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Paris HiltonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The staff at Provo threatens its graduates and tells them that they will ruin their reputation if they do not say positive things about Provo after they leave. Many survivors self-medicate, and Hilton credits her sister with getting her through the first couple of months after her release. Hilton says that after her release, Nicky took on the role of protective older sister, and Hilton still feels like she is fighting to catch up to her sister after she lost years in the residential schools. Nobody, even Hilton’s siblings, knew where she really was. Her parents kept it a secret, and they told people that she was attending a performing arts school. Hilton goes along with the story. Afraid that what she heard is true—that her parents could still have her committed to a mental institution even now that she is an adult—she tries to do what they want. She was told at the schools that she embarrassed those she loves. She no longer believes she deserves love.
Hilton does not feel comfortable living with her family at the Waldorf. She goes to numerous schools (some are boarding schools), but she gets kicked out or leaves them all. She has no transferable credits from her time away, and as such, she would have to resume school as a 10th grader should she return. She likes the concept of the magic glasses from the movie Big Daddy. She starts wearing sunglasses to hide from the world.
Hilton wants to earn $100 million because she believes that this is the amount of money that will make her finally feel safe. She stays awake until morning often because she is afraid of the dark. This is because it was during the night that she was first taken. She explains the digital rape she was subjected to at Provo. Officials called them medical exams, but she says that beautiful girls were the favorites for these exams that often occurred at night. One day, another girl who is frequently chosen for these exams says she is going to escape if it happens again. The plan gets foiled, and Hilton takes the fall. The night she gets out of Obs, she has another gynecological exam.
Hilton laments how kids today who have always known cell phones cannot know what the party scene was like back then. The paparazzi make her feel like she is a star, and she calls to them rather than avoid them like some others do. She is trying to build a brand.
When Hilton is 19 years old, she signs on with a modeling agency. She knows she is funny and beautiful, and she has started a side business that helps her get paid to go to parties. One day, Hilton has a meeting with Harvey Weinstein and a producer friend. The producer and Hilton are uncomfortable by the comments Weinstein continually makes to Hilton, and they have very little hope the project will go forward. The next night she goes to an event, and Weinstein tries to get her attention. Hilton tries to avoid him and goes into the women’s restroom where Weinstein follows her and tries to get into the stall until a security guard comes in and removes him. She never tells anybody because she understands that the way to survive in the business is to stay quiet. She meets a man with the nickname of Scum, and the two start dating. One night he wants to record them having sex. She does not want to, but he finally convinces her by telling her that another woman will do it with him if she will not. She takes Quaaludes and drinks in order to make the tape.
Hilton sees herself as a performance artist, but it takes her years to come to this idea of herself. She is asked to model for David LaChapelle. She believes that modeling for him is performance art. She starts shooting with David, and he gives Hilton freedom while he is photographing her. For one photograph, she and Nicky are standing by a pink Rolls-Royce and a rusty phone booth near a notorious hotel. Nicky is sophisticated while Hilton wears short shorts and a jacket without a shirt underneath. In another photo, she is spread out on the sand at the beach with men standing around her. She does not know at the time that she has a nipple exposed. David then wants to shoot at her grandparents’ house, so they sneak into the home while her grandparents sleep and take pictures. She says, “he wanted me to go full trash punk wild child” (224). She poses with her middle finger up. She says these photographs represent how she felt at the time. They capture her energy and rage. David submits the photos to Vanity Fair, and her parents are livid when the photos are published. Her mother understands that the photos can help Hilton’s career, but she has always wanted her children to fit into high society. Kathy is unable to get the photos pulled from the magazine.
Hilton has started dating Jason Shaw. Gram Cracker dies shortly after Hilton turns 21. Fox pitches an idea for The Simple Life to Hilton, and while they originally want Nicky on the show with Hilton, Nicky turns it down, and Hilton asks Nicole Richie to join her. Production requires 16-hour days, and the women are given a lot of control over the characters they will play. They decide they want their story to be about two women who conquer the obstacles they face. Social media begins to emerge. Hilton has not told Jason about her past, and she knows she is not in a place where she can make a commitment. She learns that she is pregnant, and she feels incredibly anxious in response. She has an abortion. While she feels sorrow over her choice, she says she also believes she did the right thing. She does have thoughts such as, “What if I killed my Paris?” (238).
Hilton’s manager calls her one day when she is in Australia to tell her that a sex clip of her has been released on the internet. She calls the man who made the tape and begs him not to release the full video, but he insists on his right to release it. While Hilton is on a plane back to the United States, she tells the story to a sympathetic woman next to her, but when she arrives home, she realizes that the woman was a planted reporter and has released what Hilton has said.
The Simple Life is a great success. She does not believe her success or the success of her show has come from the sex tape, but she wishes she could have proven it. Even today, she will be in a business meeting and think about how most of the people there have seen her naked. She maintains that she does not want pity, but she speaks out against the shame that is placed on women more than on men.
Hilton acknowledges that she was born into privilege but maintains just how hard she has worked. Hilton’s television show is going well; she has started a lifestyle brand, and she buys a house. Catchphrases from The Simple Life are catching on around the country. One day, when Hilton has a run in with paparazzi after her home is broken into, she gets in contact with Elliot Mintz, whose task it is to fix problems. Afterward, Hilton tells him that she wants to be famous and seen as a tastemaker.
Hilton says that she is the only one who is surprised when she is on the cover of Playboy. Hugh Hefner repeatedly tries to get Hilton to pose for his magazine, but she always turns him down, as her mother did when she was younger due to her own mother’s influence. Hefner keeps negotiating with Hilton, but she still keeps turning him down because she does not want to perpetuate the idea that she is a “slut.” Hilton gets a call one day congratulating her on her Playboy cover. The magazine managed to put her on the cover by saying that she is the Sex Star of the Year. By doing this, they can put her picture in their magazine, claiming it is news, not a pictorial, without needing her permission or paying her for the picture. Both Hilton and her parents are upset, but they do not confront Hefner. She explains that before the #MeToo movement, people were expected to just take such abuse and not say anything, but now she believes that she consents to behavior when she remains silent.
