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54 pages 1 hour read

David Nicholls

One Day

Fiction | Novel | Adult | Published in 2009

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Part 3Chapter Summaries & Analyses

Part 3: “1996-2001, Early Thirties”

Part 3, Chapter 10 Summary: “Carpe Diem: Monday 15 July 1996”

The day before summer break, Emma lies on her back in Philip Godalming’s office, her skirt rucked up around her waist. They’ve been sleeping together for the past nine months, but their encounters leave her feeling uneasy. Emma reflects on how she ended up as “someone’s mistress,” finding the word “repulsive, servile” (167). The affair began after rejecting Ian's marriage proposal and ending their relationship. However, the initial excitement of the affair soon faded, and Emma now yearns for a real relationship. She expresses her concerns to Philip, and he offers to tell his wife over the summer. They then part ways, wishing each other a pleasant summer holiday.

Returning to her apartment in Walthamstow, Emma finds Ian going through a drawer, claiming to be looking for his passport. Emma, however, knows he’s behaving this way to express his unhappiness. Ian asks her if she was with someone, and Emma, annoyed, starts drinking vodka. Eventually, she admits to the affair with Mr. Godalming. Ian suggests she’s involved with Dexter instead. Emma tells him she hasn’t seen Dexter in months, but Ian, having read her old notebooks, knows about her past feelings for him. Emma tells Ian she was never truly happy with him—she felt trapped in the relationship. They start crying and end up slumped on the floor “of the flat they had bought together with such hope” (174). When Ian leaves, Emma reflects on how different life turned out to be. She buys a bottle of wine, a bottle of champagne, and some cigarettes. While leaving the shop, she runs into an old student and feels ashamed.

That night, Emma watches Dexter’s show, Game On. She notices a change in his demeanor—his usual swagger is gone. She feels a great wave of affection for him. She decides to give him a call the next day.

Part 3, Chapter 11 Summary: “Two Meetings: Tuesday 15 July 1997”

In Soho, Dexter’s agent, Aaron, informs him that he’s being removed from Game On in favor of a younger presenter. Dexter asks Aaron what’s next for him, and Aaron suggests some mediocre shows. Aaron points out that Dexter needs to change how people see him, as his reputation is one of unreliability, unprofessionalism, and arrogance. Dexter admits that this isn't what he had in mind for his future.

Meanwhile, on the South Bank, Emma is with her old friend Stephanie Shaw, who works in publishing. She’s on her way to meet Marsha Francomb, a famous editor, about her writing. Emma feels uneasy around Stephanie, who appears polished and professional. Emma’s story, a love tale for older kids, has faced many rejection letters, so she reached out to Stephanie for help. She’s optimistic that this meeting might be a turning point in her life, a “new start” (183). However, when she meets Marsha, it becomes apparent that there’s been a misunderstanding—Marsha thinks Emma is there for a nanny job. Apologizing, she offers to discuss Emma’s writing before the end of the summer. Emma feels that her life is stuck again. Her phone rings—it’s Mr. Godalming, scolding her for lying about being sick to make her meeting instead. Now that their relationship is over, he says she can't expect special treatment and threatens to make it a disciplinary issue. Emma surprises herself by resigning on the spot.

Part 3, Chapter 12 Summary: “Saying ‘I Love You’: Wednesday 15 July 1998”

Dexter has fallen in love with Sylvie Cope, a classic beauty. At her family home in Chichester, Sussex, he decides to tell her that he loves her. He’s never said “I love you” before. Dexter is meeting Sylvie's family, and the questions about his job make him uncomfortable. As they inquire about his focus on late-night shows, he reflects that the “Cope family are Winners and will only tolerate Winners” (189). Although Dexter now owns his media production company, work has been quiet. His only source of happiness is his weekends with Sylvie, exploring Europe. Sylvie is a woman of moderation who refrains from drinking, smoking, or taking drugs, and Dexter has cleaned up his act. He feels like a new man.

During a game of “Are you there, Moriarty?” Dexter accidentally hits Sylvie in the face with the baton. Her family accuses him of being drunk, and Sylvie remains silent, not defending him. Later, as they lie in bed, Dexter apologizes to Sylvie, and she says that she’ll forgive him. He jokes that “you always hurt the one you love” (197), but Sylvie says nothing back. Dexter thinks about telling this story to Emma and laughing with her about it, but he hasn’t seen her in two years.

Part 3, Chapter 13 Summary: “The Third Wave: Thursday 15 July 1999”

Emma is in Somerset, behind the wheel of her fourth-hand Panda, driving to her old friend Tilly Killick’s wedding. She reflects on this third wave of wedding invitations. The first wave was during university, the second in her mid-20s, and she anticipates an impending fourth wave—the second marriages. These invitations all include a guest for Emma. She wishes she could skip Tilly’s wedding, but she knows that Dexter will be there. In the meantime, Dexter and Sylvie are also driving to the wedding in Dexter’s Mazda sports car. Sylvie asks about the guest list, and, when Dexter mentions Emma, she asks if there was ever a romantic connection between them, and he denies it.

