that the Haberdasher’s carriage is covered in tempered steel locks, “the sort of material used for guarding only the most valuable secrets” (15).
The Haberdasher is running a con: He sells leather skullcaps “guaranteed to remove all unsavory scents from their wearers” (15). The Haberdasher sends Peter into the crowd to smell the constable, who reeks of fish, beer, and flatulence; then, the Haberdasher gives Peter a skullcap. Understanding the man’s con game, Peter claims the smells have vanished. As the crowd pushes forward to purchase their own skullcaps, Peter offers to help collect money. When Peter has collected a pouchful of coins and the crowd disperses, the Haberdasher heads to the alehouse and leaves Peter to guard his carriage.
While the Haberdasher is away, Peter unlocks the carriage. Inside, he discovers a small box that “really did seem to have come from another world—someplace beyond the borders of the map” (21). He slips the box into his sack and returns to Seamus’s house. In the basement, he picks the lock and opens the mysterious box only to find six eggs inside. They appear to be ordinary eggs, but they smell valuable. Ravenous from the day’s activities, Peter cracks open an egg and swallows the yolk, but coughs it back up. Unable to see what’s before him, Peter cannot know that he has stumbled across “something too wonderful even to imagine” (26).
Peter goes out for his nightly burgling duties. He decides to steal the Haberdasher’s coin pouch, but when he arrives at the docks, the traveling salesman is long gone. While robbing a house later that evening, he hears a piercing scream. Stashing his stolen goods, he follows the scream to the town stables. There, Pencil Cookson—the meanest and most dangerous boy in town—and his gang are tossing a knife at an old mule. Slipping silently into the town jail, Peter steals a chain and shackles and, without the bullies ever noticing, he cuffs their ankles and fastens the other end of the chain to the town clock. Cookson seizes Peter by the throat, but at midnight, the clock chimes and the gears turn, dragging the gang through the street and leaving them dangling from the clock tower.
Back in the alley, Peter tends to the injured animal—not a mule after all, but the Haberdasher’s zebra. He mentions the eggs, and the zebra seems to respond. Picking up the egg box in its jaw, the zebra beckons Peter to open it. He does, and the zebra drops two egg yolks into Peter’s open palm and pulls the worn bandage from Peter’s empty eye sockets before promptly vanishing. Peter is suddenly overcome by a rush of memories: the roar of the open sea, being stuffed in a basket, a crow cruelly pecking out his eyes. At that moment, he realizes the egg yolks are really eyes. The box contains three pairs: gold, black onyx, and emerald. Peter gingerly slips the gold eyes into his sockets and disappears.
The opening chapters of Peter Nimble and His Fantastic Eyes introduce a most resourceful protagonist: an orphan forced to survive on the streets, who turns his blindness and dexterity into assets, becoming the greatest thief in the town’s history. Echoes of Charles Dickens’s Oliver Twist are evident in the character of Peter, his vocation as a thief (echoing Dickens’s character the Artful Dodger), his cruel overseer, Mr. Seamus (who recalls Dickens’s villain Fagin). Even the unnamed setting suggests a Dickensian London, with its dark alleys, roaming gangs of urchins, and nascent industrial age technology. Unlike Dickens’s heightened realism, however, Auxier is working in the genre of magical fantasy. When Peter steals a mysterious box from a traveling salesman, he finds magical “eyes” capable of transporting him to places unknown. Still, we are firmly in the realm of the orphan adventure story, so we know that a hardscrabble protagonist forced to survive solely by his wits exists in a universe of karmic rewards. Just as Oliver Twist retires to a country mansion with inherited wealth, Peter Nimble’s misfortunes—his life on the streets, his blindness, his abuse at the hands of Seamus—presumably entitle him to some karmic payback at the end of his journey.
The popularity of the orphan trope in children’s literature is understandable. The freedom of testing independence with no one to impose inconvenient boundaries seems like a worthwhile tradeoff for not having parents. The fantasy is a child’s notion, however, and fighting every day for food and shelter is hardly the romantic ordeal these tales imply. Still, their popularity suggests nostalgia for a time when children had to undergo hardships to mature and learn valuable life skills. In today’s world of overly protective parents and coddled youth, jockeying through the streets confronting villains and having adventures may seem like a welcome respite from pandemic lockdowns and too much screen time.
By Jonathan Auxier
Action & Adventure
View Collection
Action & Adventure Reads (Middle Grade)
View Collection
American Literature
View Collection
Animals in Literature
View Collection
Canadian Literature
View Collection
Childhood & Youth
View Collection
Disability
View Collection
Fantasy & Science Fiction Books...
View Collection
Juvenile Literature
View Collection
Sexual Harassment & Violence
View Collection
Truth & Lies
View Collection