50 pages • 1 hour read
Casey McQuistonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
August spots an ad for a spare room in Flatbush and decides to apply. The novel opens with her meeting Niko, a tattooed boy, at the advertised apartment. It’s furnished oddly, with many college staples—mismatched furniture and a well-loved couch—and also a high-end Eames chair that seems out of place. A marshmallow sculpture of Judy Garland sits in the corner.
Niko is a psychic and asks to touch her hand. He says that she’s interesting and then asks if she can move in on Thursday. Myla—another one of the roommates—pokes her head out, and August learns that she and Niko are dating. August learns that they have another roommate, Wes, who has a dog named Noodles.
August is moving to New York because she just transferred to Brooklyn College. She decides to take the apartment because she needs to find both a place to live and a job.
When she moves in, she FaceTimes her mom. Together, they remember the apartment where they lived in New Orleans. August asks if she’s spoken to the detective today, and her mom alludes to him not opening a case back up. She changes the subject to ask about August’s new roommates.
Altogether, August has five boxes, filled mostly with clothes. She always carries a pocketknife and splurged on a pair of Vans sneakers after coming out to her mom.
Noodles barges in, and Myla and Niko realize how few belongings August has. They offer to take her to dinner at Pancake Billy’s House of Pancakes, and while August is hesitant, she agrees.
At the diner, they ask why August moved to New York, and she explains that she attended a few different schools before deciding to try it out. They also learn that one of the servers at the restaurant—where Myla and Niko are regulars—has quit. Myla suggests that August apply.
When they return to the apartment, August notices that they’ve gotten her flowers. She feels like “[i]t’s their home, not hers […] But it’s nice to look at. A comforting still life to be enjoyed from across the room” (15). After moving from place to place so much, she wonders if this place could finally be her home.
Soon, she starts at Billy’s, and despite having said she has waitressing experience, she’s been learning on the job. On the first day of school, she trips on her way to the subway station, spilling coffee across her shirt. Close to crying, she pulls herself up and boards the train.
There, she sees a girl with short black hair wearing a leather jacket. She comments on the coffee stain on August’s shirt, and August—thinking this person is extremely attractive—blushes. The stranger then offers August a red scarf.
The lights blink off, and the girl is gone.
August talks to her mom, Suzette, who reminds her that she doesn’t need anyone after August says that she felt like an “extra in a college movie” (22) in her first classes.
When she gets back to work, Lucie—the manager—brings over a side of bacon to a regular that August forgot. She comments that this happens often and tells Jerry, the cook, to make her the “Su Special.” It’s an off-menu item with bacon, maple syrup, hot sauce and an egg put between two slices of Texas toast. August immediately loves it.
On her walk home, she thinks about “Subway Girl,” the woman who gave her the scarf. She passes the shop where Niko does psychic readings and, when she makes it back to the apartment, realizes that she’s forgotten her keys. She uses her pocketknife to pick the lock, opening the door to find Wes home.
She introduces herself, not having met him yet, but he doesn’t say much.
The next morning, Myla, Wes, and Niko are playing “Rolly Bangs,” a game in which one person sits on a rolling chair and is pushed on the kitchen floor (which is not even) until the chair hits the lip of the threshold between the kitchen and the hallway.
August continues to get ready for school, and as she leaves, Myla asks to walk with her since she’s taking Noodles out. August thinks about how Myla “drops into your life, fully formed, and just is. A friend in completion” (31) As they walk, August learns that Myla has a degree in electrical engineering from Columbia but prefers doing art.
Settling into a seat on the train, August feels like “she’s actually a New Yorker” (32) whenever she’s on the subway. She thinks about Subway Girl, only to discover that Subway Girl is sitting across from her. She’s then surprised when the woman greets her, calling August “Coffee Girl.” To August’s surprise, their conversation continues, and she discovers that not only did Subway Girl work at Pancake Billy’s, but she’s also the inventor of the Su Special.
Subway Girl points to August’s scarf—the one she gave her. August offers to return it, but Subway Girl shakes her head. As August gets off the train, she explains that she’s working breakfast the next day at the diner if Subway Girl wants to come by. She says she’d love that and then asks August her name, saying that hers is Jane.
However, Jane doesn’t come to Pancake Billy’s the next day, and August tries—but fails—to pretend that it isn’t a big deal.
On Monday, August sees Jane on the train again, and they talk, though August doesn’t bring up being blown off. In the afternoon, she realizes that they have the same commute. She enjoys that the 8:05am train is hers, just as it is Jane’s. It also becomes a place where she sits for a moment of rest before rushing off to school or work.
Jane, she notices, seems to make friends with everyone. She talks to August every day, though August never learns much about her.
August receives an envelope from her mom, with a lead about her missing uncle. Noticing her annoyance, Myla asks if she’s alright, and August explains that her Uncle Augie went missing in 1973 and that her mother—and her, by extension—have been looking for him her whole life. August has been trying to separate herself from this, knowing that it’s consumed her mother. She still has the instinct sometimes, though, to act like a detective.