When Hilton is in her twenties, she is diagnosed with ADHD and is put on Adderall, which is sometimes helpful and sometimes problematic for her. She believes that her obsession with technology makes sense in the context of her ADHD. The internet made it so that she never has to be alone. She starts getting free products sent to her because whenever she tweets about one, sales go up dramatically. Her song, “Stars Are Blind,” comes out in the summer, and she believes it is the most real she has ever been at that point.
Hilton explains that when she and her friends go out, Elliot Mintz is usually the designated driver, but one night she has been working many hours, and she drinks a margarita. She gets stopped on the way home by the police and her blood alcohol level is .08, the threshold for being charged with driving under the influence (DUI). She calls Elliot, and he suggests she go home to the paparazzi that are inevitably outside her house, so they can see that she is not drunk. She receives a fine, license suspension, and probation. She also has to take alcohol education classes.
There is miscommunication over when she can begin driving again to work, and when she is pulled over one night for speeding and having her lights off, she finds out that her lawyer never filed the paperwork for her to get permission to drive to work. She is sentenced to jail for 45 days in a maximum security facility. The trauma from her days in the boarding schools comes back to her.
Hilton plans to turn herself in the night after the MTV Awards, believing the paparazzi will be preoccupied. When she gets to the awards, Sarah Silverman uses her time to talk about Hilton going to jail, and people begin cheering. Hilton does turn herself in after the awards ceremony and she is called numerous degrading names by other prisoners. Hilton has severe panic attacks from PTSD while in prison. Hilton gets permission to finish out her sentence on house arrest, but when the original judge finds out, he gets the house arrest pulled, and she has to return to prison. She is put in solitary confinement because the warden believes she is not safe with the general population. One night, she wakes up to find a guard standing over her with a camera ready to take and sell pictures of her. While her lawyer wants to continue fighting, she is resigned to her fate, and she goes to her secret place in her mind where she used to go during her time at the boarding schools. When she does, she realizes that the life she dreamed about while detained when she was younger is very similar to the life she is living now.
As she adapts to the real world after being in the residential schools for almost two years, Hilton struggles to reorient herself and to keep herself safe at the same time. The damage done to her is revealed in the fact that she now feels that she is the younger sister and Nicky, two years her junior, is the older sister. While Nicky was allowed to grow and change, Hilton was not. While the schools were supposed to both save her and help rehabilitate her, in reality, they stunt her, and she is behind where she believes she otherwise would be, leaving her feeling like she still must catch up.
In addition to the disorientating effects of encountering a world that has changed while she has not had the opportunity to grow, Hilton no longer knows who she can trust. When she is first taken by the transporters, her immediate instinct is to call for her parents, believing they would rescue her and protect her. She learns, however, that it is her parents who had her taken away. Then over the near two years she is gone, everyone she hopes will protect her, with the exception of the woman in the mobile home, sends her back when she escapes and seeks help. She has been told that she can still be committed against her will as an adult, and as such, she tries to please those around her. In addition, she is told that she is an embarrassment to her family and that they do not love her. All of these factors combine to create confusion in her mind over who she can trust, and she must learn to readjust to a changed world without having any steady influences or consistencies.
The difference between the party scene of today and of the 1990s and early 2000s is highlighted throughout the novel, and Hilton credits many of these differences to today’s influence from cell phones and social media. Throughout her memoir, Hilton maintains that her role in pop culture has been defined by a mix of characteristics, not least of which is the social and technological climate around her. When she first is released from Provo, she can court the paparazzi and get their attention. They are highly focused on celebrities because that is how they make their money. Although Hilton does not specifically mention it, this is a symbiotic relationship because many celebrities need the paparazzi for exposure. Since paparazzi are not in the clubs, partiers are able to act how they want to without fear that what they are doing will show up in the papers the next day. Now that there are cell phones, and people can post whatever they like instantly, people do not feel as free. She laments this change, finding that it diminishes the overall club scene and that partying was better 20 years ago.
While Hilton is sometimes convinced to do things that she does not want to do, in general, her satisfaction with a project centers in part around how much control she has over it and how willing she is to be portrayed in the manner in which people are trying to portray her. One example of this is her photographs with David LaChapelle. These photos are sexy and edgy, and she is completely okay with what she is doing. She believes she is making art, and while her mother does not like the way Hilton is portrayed in the photos, Hilton never expresses regret for them. She says they were “my declaration of personal independence” (224). She was not manipulated into posing for the photos, and she believes they are a complete representation of who she was at the time she took them. This is at odds with two other depictions of her which she did not consent to. The first is her sex tape. She did not even want to make the sex tape, and she did not portray herself how she wanted to be portrayed. All control over the public seeing it was taken from her. Another example is the Playboy issue in which she appears. She does not want to appear in the magazine, and she does not pose for the photos. In the first case, she uses her sexuality and appearance to depict what she wants them to represent. In the latter two cases, her sexuality and appearance are used against her wishes. As such, in the latter two cases she feels objectified while in the former she feels empowered. This shows the degree to which owning her story and her sexuality are key elements to her empowerment. This nuanced comparison of sexual presentation alludes to a greater societal discussion that had been popularized and continues to be a complex topic in celebrity culture. In the 1990s and early 2000s, sexual promiscuity and expression was often villainized, particularly if the offender was in the cultural spotlight. Paris reclaimed her sexuality in a way that empowered her while giving consent, addressing the differences in the two situations and how she internally navigates this.