logo

54 pages 1 hour read

Patrick Süskind

Perfume: The Story of a Murderer

Fiction | Novel | Adult | Published in 1985

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 1, Chapters 12-22Chapter Summaries & Analyses

Part 1, Chapters 12-14 Summary

Staring at the flacon of Pélissier’s perfume, Baldini grumbles at the fact that the perfume is truly delightful. In order to replicate the perfume, he will have to determine the various ingredients that are all contained within it. To do this, he takes out a handkerchief, douses it with the perfume, and begins to smell and attempt the discerning process. Grabbing paper and ink, he enthusiastically sits down to begin the process of analyzing the perfume.

No matter how hard he tries, however, he cannot discern the various ingredients of which it is composed, and by the end of two hours, he succeeds in doing nothing but stopping up his nose with inflammation. The whole exercise is pointless, for Baldini never learned the art of “fractionary smelling” by which one dissects and analyzes scents. Despairing of his project and his life and business along with it, he opens the window and tosses the perfume into the river. He decides in that instant that he will go tomorrow to a local notary and sell both his house and his business and be done with the entire thing before anyone realizes that his business is failing. Just before heading off to bed, however, the doorbell rings at the service entrance. He opens the door himself as it is very late in the evening, and he sees standing before him the man who has come to deliver the Count’s wares. The delivery boy is none other than Grenouille.

Taking the goatskins from Grenouille, Baldini sets them down and invites Grenouille in so that he can pay him for the delivery. Grenouille, for his part, had longed to see the inside of the perfumery for some time and made sure he was the one who was going to make the delivery that day. While Grenouille knows he is just a tanner’s apprentice, he knows that this is where his destiny lay. He is convinced that he is about to talk his way into working for Baldini. Baldini pays Grenouille for the delivery and expects him to see himself out, but Grenouille stands in the way: “I want to work for you, Maître Baldini. Work for you, here in your business” (74).

Putting on airs of submission and cowardice in order to garner sympathy, Grenouille proceeds to guess that Baldini is attempting to infuse the goatskins with the Amor and Psyche perfume. Baldini panics, assuming that someone has discovered his plan, and questions Grenouille, who proceeds to describe every single ingredient of which the perfume is composed. Grenouille states that he simply has the finest nose in the city and makes a bargain with Baldini: He states that he doesn’t know the formula—in fact, he has no idea what the word even means—but he asks Baldini to let him prove that he knows perfume so well he can reproduce the perfume in a manner of ten minutes.

Baldini is skeptical but agrees to let Grenouille make the attempt in the minute chance that a miracle could occur. Baldini lays out all the materials and equipment that would normally allow a perfumer to perform his craft, but Grenouille ignores all of it, simply choosing to mix the ingredients directly by feel. As Baldini watches Grenouille work, he starts to realize that Grenouille is about to succeed and is awestruck: “the scene was so firmly etched in his memory that he did not forget it to his dying day” (83).

Part 1, Chapters 15-17 Summary

As Grenouille mixes the perfume, Baldini watches in horror as he goes about the process all wrong to a trained eye, mixing the solution in backward order and failing to use even a single one of the tools that Baldini had laid out for him. Finally, Baldini can take it no more, screaming out in horror and impatience at Grenouille’s uncouth behavior, but as the words leave his mouth he realizes that the room is filled with the scent of Amor and Psyche. Speechless, Baldini realizes that Grenouille recreated the perfume of his rival even as Grenouille downplays the original perfume’s quality, saying “It’s been put together very bad, this perfume has” (88).

To prove his point, Grenouille determines to improve the scent. He mixes the perfume a second time with new additives and gives it to the perfumer. Baldini is beside himself and asks Grenouille to leave before smelling it, promising to think over Grenouille’s proposition of employment. Once Grenouille leaves, Baldini opens up the perfume bottle again to smell the new perfume, and he is overwhelmed to the point of being transported in his imagination to his fondest memories of the past. Baldini realizes that he has never experienced a scent this powerful and beautiful: “It was something completely new, capable of creating a whole world, a magical, rich world” (90). He takes the perfume, infuses the Count’s wares with it, and proceeds straight to bed.

The very next morning, Baldini meets with Grimal to pay him for Grenouille’s services. Grimal is so delighted to be paid a hefty sum for the boy that he proceeds to drink himself into such a stupor that he drowns in the river. Meanwhile, Grenouille sets up his new bed in Baldini’s house as his new apprentice. Now in the service of Baldini, Grenouille launches the business to new heights, becoming nationally renowned. Eventually, Baldini convinces Grenouille to begin using proper tools and measurements so that he can copy down the recipes for himself, just in case anything were ever to happen to Grenouille. Grenouille realizes that this actually benefits him because he learns the trade to an extent that he could be independently seen as reputable. All the while, Grenouille bides his time, lulling Baldini into a false sense of security and knowing that the perfumes he is creating are really more like second-rate items. He describes them as “playthings compared with those he carried within him and that he intended to create one day” (97). Grenouille knows that he is destined for greater things.

Part 1, Chapters 18-20 Summary

As Grenouille bides his time, he learns everything there is to know about the perfume business and the craft of extracting scents, perfecting the production of “tinctures, extracts, and essences” (98). The process of using a distillation vessel to extract essential oils is Grenouille’s favorite, and he soon becomes an expert. Once again, he operates more on feel and intuition, allowing his nose to guide him, rather than on any particular logical process that could be written down. Grenouille also begins to experiment with various materials to see what can be used in the distillation process and what materials fail to be productive. When he realizes that there are certain things that simply cannot be distilled, he falls gravely ill.

