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As Quentin and Margo drive through the night, Quentin takes note of the streetlights and quotes T.S. Eliot. Margo loves the quote, but is disappointed to find that Quentin did not make it up himself. As they continue talking, Margo finally reveals that Jase has been cheating on her with Becca. Quentin is confused, as he saw her that very morning laughing with Jase in the hallway at school. Quentin then realizes that he had misread the situation. Margo had actually just found out about Becca and Jase and was shouting at them, not laughing.
Quentin then wonders how Jase could have sex with Becca when he was dating Margo. Margo thinks it’s because Becca is attractive. Immediately, and without thinking, Quentin says that Margo is far prettier than Becca, though Margo disagrees with him. In fact, Margo says that she is unattractive up close, and that the closer people get to her, the less they like her. Quentin interjects, but Margo immediately changes the subject. Quentin begins thinking about how unfair it is that someone like Jase could get to have sex with both Becca and Margo while he cannot have sex with either of them. He tries to engage Margo in conversation again, but she barely responds. Quentin thinks that she might be crying, but then she turns around and begins giving him directions for the next phase of the evening.
Their next destination turns out to be Becca’s house. They drive around a bit looking for Jase’s Lexus, and when they find it, Margo puts The Club on the steering wheel, commenting that Jase never locks his doors. Margo tells Quentin about the next phase, and though he finds it brilliant, he is still afraid of the possible consequences. Margo gets Quentin to use his cellphone to call Becca’s father. He tells Mr. Arrington that Becca and Jase are having sex in the basement. They then watch the scene unfold with binoculars. Jase soon crawls out of the basement window and runs off in his boxers, As Quentin snaps a picture, Jase stares at him briefly, and then runs away.
Margo then tells Quentin that they are not finished, that they have to get inside the basement. She retrieves one of the catfish and the can of blue spray paint from the back of Quentin’s minivan. They go through the same window that Jase escaped from, and as Quentin collects all the male clothing he can find in case Jase tries to return, Margo hides a catfish in Becca’s drawer. Quentin scribbles a note for her that says Becca’s friendship with Margo can “sleep with the fishes,” and then Margo spray paints the letter “M” on the wall. As the two flee the scene, Mr. Arrington appears at the front door with a shotgun and Quentin dives headfirst into the nearby bushes. Margo picks him up and the two make it to the minivan, and then speed away.
In the minivan, Margo asks to see the picture, and they realize that the front of Jase’s boxers were open, thereby exposing his “goods” to the world. As they drive, they see Jase running through the streets. Quentin feels sorry for him and throws his shirt out of the window. Margo is angry with Quentin for taking pity on someone who cheated on her. She punches the dashboard, more out of anger at the fact that, even after she had heard about Jase and Becca, she thought it might have been a lie.
Quentin’s heart is racing and Margo says his adrenaline is pumping from the excitement of living, but Quentin pulls over, overwhelmed by anxiety. Margo tells him that his anxiety is childish, and Quentin tries to convince himself to forego his fears about the night.
Their next stop is Karin’s house, one of Margo’s friends. It was Karin who told Margo about Jase, with the result that Margo chewed her out in front of everyone. Margo leaves the bouquet of flowers on Karin’s doorstep with an apology note. She then says that their next task is to leave one of the fishes at Jase’s house. The task will be challenging, as Jase lives in a house with a sophisticated security system. Margo then comments that they are punishing their enemies, but Quentin replies that they are punishing her enemies, not his. Margo merely says, “We’ll see,” as the two head to Jase’s subdivision.
When the two reach the opulent Casavilla subdivision, Quentin comments on how large and ugly the homes are. Margo writes a note for Jase, saying that their love “sleeps with the fishes,” and then tells Quentin to keep the car running and be ready to drive away. She dons Jase’s baseball cap, takes a deep breath, and then sprints across the front lawn. The house immediately lights up and the alarm goes off. Quentin panics and briefly thinks about leaving Margo. Margo throws the fish through a window, sprays an “M” next to the shattered glass, and then runs back to the car. The two flee the scene, with Margo yelling at Quentin for actually stopping at a stop sign.
As they prepare for the next phase of the plan, Margo admits that the encounter at Jase’s house was intense, even for her. The next part, however, will be easier. She explains that Lacey is the next target. Lacey has been her friend since kindergarten, but never told her about Jase and Becca. She also tells Quentin about what a terrible friend Lacey has been, always saying things to undermine Margo’s self-esteem. Quentin tells Margo that she should not worry about the comments, and that she should not lose any weight. He contemplates Margo’s beauty, which is unusual really, and which seems to be interwoven with her personality.