At the venue, Emma spots Dexter. Since their falling out, she’s seen him at weddings three times, but they’ve never properly talked. After the ceremony, they engage in small talk before Dexter goes back to Sylvie. Later, Dexter catches up with his old friend Callum O’Neill, discussing his new show, Sport Xtreme, and Callum’s sandwich chain. Callum mentions Dexter’s falling out with Emma and comments on her beauty, asking if they ever got together. Dexter says they almost did, once or twice. In the meantime, Emma is talking with an old archenemy who teases her for being a self-employed, unpublished writer.

After the speeches, Dexter asks Emma to go to the maze with him. Amidst the labyrinth’s twists and turns, they talk about reconnecting with their friends. Emma asks Dexter how he is doing, and he remarks that he’s now “a bit more sensible” (214) at 34. He playfully adds that he’s happy with Sylvie, although she lacks a sense of humor. Emma recalls Dexter once saying that if she was still single at 40, he would marry her. Dexter says he will have to withdraw the offer, as he is now engaged to Sylvie. He then discloses Sylvie’s pregnancy. Despite Emma’s genuine happiness for him, there’s an underlying sadness. As they try to find their way out of the maze, they share how much they’ve missed one another. They hug and tears well up in Emma's eyes. She tells Dexter she’s afraid of losing him again as he enters marriage and fatherhood. Before leaving the maze, they make a promise to never leave each other again.

Part 3, Chapter 14 Summary: “Fathering: Saturday 15 July 2000”

Dexter’s daughter, Jasmine Alison Viola Mayhew, was born in January, and Dexter then swore to “always do the right thing from now on” (224). However, his resolution held for barely two hours, as he soon went back to smoking. There’s a growing antagonism between him and Sylvie, exacerbated by the fact that he is currently unemployed. They’ve moved to Richmond, Surrey, close to Sylvie’s parents. Dexter finds family life isn’t as he imagined, with constant fighting and bickering. His only happiness comes from spending time with Emma, though he feels guilty for not being a perfect father and provider. In June, Dexter starts working at Natural Stuff, his friend Callum’s sandwich chain. He’s often recognized from being on TV, and he responds with a simple “life happened” (226).

Dexter is back home after a shift, and Sylvie, who’s heading to a hen night, worries about leaving Jasmine with him. Dexter senses her distrust and disappointment. Alone with Jasmine, Dexter struggles to calm her crying. He watches a TV program hosted by his ex-girlfriend Suki and decides to treat himself to a cigarette. At the store, he buys two bottles of wine and 20 cigarettes. Back home, he’s still unable to soothe Jasmine, feeling inadequate in his role as a father. He resorts to drinking, and once Jasmine is finally asleep, he calls Emma.

Emma is visiting her friend Stephanie Shaw and finds herself bored with conversations revolving around children. Dexter calls her, but she does not answer. She has no interest in meeting him just to see his daughter, so she decides to turn off her phone.

Receiving no answer from Emma, Dexter decides to call Suki, who’s taken aback. He asks to see her, but she firmly declines. As Jasmine is back to crying, Dexter becomes increasingly concerned. He decides to play some music and stumbles upon a compilation CD that Emma gifted him. When he plays it, Jasmine laughs, and for a moment, Dexter feels content. Just then, Sylvie calls to check in on him.

Sylvie isn’t at a hen party—she’s in a hotel room in Westminster with Callum. After ending the call with Dexter, she breaks into tears, realizing he sounded drunk.

Part 3, Chapter 15 Summary: “Jean Seberg: Sunday 15 July 2001”

Emma is eagerly waiting for Dexter at Gare du Nord in Paris, where she is spending the summer to focus on her writing. She's enjoying success as a novelist and has embraced a new look, inspired by Jean Seberg. The last time Emma and Dexter saw each other, they slept together, and Emma hopes they will discuss this occurrence. When he finally arrives, Emma notices his tired appearance. The two hug warmly and walk to her place, and Dexter pulls out a copy of Emma’s novel, expressing pride. He then shares his struggles—he will be divorced in September, Sylvie now lives with Callum, he’s unemployed, and he feels disconnected from his daughter. He feels like a “weird sad freak” (251). Emma suggests he return to work in the media.

They finally reach Emma’s place in Belleville, a modest apartment with only one bed. Suddenly, Dexter leans in to kiss her. Emma pulls back, revealing that she’s met a man named Jean-Pierre Dusollier. She offers to stay at his place for the night so Dexter can have the bed. Dexter is taken aback and disappointed given their recent night together. Emma explains that Dexter was upset and intoxicated, and she slept with him to comfort him. She admits that while she once had feelings for Dexter, she believes “[their] time has passed” (257). She then informs Dexter that Jean-Pierre will be joining them for dinner. Later, however, she tells Jean-Pierre that she’s feeling unwell. She kisses Dexter and jokingly warns him not to let her down.