Convinced that his apprentice is going to die, Baldini calls for the best doctor money can buy. It is discovered that Grenouille has come down with a case of smallpox, and he is expected to die imminently. The doctor is quite surprised, however, that Grenouille lacks the tell-tale sign of the disease: its odor. Baldini attempts to get Grenouille to tell him his secrets before he dies but doesn’t manage to extract a single word from him. When Grenouille’s last moment seems to come, he asks Baldini if there are other ways of extracting scents besides distillation. Surprised and confused, Baldini feels he cannot deny a dying man his last wish and proceeds to tell him that there are three other ways of doing so and that they are done most excellently in the small town of Grasse. Content with this knowledge, Grenouille falls asleep, but to the surprise of all, he does not die and is cured before a week goes by.

Part 1, Chapters 21-22 Summary

Grenouille recovers and proceeds to help Baldini become the most renowned perfumer in Europe and one of the richest men in all of Paris. At the end of three years, however, Baldini grants Grenouille his papers to become a journeyman on three conditions: he can never sell any perfume he created with Baldini, he must leave Paris, and he can never tell anyone about his work with Baldini. Grenouille is delighted, agrees without question, and leaves Paris the next morning.

Baldini watches Grenouille leave and finally admits to himself that he never really liked Grenouille: “not a day had passed in all those years when he had not been haunted by the notion that in some way or other, he would have to pay for having got involved with this man” (113). Assuring himself that he still has the little diary of all the perfume formulas he recorded over the last three years, he thinks to make a pilgrimage to Notre Dame in thanks for his many successes but is waylaid thanks to rumors of war between England and France. Instead, Baldini goes home and meets his death that very night due to the bridge collapsing under his house.

Part 1, Chapters 12-22 Analysis

The second half of Part 1 is completely taken up with the time that Grenouille spends with Baldini. The immediately preceding chapters introduced the reader to Giuseppe Baldini, the perfumer, and now the reader is ushered behind the scenes to see what Baldini is doing as a once-great creator of perfumes, and what Grenouille accomplishes in his three years as the Frenchman’s apprentice.

At this point in Grenouille’s development as a character, he has become highly confident in his own abilities if not in his ability to interact with other people and put forth a presentable façade. Once he enters Baldini’s workshop, he is absolutely convinced that’s where he belongs by right; his thoughts are “perfectly grotesque immodesty” (72), a phrase that pinpoints his characterization. Grenouille has honed his skill to such a degree that he is unmatched in discerning and mixing scents, leading to his similarly unmatched sense of pride in his ability. Attempting to convince Baldini that he has the ability to recreate the Amor and Psyche perfume, his repeated insistence that he be allowed to try reveals his burgeoning confidence. At first, appearing slight and cowed, he cajoles Baldini into allowing him into the workshop, fixing himself in place “like a black spider that had latched onto the threshold” (79). Grenouille is like an infection that Baldini can’t exterminate, and once he allows him the slightest foothold into his life, Grenouille takes over and becomes the essential cog in the machine of Baldini’s business.

Upon first entering Baldini’s shop, Grenouille is fascinated by the store of scents and ingredients that make up the first floor. In narrating the slow buildup to Grenouille’s apprenticeship, the author takes time to slowly go through the minutiae of equipment necessary for the creation of perfume, as well as the intricacies with which each scent is typically crafted. Part of the horror with which Baldini reacts to Grenouille’s uncouth and haphazard mixing of ingredients lies in the fact that perfumery is a refined affair, normally requiring the finest care, precision in measuring, and gentleness in bringing the solution to its final desired state. This contrast between the careful art and science of perfumery and Grenouille’s raw, instinctual (and superior) technique alludes to one of the book’s themes: A Thing’s Scent is its Soul. Likewise, it raises the recurring motif of contrasting the organic and the crafted.

Grenouille’s persuasive power is matched and exceeded only by the persuasive power of the perfume itself. One of the primary themes of the novel is The Power of Smell to Evoke Emotions and Memories and its ability to transport someone to another time and place. Baldini understands the power of perfume, that it “enters into us like breath into our lungs, it fills us up, imbues us totally” (86-87), and so he more than anyone is able to appreciate the power that Grenouille wields. The final straw that breaks Baldini is his experience with the perfume that Grenouille impulsively creates, a perfume so profoundly beautiful that Baldini is enraptured by its scent, knowing that he has stumbled upon the greatest discovery of his life.

Being mentored in the perfumery business by Baldini is Grenouille’s most human interaction in the entire narrative. Before coming into Baldini’s employment, he was at varying times either helpless, useless, or treated no better than a dog. Under Baldini’s tutelage, however, he is the most human. He learns and allows himself to be taught, and there is a genuine give and take, an exchange of knowledge for services and creativity. He sleeps in a real house, and regardless of Baldini’s selfish ulterior motives, he is the one person who comes closest to treating Grenouille with anything resembling kindness. With this in mind, it is no wonder that of all the deaths that follow Grenouille through his life, Baldini’s is the kindest—compared to the ends met by his mother, Grimal, and his many victims—dying as he does in his sleep.

blurred text
blurred text
blurred text
blurred text

Related Titles

By Patrick Süskind