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59 pages 1 hour read

Ken Kesey

One Flew Over the Cuckoo's Nest

Fiction | Novel | Adult | Published in 1962

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Symbols & Motifs

Laughter

When McMurphy first arrives on the ward and laughs out loud, Bromden calls it “the first laugh I’ve heard in years” (11). From that moment until he leads the patients on a fishing expedition—during which, on the open ocean, they finally join him in releasing a massive, liberating peal of laughter—McMurphy’s wit carries him through the worst that Ratched has to offer. McMurphy believes that “you can’t really be strong until you can see a funny side to things” (205). Similarly, Bromden remembers his father making fun of a group of government representatives. In these and other circumstances, laughter constitutes a challenge to authority.

 

As an authority figure, Ratched’s interest in laughter is purely clinical, as her staff is on the lookout for any signs of mirth among the patients. The public relations man who leads tours on the ward does laugh a lot, but something in his laughter rings false to Bromden.

The Combine

Coined by Bromden, this phrase refers to a massive, “nation-wide” social superstructure that coaxes and, when necessary, coerces individuals to comply with society’s norms and rules. The term simultaneously suggests the combined efforts of various entities and the mechanical motion of harvesting and threshing—of people rather than grain. Bromden recognizes the ward as a “factory for the Combine,” designed to reform those who fail to fit into society (36). When he observes the Combine in action, Bromden typically hallucinates mechanical imagery, whether in the building around him or in the people who do the Combine’s bidding. When Bromden leaves the hospital for the fishing trip, he observes the proliferation of identical suburban homes as evidence that the Combine’s work is progressing.

Gambling

McMurphy introduces himself as a gambler, and his actions back up the point. In addition to spending most of his free time running a gambling table in the ward’s day room, McMurphy frequently makes bets of all kinds with the other patients. Symbolically, McMurphy’s feud with Ratched escalates in much the same way as a game of poker: McMurphy takes progressively larger risks as Ratched tries to call his bluff. In the end, however, neither is bluffing: McMurphy tries to kill Ratched, and she sentences him to the severest punishment available to her: corrective brain surgery. By framing their conflict as a kind of gamble, Kesey emphasizes the high stakes and risks associated with resisting the Combine.

Fog

Bromden hallucinates a thick, oppressive fog whenever he senses the Combine acting upon him. In the days and weeks after McMurphy’s arrival, Bromden notices that the fog’s influence decreases, though it comes and goes as Bromden’s awareness fluctuates. When Bromden temporarily loses faith in McMurphy, the fog returns in force, though it again dissipates when Bromden votes or expresses himself in other ways. Though the fog has a certain appeal, carrying as it does the promise of safety, it fades away for good as Bromden grows into a new awareness of self.

Hunting and Fishing

Hunting and fishing recur throughout the text as examples of humanity’s ideal, natural relationship with the world. Many of Bromden’s memories of childhood center on hunting birds or bison and fishing with his father. He also vividly imagines himself entering a photograph of a natural setting where a man is fly fishing. When McMurphy plans a trip for the patients, he takes them fishing. His assertion that “men are men, boats are boats” under such circumstances testifies to his belief in the restorative power of fishing (178).

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