Part 3 Analysis

In Part 3, Emma finds herself once again disillusioned with life, underscoring the theme of Navigating Life’s Expectations and Realities. In Chapter 10, her affair with the principal, Mr. Godalming, leaves her feeling uneasy and repulsed by the notion of being a mistress. The gloomy atmosphere of Mr. Godalming’s office mirrors her inner turmoil—the room feels stifling, with dusty blinds, and Emma wishes she were elsewhere. Later, she wonders if, at her age, she isn’t meant to have a close group of friends to lean on during tough times, and “sitting on a low baggy sofa with six or seven attractive zany metropolitans” (176). Additionally, her meeting with editor Marsha Francomb represents yet another instance of disappointment for Emma—she walks into the meeting with high hopes only to be swiftly let down when she is mistaken for a nanny. Similarly, Dexter’s life doesn’t unfold as he had envisioned. In Chapter 11, he faces the harsh reality of being fired from his show and tarnishing his reputation. He is eventually forced to take a job at his old friend Callum’s sandwich chain to support his family—a far cry from his former glamorous lifestyle. Dexter soon finds out that family life also isn’t what he imagined: Instead of the happy scenes from commercials, it’s filled with arguments, deceit, and eventually divorce. This theme of Navigating Life’s Expectations and Realities is encapsulated in the scene on page 187, when Dexter tells Aaron that this is not what he expected from life, to which Aaron responds: “It never is, is it? The future” (187). Both Emma and Dexter find that life is unpredictable as they struggle to find professional and romantic satisfaction, but they also continue to wax and wane at different times, further highlighting the yin-yang element of their relationship.

The Influence of Timing and Chance in Life significantly contributes to Emma and Dexter’s sense of disappointment. Meeting her friend Stephanie Shaw, who has a thriving career in publishing, Emma reflects on her own choices, wondering if persisting with letters to publishers at 22 could have led to similar success. Similarly, when Dexter first kisses Emma in Paris, she reveals that she’s met someone else. She feels their chance for romance has passed— "it’s too late. We’re too late” (257). Even though this will shift, it speaks to the importance of taking chances when one has them.

Throughout life’s twists and turns, both Emma and Dexter undergo significant Personal Growth and Self-Discovery. Emma’s decision to resign from her teaching job marks a daring step that gets her out of a stagnant phase and away from an uncomfortable dating situation with an uneven power balance. In making room for better things, Emma achieves her long-standing dream of becoming a successful writer; her book is sold everywhere in great piles, as noted by Dexter, who is both impressed by and proud of her achievement. Dexter also evolves through his ups and downs. He decides to clean up his act when he meets Sylvie, and vows to have “nothing in his life to be ashamed of anymore” (224) when he becomes a father. While he doesn’t fully keep this promise, he matures and takes on responsibility, putting aside his ego to work in a sandwich shop to support his family. This marks a significant change from the Dexter seen in Part 2, who used to spend entire nights clubbing and dining at glamorous restaurants, surrounded by women.

Part 3 also explores The Evolution and Complexities of Relationships Over Time. The differences between Emma and Dexter are once again highlighted, with Emma driving a fourth-hand Panda and Dexter a Mazda sports car. Still, in Chapter 10, Emma realizes that, despite these differences, she misses Dexter and wants him back, “because without him nothing is good and nothing is right” (178). Despite this, she represses her feelings and doesn't reach out to him. When she sees him again at the wedding in Chapter 13 and learns he is getting married, she feels simultaneously happy for him and sad to lose him. Dexter also seems saddened while delivering the news. Once again, the two choose to bury their emotions instead of acting upon them, conveying the melancholic message that relationships are complex, and attraction doesn’t always lead to a happy ending, particularly when communication is poor. There is a glimmer of hope, however, in Chapter 15, when Emma and Dexter finally decide to give each other a chance.

The theme of The Evolution and Complexities of Relationships Over Time extends beyond Emma and Dexter’s relationship. Emma and Ian’s dynamic is equally intricate—in Chapter 10, Emma expresses feeling trapped with him, yet later acknowledges moments of happiness. Nicholls makes Ian’s character nuanced—he is full of anger and self-pity but also acknowledges Emma’s talents and intelligence, praising her for being “a good writer” and “clever” (175). He defies stereotypes, emerging as a multifaceted character. Additionally, Sylvie’s betrayal of Dexter isn’t portrayed as malicious—it's rooted in her repeated disappointments with him, such as his failed promises to quit drinking. Their relationship is depicted as complex, which highlights a human truth regarding love and connection, as well as provides greater context for the complexity of Emma and Dexter’s relationship. These outer relationships demonstrate that human beings are complex and capable of feeling love alongside anger or resentment. As such, love alone is not enough to make these characters stay with a partner or commit to someone new, which steers the narrative away from standard romance novel conventions, instead exploring the nuances of love.

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