She eases in to explaining this to Myla, and Myla shows her the sculpture she’s working on. They then listen to Joy Division in Myla’s room, and Myla promises to educate her about music, since August only listens to podcasts. Myla also tells her that she and Niko adore her, and August tries to compliment her in return.
Soon, August ends up working late shifts at Billy’s, and she encounters a drag queen there one night. She recognizes August because they live across the hall from one another. Her drag name is Annie Depressant, and she confesses that she’s in love with Wes.
They walk home together, and Annie shows her the elevator, which is behind the Popeye’s that occupies the first floor of the building. Annie tells her that she goes by Isaiah when she’s not in drag. Before they say goodnight, August asks her if it makes her sad to love Wes since he seems emotionally unavailable. Annie replies that it’s good to have hope even if it’s sad sometimes.
August is surprised to find herself torn between anxiety and hope, the latter of which feels odd to her. She’s never felt like she could rely on people the way that she’s starting to with Niko, Myla, Wes, her coworkers, and even Jane.
The following Wednesday, August talks with Jane about Joy Division and is surprised when Jane asks if they’re a new band. Then, the lights go out, and she falls into Jane, who catches her. The train is delayed indefinitely, and all August can think about is kissing Jane. They take turns guessing the stories of others on the train, and August is surprised that Jane doesn’t think it’s weird how detailed she can be, drawing on years of practice in figuring out everything about the people around her.
Jane asks August to describe her, and August guesses that she works in food service. Jane tells her that she’s wrong but refuses to reveal the truth. However, as a hint, she shows August the contents of her backpack. This leads to Jane playing a Run-DMC cassette out loud, starting a party on the train, and singing along to “It’s Tricky.” They play a few cassettes until someone starts playing from a Bluetooth speaker. Jane invites August to dance, and they do.
By now, she’s missed all her classes, and she invites Jane to get a drink with her at the bar where Niko works. Jane says that she can’t and that she’s sorry.
August is mortified at having asked Jane out. She tries to focus on class and on how her growing friendship with her roommates should be more than enough since it’s making her feel less alone. At home that night, she tells her roommates about the situation with Jane.
When she goes to the fridge to get Myla onions for dinner, she notices a picture of a little girl among the pictures of a young Myla. She asks who it is, and Niko coolly says, “Oh, that’s me” (77). Realizing for the first time that Niko is transgender, August smiles, thinking, “That’s one big thing out of the way between the four of them, but it’s also a small thing. It makes a difference, but it makes no difference at all” (77).
Pancake Billy’s is the other most reliable place in August’s life, and, one day, on the wall, she discovers a photo from the diner’s opening day on June 7, 1976. In it is Jane.
She runs home and begins investigating Jane and how she could be in a photo from 45 years ago. She starts to realize how Jane never has a different outfit on and how she only plays cassettes.
August arrives in New York unsure of what her life there will be like. She chooses to take the apartment with Niko, Myla, and Wes because she has little time and few options. However, Niko and Myla quickly swoop in and begin to adopt her into their lives, first by taking her to Pancake Billy’s and then by helping her figure out what’s going on with Jane (including navigating her romantic feelings for Jane). This introduces the theme Belonging to and with People, Places, and Times. August doesn’t feel like she has ever put down roots before, having “lived in a dozen rooms without ever knowing how to make a space into a home, how to expand or to fill it like Niko or Myla or even Wes […] never once feeling a permanent tug” (16). However, she quickly becomes used to only having to be “alone in some ways” (73) because of the friendship she forges with her roommates. She grows increasingly attached to her little apartment, sleeping first on an air mattress before graduating to a bed that she picks up with Wes and Isaiah. August begins to settle in New York, discovering that the “Q is a time, a place, and a person” (38). She enjoys the regularity of her 8:05am train and of being able to relax between shifts at Billy’s and classes at Brooklyn College. She also, of course, loves being able to see Jane. At the end of the novel, she purchases a queen-sized bed for her and Jane, and a bookshelf that they fill with items, signifying how she has really settled into this apartment.
The theme Having Hope and Being Okay with Whatever Happens begins to emerge in this section as well, and it does so in two primary ways. The first is in the appearance of magic as a motif. August gets the feeling when she walks into Billy’s that “[t]here’s something adjacent to magic within the diner” (14). Although she’s skeptical about magic, she can’t shake the feeling, and it’s something that she and Jane bond over at a point when neither of them really knows how much the inexplicable will affect their relationship (and when it’s unclear how much it will affect the plot of the novel as a whole). The other instance in which August first has to confront the idea of having hope is when Myla says that she quit her job as an electrical engineer to be an artist. The insecurity of this decision, financially in particular, freaks out August, who doesn’t trust herself in the same way. This emphasizes the theme Feeling Confident in Yourself, which is most apparent in Jane, Niko, and Myla. August immediately gets the sense that the three of them know who they are and are unafraid of it. She doesn’t yet know that Jane has no previous memory. While August hasn’t gained her own confidence yet, she’s starting to take pride in being a New Yorker.
By Casey McQuiston
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