They find Lacey’s car, and Margo expertly picks the lock. The two hide one of the fishes, with another note, under the backseat, which Margo then smashes back down into place, thus squishing the fish. When prompted by Margo, Quentin spray paints an “M” onto the car’s roof. When they return to the minivan, Quentin notices a blue spot of paint on his fingers. He shows Margo, who touches the spot with her own blue finger, and holds it there for a moment. Finally, she tells Quentin to head downtown.
The two drive through downtown Orlando, which consists of office buildings and skyscrapers. The place is completely deserted at this time, and Quentin feels as if he has survived an apocalypse and is now exploring the ruins of the world. Margo finally directs Quentin to a large green sculpture known as The Asparagus. As Quentin watches Margo staring off into the distance, he thinks for the first time that night that something might actually be wrong with her. Not really sure what to say, however, he ignores Margo’s troubled look and asks her instead why they have come to the statue. He comments that “even her fake smiles were convincing” (54), before Margo finally tells Quentin that they are going to check on their progress, and that they are going to do so from the top of the SunTrust Building. Quentin immediately refuses, and Margo jokes about getting arrested for breaking or entering, but not breaking and entering, as Quentin fears. Quentin says the building has to have a security guard, and finds out that Margo actually knows the guard. His name is Gus.
They arrive at the building where Gus, who was a senior at Winter Park High School when the two were freshman, invites both Margo and Quentin in and tells them they can take the stairs to the very top. Margo takes Quentin to a conference room on the twenty-fifth floor of the building, where the two can look out and see all of Orlando. Margo leans against the glass and points out their houses, as well as Jase’s. Quentin is wary of leaning against the glass, but Margo pulls him towards her, and he leans his forehead against the glass as well. Caught by the beauty of the quiet night, Quentin remarks that Orlando is beautiful, but Margo laughs at the comment. He tries to explain himself by saying that the city’s imperfections are invisible from their point-of-view, so high up. Instead, they see Orlando as someone had once imagined it. Margo repeats her earlier comment that everything is uglier up close. Quentin says that fact does not apply to Margo. She smiles at the compliment, and tells Quentin that he is cute when confident.
As the two stare out at the city, Margo says that Orlando is a “paper town.” She tells Quentin that everything about Orlando is fake, that the town is full of “paper people” going about their lives with no meaning. Everyone is obsessed with material possessions. She then says that she has never met anyone in all her years of living there who has cared about anything even remotely important. Quentin says he will try not to take Margo’s comment personally. She apologizes, saying that if she had spent her time with him and his friends, perhaps her experience would be different. In truth, she is not really upset over Jase’s cheating, it was simply the last string, and “every paper girl needs at least one string…” (58).
Quentin tells her that she would be welcome at his table the next day at school. Though Margo appreciates the offer, her voice trails off as she thanks Quentin. She smiles at him and he wants very much to believe her smile. As they descend the steps, he tries to cheer Margo up. As she laughs, he wants to not only believe that he is cheering her up, but that she is capable of being cheered up. In hindsight, of course, he recognizes that he was wrong.
As Quentin assists Margo to exact revenge on her former friends, he begins to find out more about the “gorgeous beauty” he has been in love with all these years. Margo is adept at evading his direct questions about what certain items are for, and she tends to change the subject when things get too personal. She notes several times that things are uglier up close, and that even she is uglier up close, alluding to the reason she is keeping Quentin at arm’s length. Slowly, Quentin is stepping out of his shell and embracing his new role as Margo’s accomplice. Again, boundaries are being crossed as the two “right wrongs,” though Quentin wants so much for the boundary between the two of them to change as well.
Margo highlights the “ugliness” around her perfectly at the SunTrust Building, by describing Orlando as a “paper town.” Everything is artificial, she tells Quentin. Even she is a “paper girl.” This feeling, which could be dismissed as teenage angst, seems to go deeper with Margo, and Quentin notices in Chapter 6 that Margo might really be troubled. His unwillingness to dig deeper, however, is another sign of his complacency, and yet another indication of his desire to keep his fantasy of Margo alive. If he tried to truly understanding Margo that fantasy might shatter. By the end of the chapter, he wants so desperately to believe that he can make Margo happy, he overlooks small clues in her speech and behavior that might alarm a more objective observer.
By John Green